从传统评点看金庸｜《书剑恩仇录》篇：金庸的幽默感

Group 1 - The article discusses the unique appreciation tradition of Chinese classical novels, particularly focusing on the narrative aesthetics and techniques of Jin Yong's works, which are deeply rooted in this tradition [1] - Jin Yong's humor and light-hearted writing style, although not fully matured in his debut novel "The Book and the Sword," leave a strong impression through direct and witty commentary, especially on characters like Emperor Qianlong [2][4] - The use of humor in Jin Yong's narratives serves to alleviate tension and enhance the storytelling experience, as seen in the character of Afanti, who employs clever logic to outsmart greedy characters, transforming serious situations into comedic ones [4][6] Group 2 - The article highlights the importance of rhythm and pacing in narrative structure, referencing Jin Shengtan's concept of "脱卸" (detachment) to describe how humor and narrative transitions should flow naturally without disrupting the story's momentum [6][7] - Criticism is directed at the inappropriate use of humor in "The Book and the Sword," where a forced comedic scene disrupts the tension of a critical moment, showcasing Jin Yong's early struggles with long-form narrative control [7] - The article contrasts Jin Yong's early works with his later masterpiece "The Deer and the Cauldron," which successfully integrates humor with historical elements and narrative structure, demonstrating his growth as a writer [7]