| 代码 | 名称 | | 涨幅% ↓ | 总市值 | 年初至今涨幅% | | --- | --- | --- | --- | --- | --- | | 603103 | 横店影视 | 1 | 10.00 | 178亿 | 69.18 | | 300528 | 幸福浩海 | 1 | 7.63 | 89.39亿 | 15.39 | | 001330 | 博纳影业 | 1 | 6.88 | 141亿 | 35.00 | | 300251 | 光线传媒 | 1 | 5.27 | 604亿 | 25.70 | | 002905 | 金逸影视 | 1 | 5.19 | 48.09亿 | 13.10 | | 000892 | 欢瑞世纪 | 1 | 3.40 | 77.50亿 | 13.18 | | 600977 | 中国电影 | 来 | 3.09 | 342亿 | 16.67 | | 601595 | ┣海申影 | 张 | 2.11 | 137亿 | 6.50 | | 002739 | 万达电影 | | 1.86 | 255亿 | 6.54 | | 000802 | 北京文化 | 1 | 1.77 | 33.00亿 | ...

| 代码 | 名称 | | 涨幅% ↓ | 总市值 | 年初至今涨幅% | | --- | --- | --- | --- | --- | --- | | 603103 | 横店影视 | 1 | 10.00 | 178亿 | 69.18 | | 300528 | 幸福浩海 | 1 | 7.63 | 266688 | 15.39 | | 001330 | 博纳影V | 1 | 6.88 | 141亿 | 35.00 | | 300251 | 光线传媒 | 1 | 5.27 | 604亿 | 25.70 | | 002905 | 金逸影视 | 1 | 5.19 | 48.09亿 | 13.10 | | 000892 | 欢瑞世纪 | 1 | 3.40 | 77.50亿 | 13.18 | | 600977 | 中国电影 | 张 | 3.09 | 342亿 | 16.67 | | 601595 | 上海电影 | 张 | 2.11 | 137亿 | 6.50 | | 002739 | 万达电影 | | 1.86 | 255亿 | 6.54 | | 000802 | 北京文化 | 1 | 1.77 | 33.00亿 | ...

日前，北京文化披露的公告显示，该公司预计2025年实现营收3.1亿元至3.6亿元，上年同期为3.17亿元；预计归属于上市公司股东的净利润为-4.1亿元 至-3.5亿元，上年同期为-1.56亿元。 | 项目 | | 本报告期 | | 上年同期 | | --- | --- | --- | --- | --- | | 归属于上市公司股东的净利润 | -41.000 | 2 | -35,000 | -15.563.65 | | 扣除非经常性损益后的净利润 | -38, 500 | ~ | -32, 500 | -15, 214. 36 | | 基本每股收益(元/股) | -0.5727 | N | -0. 4889 | -0. 2174 | | 营业收入 | 31,000 | N | 36, 000 | 31.692.97 | | 扣除后营业收入 | 31,000 | N | 36, 000 | 31.692.97 | 看推文多多留言 有机会获商报君送出的礼品 资料显示，北京文化于1998年在深交所上市，主营业务为影视文化业务，包含电影、电视剧网剧、演艺演出、艺人经纪、文化旅游等板块。2019年至2024 年，该公司 ...

| 代码 | 名称 | 收盘价 | 涨跌幅 | 成交量(手) | 成交额(元) | | | --- | --- | --- | --- | --- | --- | --- | | 603103 | 横店影视 | 25.50 | 10.01% | 12.48万 | | 3.10亿 | | 300528 | 幸福蓝海 | 22.29 | 8.73% | 41.29万 | | 9.12亿 | | 300251 | 光线传媒 | 19.56 | 7.12% | 225.37万 | | 44.03亿 | | 002905 | 金逸影视 | 12.15 | 5.10% | - 39.73万 | | 4.84亿 | | 001330 | 博纳影V | 9.60 | 4.58% | 162.74万 | | 15.57亿 | | 600977 | 中国电影 | 17.79 | 3.37% | 114.30万 | | 20.20亿 | | 601595 | 上海电影 | 29.86 | 2.09% | 12.18万 | | 3.63亿 | | 002739 | 万达电影 | 11.84 | 1.81% | 116.50万 | | ...

证券代码：000802 证券简称：北京文化 公告编号：2026-01 北京京西文化旅游股份有限公司 2025 年度业绩预告 本公司及董事会全体成员保证信息披露的内容真实、准确、完整，没有虚假记载、误导性陈述或重大遗 漏。 本次业绩预告相关数据是公司财务部门初步测算的结果，未经会计师事务所审计。公司已就业绩预 告有关事项与年报审计会计师事务所进行了预沟通，公司与会计师事务所在本报告期的业绩预告方面不 存在分歧。 三、业绩变动原因说明 公司预计本报告期内归属于上市公司股东的净利润为亏损，主要原因说明如下： 一、本期业绩预计情况 1、业绩预告期间：2025 年 1 月 1 日至 2025 年 12 月 31 日。 2、业绩预告情况：预计净利润为负值 （1）以区间数进行业绩预告的 单位：万元 | 项 目 | | 本报告期 | | 上年同期 | | --- | --- | --- | --- | --- | | 归属于上市公司股东的净利润 | -41,000 | ～ | -35,000 | -15,563.65 | | 扣除非经常性损益后的净利润 | -38,500 | ～ | -32,500 | -15,214.36 ...

