东西问丨刘思羽：走过120年，电影银幕映射怎样的中国？

Core Insights - The interview with Liu Siyu, head of the Film History Research Institute at the China Film Museum, discusses the evolution of Chinese cinema over 120 years, highlighting its development stages and current challenges in the global landscape [3][4][6]. Development Stages - Chinese cinema can be divided into five key periods: early development (1905-1949), establishment and growth of New China cinema (1949-1976), ideological liberation and emergence of new directors (1976-1992), industrial reform and cinema chain emergence (1992-2012), and quality enhancement and international cultural exchange (2012-present) [3][4]. Audience Expectations and Technology - Current audience expectations have shifted towards wanting compelling stories, with an increasing emphasis on audiovisual quality and multi-faceted cinema experiences. The integration of cinema with other services, such as dining and social activities, has transformed the cinema experience into a "film+" model [6][7]. - Chinese film projection technology is at a world-leading level, with innovations like the CINITY system, which combines multiple advanced technologies to enhance viewing experiences [7][8]. Cultural Communication - Film possesses unique advantages in cultural communication due to its immersive and relatable nature, allowing audiences to engage deeply with stories. However, cultural nuances can pose challenges in international dissemination [8][10]. - Since the 1980s, Chinese films have gained recognition at international film festivals, showcasing diverse Chinese narratives and contributing to cultural dialogue [8][10]. Global Outreach and Challenges - The success of films like "Ne Zha" demonstrates China's advancements in industrialization and storytelling that resonate with global audiences. However, challenges remain in marketing and distribution, particularly in adapting promotional materials for foreign markets [10][12]. - The need for a robust overseas promotion system is emphasized to ensure that Chinese films can effectively reach international audiences [12].