Core Viewpoint - The recent controversy surrounding the drama "Blossoms" highlights the complex relationships between directors, screenwriters, and grassroots creators in the Chinese film and television industry, revealing issues of authorship, compensation, and the hidden rules of the industry [2][10][19]. Group 1: Compensation Issues - There is a significant disparity in compensation within the industry, with top screenwriters earning between 300,000 to 1,000,000 yuan per episode, while grassroots writers may only receive 3,000 yuan per episode, representing a staggering 97% reduction in pay [7][8]. - The phenomenon of "layered subcontracting" is prevalent, where tasks are outsourced multiple times, leading to drastic pay cuts for lower-tier writers [3][4][6]. Group 2: Authorship and Rights - The issue of authorship rights is a critical concern, as many writers lack formal agreements that confirm their contributions, making it difficult to claim rights later [10][11]. - The industry operates on a trust-based system, where personal connections often outweigh talent in hiring decisions, leading to a culture where established relationships dictate opportunities [18][19]. Group 3: Industry Structure and Dynamics - The industry is characterized by a pyramid structure, with top-tier writers and production companies at the apex, controlling resources and decision-making, while lower-tier writers struggle for recognition and fair compensation [6][8]. - The lack of collective bargaining power among writers contributes to their vulnerability, as many operate as "individual contractors" without the support of unions or associations [22][23]. Group 4: Emerging Trends and Future Outlook - The push for industrialization in the film and television sector is leading to more standardized processes, which may help clarify roles and compensation, potentially reducing disputes over authorship [23]. - The rise of AI technology is transforming the writing process, allowing lower-tier writers to focus on creative tasks rather than repetitive work, although it also poses challenges for those who cannot adapt [23][24].
谁在替王家卫写《繁花》?揭秘影视剧本层层转包“枪手链”
Mei Ri Jing Ji Xin Wen·2025-11-11 10:28