贾樟柯和朋友们的摄影展现身上海，用影像讲述中国的变化

Core Perspective - The exhibition "Like Water and Light" features works by Jia Zhangke and three closely related artists, presenting a richer visual world that explores the relationship between film and photography, as well as the connections between filmmakers and photographers [1][3] Group 1: Exhibition Overview - The 10th Shanghai Image Art Fair, held from May 8 to 11, attracted over 10,000 visitors, showcasing thousands of works from over a hundred galleries and institutions from countries including France, Italy, the USA, and Japan [1] - The special exhibition "Like Water and Light" includes works from Jia Zhangke, Apichatpong Weerasethakul, Liu Zheng, and Yu Lik-wai, drawing significant attention from the audience [1][3] Group 2: Artistic Collaboration - The exhibition aims to rekindle the dialogue between different artistic mediums, as curators note that the communication between filmmakers, photographers, and contemporary artists has diminished over time [3] - The collaboration between Jia Zhangke and Yu Lik-wai began in the early 1990s, with Yu serving as the cinematographer for all of Jia's films, highlighting a long-standing partnership [5] - Liu Zheng and Jia Zhangke both address social realities through their respective mediums, with Liu's "The People" series capturing the diverse lives of various social classes [5] Group 3: Artistic Themes - The works of the featured artists often focus on marginalized groups and the struggles of ordinary individuals, reflecting a commitment to documenting the human experience [5][6] - Jia Zhangke's film and photography work emphasizes the lives of small characters amidst China's social changes, with his "Tattoo" series representing a form of self-expression for those who rarely have a voice [7] - Apichatpong's works blend documentary and fiction, using non-linear narratives to respond to social realities, while Liu Zheng's latest work "The Power of Silence" captures the intricate structures of machines, symbolizing the harshness of reality [9] Group 4: Artistic Philosophy - The curatorial perspective suggests that both film and photography are expressions of time, with static images providing a space for imagination and reflection on past events [9][11] - The artists' practices are rooted in genuine social experiences, contrasting with contemporary artists who may focus more on theoretical concepts rather than lived experiences [11] - The exhibition emphasizes the importance of individual life experiences in shaping unique artistic expressions, suggesting that art becomes richer when it reflects personal and societal narratives [11]