音乐剧《四十天》在京首演 舞台重现“宜昌大撤退”壮举

Core Viewpoint - The musical "Forty Days" premiered on December 25, 2025, at the Poly Theatre in Beijing, showcasing a historical narrative based on the evacuation during the Second Sino-Japanese War, emphasizing the theme of national salvation through industrial efforts [1][3]. Group 1: Historical Context and Narrative - The musical is based on the "Yichang Evacuation" in 1938, where patriotic entrepreneur Lu Zuofu led a fleet to transport over 1.5 million people and a million tons of strategic materials within 40 days, providing economic support for China's prolonged resistance against Japan [3][5]. - The performance aims to recreate the urgency and heroism of the time, intertwining the sounds of the Yangtze River, labor songs, and the roar of enemy aircraft to honor the spirit of national self-rescue [3][5]. Group 2: Artistic Presentation - The musical seeks to unify historical authenticity with poetic stage artistry, using powerful musical elements like the "Chuanjiang Haizi" as a symbol of indomitable national spirit, with music closely aligned to the narrative's emotional peaks [5]. - The visual design incorporates industrial elements such as gears, metal bridges, and ship structures, symbolizing the weight and value of China's industrial lifeline during the war [5]. Group 3: Audience Engagement and Impact - The production offers an immersive historical experience, transforming Lu Zuofu from a distant historical figure into a relatable character, and the 40 days into a vivid representation of struggle and hope [5]. - Themes of patriotism, sacrifice, and collective strength resonate deeply with audiences across generations, aiming to strike a balance between historical depth and artistic expression [5][7]. Group 4: Production and Support - "Forty Days" is co-produced by the China Oriental Performing Arts Group, Beijing Ziyunxing Cultural Technology Co., and several government entities, with support from the Lu Zuofu Foundation and the Beijing Cultural Arts Fund [7]. - The production is part of the National Arts Fund's 2026 stage art creation initiative and the Beijing Cultural Arts Fund's 2025 support program, indicating significant institutional backing [7].