大学生版《牡丹亭》：良辰美景“动”校园

Core Points - The campus youth version of "Peony Pavilion" premiered on April 26 at Jiangsu Grand Theatre, featuring a cast entirely composed of students, with 80% being post-2000s generation and an average age of under 22 [1] - The production aims to engage young audiences and promote appreciation for traditional Chinese culture, with the involvement of notable figures like Bai Xianyong as the artistic director [2][4] - The performance is a collaboration among students from 29 universities, showcasing the potential of youth in preserving and revitalizing traditional art forms like Kunqu [4][12] Group 1 - The campus youth version of "Peony Pavilion" has been performed over 500 times in the past 20 years, attracting numerous young fans [1] - The project faced logistical challenges due to the diverse locations and schedules of participating students, necessitating intensive rehearsal periods during holidays and weekends [5] - Bai Xianyong emphasized the importance of cultivating young audiences to ensure the survival of Kunqu, highlighting the success of the youth version in both domestic and international performances [5][12] Group 2 - The students underwent rigorous training, with a focus on mastering the unique singing and movement styles of Kunqu, despite many lacking prior experience [7][9] - The production featured multiple actors for key roles, allowing more students to participate and showcase their talents [8][10] - The cultural lessons provided during rehearsals deepened the students' understanding of Kunqu's history and significance, enhancing their performance skills [9][12] Group 3 - The premiere received enthusiastic responses from audiences, including international attendees who were captivated by the performance [11] - The experience has fostered a sense of cultural pride and responsibility among the participating students, reinforcing their connection to traditional arts [12][13] - The initiative is seen as a model for integrating traditional culture into modern contexts, encouraging broader public engagement with Kunqu [13]