高古“唐流” 绘刻双绝

Core Viewpoint - The article discusses the significance of the "Zhang Shen Zhi Zheng Bei Xiang Mi Ben" and its illustrations by Chen Hongshou, highlighting its artistic and historical value in the context of late Ming dynasty printmaking and literature [5][8]. Group 1: Artistic Significance - The "Yingying Portrait" at the beginning of the volume is characterized by its elaborate attire and symbolic elements, reflecting influences from Tang dynasty court lady paintings and Chen Hongshou's own style [6][7]. - Chen Hongshou's choice of the Tang style for the illustrations demonstrates his pursuit of high antiquity and the integration of traditional aesthetics into his work [7][10]. - The "Quyi Tu" series, consisting of five illustrations, showcases the artist's skill and the unique characteristics of printmaking, emphasizing the importance of visual representation in late Ming drama [8][10]. Group 2: Historical Context - The volume is part of a broader literary and artistic tradition, with a list of 32 contributors indicating a vibrant cultural network in Zhejiang, where many poets and artists interacted [8][9]. - Zhang Shen, the book's namesake, had a notable lineage and military background, which is reflected in the themes of loyalty and virtue present in the illustrations [9][10]. - The preservation and quality of the Zhejiang Provincial Museum's copy of the book are highlighted, marking it as one of the best among existing editions, thus contributing to the understanding of ancient Chinese literature and art [11].