《狂野时代》的 现实困境

Core Insights - The film "Wild Times," directed by Bi Gan, won the "Jury Special Prize" at the 78th Cannes Film Festival but is experiencing a rapid decline in box office performance and audience retention after its initial release [1][3] - The film reflects the common challenges faced by art films in the current Chinese film market, requiring viewers to have a certain level of understanding of film history and social changes to fully appreciate its themes and metaphors [1][3] Group 1 - "Wild Times" has grossed over 100 million yuan in pre-sales but is now facing significant audience loss and mixed reviews [1] - The film's narrative is set in a future where humans no longer dream, focusing on a character known as the "Dreamer" and a woman who can penetrate his illusions, exploring multiple sensory experiences across five short stories [1][2] - The film's exploration of themes such as morality and the impact of consumerism is illustrated through a storyline involving a con artist and a young girl, highlighting deeper societal issues [2] Group 2 - "Wild Times" is characterized as a distinct auteur film, reflecting Bi Gan's thoughts on cinematic experience and the fate of contemporary society, contributing to the diversity of the Chinese film ecosystem [3] - Despite its commercial challenges, the film's artistic value should not be solely measured by box office performance, as it represents a commitment to the multifaceted nature of film art [3] - The film serves as a mirror to the deeper tensions and potential pathways in the development of contemporary Chinese film culture [3]