南博老院长日记里的庞家捐赠往事

Core Viewpoint - The Nanjing Museum is currently under investigation by Jiangsu's cultural and tourism department regarding the authenticity of donated artifacts, with historical records indicating past instances of identifying forgeries among donations [1][4]. Group 1: Historical Context - In the 1960s, the Nanjing Museum, under the leadership of then-director Zeng Zhaoyi, maintained communication with the Pang family regarding their donations, which included paintings and calligraphy [1]. - Zeng's diary entries reveal that the museum received donations from the Pang family, with significant interactions recorded between 1959 and 1964 [1][3]. Group 2: Authentication Issues - A national expert group, led by Zhang Heng, identified a specific painting, "Jiangnan Spring Scroll," as a forgery in 1961, stating that it was well-crafted but not authentic [2]. - Subsequent evaluations in 1964 confirmed the painting's inauthenticity, leading to the museum's request in 1997 to reclassify certain artifacts that did not meet collection standards [2]. Group 3: Family Perspective - Pang Zenghe's daughter, Pang Shuling, asserts that the donated artifacts are genuine and of significant value, contradicting the museum's past assessments [3]. - Zeng's diary does not explicitly mention the 1961 authentication results, indicating a lack of clarity regarding the museum's stance during that period [3]. Group 4: Broader Implications - The museum's historical records indicate that other donations were also deemed forgeries, highlighting a pattern of scrutiny regarding the authenticity of donated artworks [4]. - Notably, Zeng's interactions with various collectors included discussions about the authenticity of their donations, with some identified as forgeries [4].