（原标题：原中国保监会副主席周延礼：个人养老金制度应提升税收激励的力度） 周延礼建议，在养老目标基金之外，金融机构还可以开发包括多资产组合、年金险等在内的多元化产品 线，从而提升个人养老金产品线的适配性和专业性。 5月18日，原中国保险监督管理委员会党委副书记、副主席周延礼在"清华五道口全球金融论坛"上接受 媒体采访时表示，个人养老金制度作为养老保险体系的第三支柱，其重要性日益凸显，该制度不仅能有 效缓解基本养老金的支付压力，还能通过市场化运作，为个人提供更加灵活多样的养老保障选择。 他同时称，希望资本市场能够在提高个人养老金运营效益等方面发挥更大作用。 他同时表示，目前个人养老金制度运行平稳，但在税收激励力度、可选择的金融产品丰富度等方面还有 待提高和完善。 周延礼强调，在国家财政可以承受的范围之内，应适当提高税前扣除上限，也可以根据国家经济发展和 财政收入情况，探索多样化的个人养老金激励机制。比如，"政府配比+税收+补贴"这种复合模式，以 更好匹配中低收入群体参与的能力。 经济观察报 记者 老盈盈 此外，周延礼亦认为，还需要丰富第三支柱产品的供给，因为产品供给直接决定消费者参与个人养老金 的兴趣。当前金融 ...

Core Viewpoint - Shanghai Balanshi Automotive Testing Equipment Co., Ltd. is currently in the inquiry stage of its IPO review, focusing on automotive repair and testing equipment, with a significant reliance on OEM sales for its revenue [1][2] Group 1: Company Overview - Balanshi specializes in the research and production of automotive maintenance, testing, and repair equipment, including tire changers, balancers, lifts, and refrigerant recovery machines [1] - The company submitted its IPO application to the Beijing Stock Exchange in September 2024, aiming to raise 300 million yuan for smart transformation and expansion projects [1] Group 2: Sales and Revenue Structure - The company’s overseas sales are primarily based on OEM, with OEM sales accounting for 89.05% and 90.14% of overseas sales revenue in 2020 and 2021, respectively [1] - From 2021 to the first half of 2024, overseas sales contributed 74.42% to 75.91% of the main business revenue, with OEM sales making up over 90% of overseas sales [1] - In the first half of 2024, Balanshi's overseas revenue was 379 million yuan, with approximately 341 million yuan coming from OEM sales, indicating that OEM contributions exceeded 70% of total revenue [1] Group 3: Risks and Challenges - The company faces significant risks due to its heavy reliance on the OEM model, which limits brand premium and bargaining power [2] - Potential risks include changes in foreign sales policies, supply chain stability issues, and delays in brand development [2] - The current geopolitical fluctuations and intensified industry competition create uncertainty regarding the company's ability to break through brand limitations and optimize market structure [2]

Group 1 - The total number of Chinese students studying abroad from 1978 to the end of 2019 reached 6.5606 million, with 1.6562 million currently studying abroad and 4.9044 million having completed their studies, of which 4.2317 million returned to China, accounting for 86.28% of those who completed their studies [1] - The trend of returning students has become more pronounced due to factors such as the COVID-19 pandemic and changes in international relations, with over 70% of key project leaders in major disciplines, 40% of national science award winners, and a significant number of university presidents and hospital directors being returnees [1] - The collaboration between the University of Birmingham and the University of Glasgow aims to provide professional employment support for Chinese students studying there, facilitating their job search upon returning to China [1][2] Group 2 - The partnership between the two universities is part of a broader international student support initiative, focusing on enhancing global career opportunities for graduates [2] - Both universities have established connections with over 8,000 employers, offering various online and offline activities to help graduates secure internships and long-term employment [2][3] - The collaboration with JOBS海归 will provide tailored services, including online seminars and job application guidance, to help graduates navigate the Chinese job market [3][4] Group 3 - The most attractive industries for students with overseas study backgrounds in China include information technology, finance, banking, manufacturing, telecommunications, and biopharmaceuticals [3] - The universities recognize that most Chinese students studying in the UK plan to return to China for work, and they are committed to preparing them for successful careers [3] - Starting from June, all Chinese graduates from both universities will have access to services through the JOBS海归 website, with exclusive alumni networking events planned for September [4]

