电影《南京照相馆》在欧洲多国展映 引发观众强烈共鸣

Core Viewpoint - The film "Nanjing Photo Studio," which depicts the Nanjing Massacre, has been screened in various European cities, resonating deeply with audiences and emphasizing the importance of remembering history and cherishing peace [1]. Group 1: Film Reception and Impact - The screenings in cities like Rome, Athens, Stockholm, and Sofia have sparked strong emotional responses from European viewers, who recognized the immense suffering caused by the Japanese invasion during the Second Sino-Japanese War [1]. - Bulgarian viewers expressed that the film serves as a mirror for examining history, highlighting the duty of contemporary society to remember the sacrifices made during wartime [4]. - The film is seen as a high-quality production that presents a lesser-known historical narrative to Western audiences, aiming to evoke shared humanity rather than promote hatred [5]. Group 2: Historical Context and Reflection - Chinese Ambassador to Bulgaria, Dai Qingli, emphasized the role of the Chinese Communist Party as a central political force during the Anti-Japanese War, advocating for a remembrance of history to foster peace rather than hatred [2]. - The film is recognized for its ability to reflect on a painful past while promoting a future of peace and cooperation among nations [5][7]. - The narrative of the film is crucial for understanding that the Second World War's roots extend beyond the commonly recognized start date, highlighting the earlier suffering in China [11]. Group 3: International Perspectives - International figures, such as the director of the Sweden "Belt and Road" Research Institute, noted the film's importance in showcasing the resilience and beauty of human nature amidst brutality [7]. - The Chairman of the Sweden-China Trade Council highlighted the necessity of peace and stability as prerequisites for multilateral exchanges, suggesting that economic cooperation can contribute positively to peace and development [10]. - Greek photographer George Leodidis pointed out the parallels between Greece's historical suffering and that of the Chinese people, advocating for broader screenings of the film to educate global audiences about the true timeline of World War II [11].