Group 1 - The article discusses the historical fascination with the beauty of the "Four Great Beauties" of ancient China, highlighting how their images have evolved over time due to cultural narratives and artistic interpretations [1][2][4]. - It emphasizes that the descriptions of these beauties often stem from male perspectives, suggesting that the historical accounts may not accurately reflect their true appearances [2][6]. - The text points out that most early records of the Four Beauties were written by upper-class scholars, which obscured their actual beauty in favor of political implications [5][6]. Group 2 - The article questions the authenticity of online "restoration images" of the Four Beauties, suggesting that they may not represent their real beauty levels [6]. - It raises the issue of how the allure of the Four Beauties continues to attract modern tourists, indicating a significant cultural impact on contemporary tourism [6].
四大美女颜值到底什么水平
后浪研究所·2024-12-19 09:35