（原标题：对存在的意义，投去怀疑的一瞥） 自近代小说诞生以来，就似乎形成了一条艺术规律，作家应当在其作品中描写存在之重，这种存在之重 表现为个人与社会不可调和的冲突。20世纪九十年代初，菲利普·罗思采访捷克作家克里玛时，就曾感 叹道，西方作家现在什么都可以写，但任何题材都显得不重要。这是因为，在承平日久的现代西方社 会，存在之重已成为遥远的回忆。 这就是为什么自20世纪下半叶，严肃文学的目光开始转向南美和非洲，那儿仍因社会的封闭和愚昧而显 出存在之重。例如在南非，就有三位作家获得诺贝尔文学奖，库切就是其中的一位，他的代表作《耻》 和《迈克尔·K的人生和时代》使他获得国际盛誉，原因不外是其内容充满压抑和神秘，有一种存在的沉 重感。 然而，库切的近作《波兰人》描写的却是存在之轻，这或许与库切后来移居西方，题材也转向欧洲的平 淡生活有关。《波兰人》讲述的是一个老掉牙的艳遇故事，一个西班牙中年女人与一个波兰老钢琴家在 音乐会上相识，他俩在一个小岛上共度了几晚，然后又回到各自的生活中，没有任何浪漫曲折的情节， 也没有刻骨铭心的结局。 这里我们就不用探寻库切的晚年经历了，博尔赫斯说过，小说本质上是作家的自传，这话当然没什 ...

Core Insights - The Hainan Boao Lecheng International Medical Tourism Pilot Zone has achieved significant progress in its special drug and medical device policy, with 476 imported special drugs and devices as of April 30, 2025, including 175 drugs and 301 devices [1] Group 1: Policy Advantages - The Lecheng Pilot Zone has four core policy advantages: special drug and device policy, real-world research policy for drugs and devices, real-world research policy for medical insurance, and special operation policy for public hospitals [1] - The special drug and device policy allows the import and use of new drugs and devices that have not yet been approved in China, enabling patients to access the latest global medical innovations more quickly and conveniently [1] Group 2: Future Plans - The Lecheng Medical Supervision Bureau plans to focus on "medical" as the core and actively serve the introduction of special drugs and devices through a traceability platform, transitioning from passive approval to proactive service [2] - The zone aims to introduce a full range of special drugs and devices related to specific diseases and specialties, creating a comprehensive multidisciplinary center for disease management [2] - The plan includes expanding the entire industrial chain of special drugs and devices through real-world data research and medical-engineering transformation, positioning Lecheng as a new highland for drug and device research and development [2] Group 3: Regulatory Commitment - The special drug and device policy is regarded as Lecheng's "golden signboard," with a commitment to maintaining medical safety, ethical safety, and policy safety [3] - The Lecheng Medical Supervision Bureau will continue to support the application of special drugs and devices and real-world data research while strengthening regulation to ensure medical safety [3]

Core Viewpoint - The UCCA Center for Contemporary Art in Beijing is hosting two solo exhibitions featuring artists Chen Ke and Liao Fei, focusing on the reinterpretation of historical art movements and the contributions of marginalized creators [1][2]. Group 1: Chen Ke's Exhibition - The exhibition "Chen Ke: Nameless Bauhaus" showcases over 60 works created since 2020, particularly the "Bauhaus Girl" series, emphasizing the contributions of female artists from the Bauhaus school [1][2]. - Chen Ke, born in 1978 in Sichuan, is recognized for her impactful visual expressions that explore the complexities of individual emotions within social and historical contexts [1][2]. - The exhibition highlights the often-overlooked artistic contributions of women in the weaving workshop of the Bauhaus, showcasing their significant influence on textile art [1][2]. Group 2: Liao Fei's Exhibition - The exhibition "Liao Fei: As If One Has Eyes" represents Liao Fei's most systematic solo exhibition since he began his artistic career in 2006, focusing on five core concepts: material, field, extension, infinity, and deduction [2]. - The exhibition includes Liao Fei's early works that explore the relationships and tensions between materials, as well as new pieces from his "Handwriting Space" series and "Unidirectional Sculpture" [2]. - Liao Fei's works aim to challenge traditional sculpture's limitations by merging logical thinking with artistic expression, transforming abstract concepts into tangible visual experiences [2].

新车赏 5月18日，东风风行旗下的菱智家族发布新能源产品矩阵，涵盖纯电、增程两种技术版本。其中，菱智 新能源420km纯电城运版，售价为10.98万元，限时置换一口价9.98万元；菱智新能源110km增程版，售 价为10.98-11.38万元，限时置换一口价9.98-10.38万元。加上在2021年推出的菱智PLUS CNG（天然气） 版本，菱智完成了燃油、纯电、增程、天然气等多种技术路线的覆盖。 菱智是东风柳汽旗下的风行品牌打造的一个商务车系列，其有着20年的发展历史。2001年，东风风行推 出中国首款自主商务车——风行Future，此后，菱智不断创新：2008年，首创中端兼用型商务车，开 创"商用+家用"新品类；2012 年，菱智M3、V3推出，售价6—8万元，具备小排量与大空间优势。在燃 油车时代，菱智系列成为国内商务车/MPV市场的一个重要代表，至今，菱智家族已经拥有116万车主。 技术路线的多元性，拓宽了菱智新能源的使用场景。最新发布的菱智新能源420km纯电城运版搭载 64.4kwh大容量电池，CLTC续航达420km，百公里电耗仅17.5kWh，百公里用车成本低至9元，还支持35 分钟快充，解决 ...

