【艺评】既要有“回忆杀”，也要多些新IP

Group 1 - The concert market is experiencing a "nostalgia trend," with classic IPs like the idol group "F4" attracting significant attention and ticket sales [1] - Various nostalgic concerts have emerged this year, including performances related to classic shows and themes, appealing to a wide audience and achieving positive market responses [1] - The music theater market is also growing, with projections indicating 19,700 performances and ticket revenue of 1.807 billion yuan by 2025, highlighting the dominance of classic IPs in this sector [1] Group 2 - The appeal of classic IPs is driven by a desire for certainty and security among audiences, particularly those aged 35 and above, who are willing to spend on nostalgic experiences [2] - While classic IPs are popular, there is a caution against over-reliance on them without innovation, as this could lead to audience fatigue and diminished value [2] - Original IPs are rising in prominence, with successful new works in the music theater space, indicating a shift towards innovation alongside classic content [2][3] Group 3 - Original IPs face challenges such as low budgets and limited recognition, which restrict their growth potential in a market favoring established classics [3] - The industry must balance the preservation of classic IPs with the cultivation of original works to ensure a sustainable ecosystem that supports both [3] - The goal is to create a symbiotic relationship between classic and original IPs, fostering long-term prosperity in the live performance sector [3]