“广电21条”之下,长剧的安全感来自系列化开发?
Xin Lang Cai Jing·2025-12-27 02:14

Core Insights - The industry is experiencing a "long drama anxiety," but long dramas are not failing; instead, serialized works are becoming a crucial support for stable performance [1][3] - The release of the "21 Regulations" by the broadcasting authority has provided a more flexible production and broadcasting environment for serialized and seasonal dramas [3][4] - Serialization is increasingly seen as a necessary working method for producers, shifting from a post-success discussion to a pre-project evaluation criterion [4][5] Group 1: Industry Trends - Serialized works occupy half of the top 10 highest-rated Chinese dramas on Douban, indicating a strong market response [1] - Producers are now prioritizing projects that can be developed into long-term IPs, reflecting a shift in focus from standalone success to sustainable content [4][5] - The industry is moving towards a model where different content forms, such as films, long dramas, and short dramas, are integrated under a single IP system [11][12] Group 2: Production Strategies - Producers are increasingly adopting a "pre-judgment" approach, assessing the potential for serialization before project initiation [5][10] - The development of multiple related projects in parallel is becoming common, allowing for a more cohesive narrative and character development [7][8] - The use of advanced technologies and AI in production processes is enhancing efficiency and quality, making the production of serialized content more manageable [25][27] Group 3: Audience Engagement - Serialization allows for a longer relationship cycle between content and viewers, fostering trust and engagement [21][22] - The feedback loop between creators and audiences is crucial for adjusting content in real-time, enhancing the relevance and appeal of serialized dramas [23][24] - The industry is focusing on creating content that resonates with audiences, ensuring that stories are compelling enough to maintain viewer interest over time [22][28]