Group 1 - The core perspective of the article emphasizes the importance of creativity in solving problems within the advertising industry, as highlighted by the experiences of Guo Jun, a seasoned creative director [1][8] - The Cannes Young Lions competition is seen as a vital platform for young creatives under 30 to challenge themselves and showcase their talents on an international stage, reflecting the evolving standards of creativity in China [2][3] - The competition has evolved over the years, now allowing more participants from various categories, which indicates a growing recognition of Chinese creative talent [2] Group 2 - Current trends in the advertising industry include the integration of AI and cross-industry collaborations, as evidenced by entries that utilize AI to address social issues like Alzheimer's disease and promote agricultural initiatives [3] - The industry is experiencing a shift where brands are increasingly collaborating to create mutually beneficial outcomes, driven by market competition [3] - For upcoming global competition participants, the ability to effectively communicate Chinese concepts to an international audience is crucial, necessitating strong storytelling skills [4] Group 3 - For those who did not win, the experience gained from participation is invaluable, and maintaining passion for advertising creativity is essential for future opportunities [5][6] - The advertising industry continuously faces challenges, but creativity is fundamentally about finding solutions to these challenges, encouraging professionals to confront difficulties with courage [8]

在当代艺术与文化的多元景观中，废土美学如一颗独特的星辰，散发着神秘而迷人的魅力。它以一种充 满末世感与荒芜感的独特视角，重新诠释了人类文明与自然的关系。 废土美学的核心场景往往是被人类遗弃或遭受巨大灾难后的世界。曾经繁华的都市沦为废墟，高楼大厦 倾颓，街道被垃圾和荒草覆盖。生锈的金属、破碎的玻璃和残垣断壁成为了这个世界的主要元素。这些 破败的景象看似毫无生机，却蕴含着一种原始而强烈的力量。它让我们看到了人类文明的脆弱，也引发 了我们对未来的担忧和思考。 从视觉表现上看，废土美学通常运用灰暗、深沉的色调，如黑色、棕色、灰色等，来营造出压抑、荒凉 的氛围。光影的运用也十分关键，强烈的明暗对比突出了废墟的立体感和沧桑感。同时，艺术家们还会 加入一些奇异的元素，如变异的生物、废弃的科技装置等，为画面增添了一份奇幻和神秘的色彩。 （原标题：解码废土美学） 废土美学不仅仅是一种视觉上的呈现，它还反映了人类内心深处的恐惧和对未知的探索欲望。在这个看 似绝望的世界里，人们往往能够发现一些微小的希望和生机。比如，在废墟中生长的野花，象征着生命 的顽强和不屈；而那些在废土中艰难求生的人们，则展现了人类的坚韧和勇气。 在文学和影视 ...

Core Viewpoint - Zeng Fanzhi has become a symbol of contemporary Chinese art, breaking the billion yuan mark in art sales, with his work "The Last Supper" fetching 1.81 billion HKD, setting a record for contemporary Asian art [2][8]. Group 1: Artistic Journey - Zeng Fanzhi's career began in 1990 with a controversial exhibition that showcased his bold use of red paint, which was deemed excessive [2]. - His artistic evolution includes several phases, starting from the influence of German Expressionism in the early 1990s, moving to the iconic "Mask" series, and later developing a unique "chaotic brush" style [5][7]. - The "Mask" series, characterized by figures wearing pale masks, reflects urban alienation and has become a signature of his work [4]. Group 2: Market Impact - Zeng Fanzhi's artworks are considered "hard currency" in the art market, with total sales exceeding 35.8 billion CNY, consistently placing him at the top of contemporary Chinese artists [9]. - His auction records include "The Last Supper" at 1.81 billion HKD and "The Concord Hospital Series No. 3" at 48.45 million HKD, showcasing his market dominance [8][9]. - The rise of Zeng's market value is linked to the emergence of a new wealthy class in China, which views his works as cultural investments and status symbols [10]. Group 3: Cultural Significance - Zeng Fanzhi's contributions have established a global discourse on contemporary Chinese art, with his "Mask" symbol interpreted as a reflection of identity anxiety in a globalized context [10]. - His chaotic brush style challenges the aesthetic barriers between Eastern and Western art, representing a significant cultural dialogue [10]. - Despite ongoing controversies regarding his artistic direction, Zeng's journey from a struggling artist to a prominent figure in international art reflects the transformation of contemporary Chinese art from imitation to establishing its own identity [10].