北京文化公告，预计2025年度净利润为负，预计亏损3.5亿元至4.1亿元。报告期内，公司电影项目《封 神第二部：战火西岐》票房未达预期。受影片制作周期较长、春节档电影市场竞争激烈等因素影响，项 目制作及宣传发行成本较高，最终导致该项目出现亏损。 ...

证券之星消息，1月28日影视院线板块较上一交易日下跌0.68%，欢瑞世纪领跌。当日上证指数报收于 4151.24，上涨0.27%。深证成指报收于14342.9，上涨0.09%。影视院线板块个股涨跌见下表： | 代码 | 名称 | 收盘价 | 涨跌幅 | 成交量(手) | 成交额(元) | | | --- | --- | --- | --- | --- | --- | --- | | 603103 | 横店影视 | 21.07 | 4.57% | 15.54万 | | 3.31亿 | | 300251 | 光线传媒 | 17.89 | 1.07% | 70.93万 | | 12.67亿 | | 300133 | 华策影视 | 8.90 | 0.68% | 126.79万 | | 11.23 乙 | | 300027 | 华谊兄弟 | 2.20 | 0.46% | 64.56万 | | 1.42亿 | | 601595 | 上海电影 | 28.90 | -0.03% | 5.57万 | | 1.62亿 | | 002905 | 金逸影视 | 11.38 | -0.35% | 9.94万 | | 1.14亿 | | ...

Core Viewpoint - The new productive forces are reshaping Beijing's cultural ecology, promoting the vigorous development of new mass arts, and enhancing the quality of cultural experiences for citizens [1][2]. Group 1: Cultural Development - The transition from "having culture to enjoy" to "having high-quality culture to feel" reflects a shift in focus from mere accessibility of cultural resources to the quality and depth of cultural experiences [2]. - New productive forces, including digital technology, artificial intelligence, and big data, are being utilized to activate creativity, empower dissemination, and upgrade experiences in the cultural sector [1]. Group 2: Practical Examples - The "Cloud Central Axis" platform has achieved over 9 million visits, allowing citizens and global audiences to engage with historical sites like the Bell and Drum Towers and the Forbidden City [1]. - The immersive broadcast of the Peking Opera "Ding Jun Shan" brought the art form to local communities, making it accessible and engaging for residents [1]. - The Longfu Outdoor Drama Festival has transformed spectators into participants, breaking traditional boundaries of performance [1]. - The play "Crocodile" incorporates film-level visual effects on stage, showcasing how technology expands the imagination in theater [1]. Group 3: Policy and Recommendations - As a member of the Political Consultative Conference, the company emphasizes the importance of active participation and practical promotion in cultural development [2]. - A proposal was submitted to support the sustainable and healthy development of private performing arts institutions in Beijing, aligning with the city's goal of becoming a "Performing Arts Capital" by 2025 [2]. - Specific recommendations have been made regarding program innovation, youth talent cultivation, integration of drama with cultural tourism, and international dissemination, with some suggestions already reflected in relevant policies for high-quality development in the capital [2].

Core Viewpoint - The new productive forces are reshaping Beijing's cultural ecology, promoting the development of high-quality cultural experiences for citizens, moving from mere access to culture to a deeper appreciation of quality cultural engagement [1][2] Group 1: Cultural Development - The new productive forces utilize digital technology, artificial intelligence, and big data to enhance creativity, empower communication, and upgrade experiences in the cultural sector [1] - The initiative "Cloud Central Axis" has achieved over 9 million visits, allowing citizens and global audiences to engage with historical sites like the Bell and Drum Towers and the Forbidden City [1] - Traditional performances, such as Peking Opera, are being integrated into community settings, making cultural experiences more accessible and relatable to everyday life [1] Group 2: Quality of Cultural Experience - The shift in cultural consumption from "having culture to enjoy" to "having high-quality culture to feel" emphasizes the importance of the quality of cultural activities and the depth of experiences [2] - The new productive forces have transformed culture from static exhibitions to interactive and participatory experiences, enriching daily life and invigorating the capital's development [2] Group 3: Policy and Recommendations - As a member of the Political Consultative Conference, the company is actively involved in promoting the sustainable development of private performing arts institutions in Beijing, with proposals submitted for enhancing the cultural landscape [2] - Specific recommendations have been made regarding performance innovation, youth talent cultivation, integration of drama with tourism and commerce, and international communication, some of which have been reflected in relevant policies for high-quality development in the capital [2]

【#关注2026北京两会# |阚凌云：新质生产力赋能北京文化高质量发展 】1月23日上午，在"我是委 员"集体采访活动中，来自文艺界别的市政协委员、北京央华时代文化发展有限公司（央华戏剧）总经 理阚凌云表示：新质生产力重塑北京文化生态、推动新大众文艺发展，以数字技术等手段激活创作、赋 能传播、升级体验，让北京文化发展实现从量到质跨越，从有文化可享到高品质文化可感，文化成为可 触摸参与共创的生活场景。（北京青年报记者 吕安琪 摄像 刘畅 编辑 黄安琪 校对 房霞） ...