抗战漫画里的民族记忆

Core Viewpoint - The article emphasizes the significant role of anti-Japanese war cartoons as a form of artistic expression and a historical record, showcasing the awakening and unity of the Chinese national spirit during a critical period in history [3][4][5]. Group 1: Development and Impact of Anti-Japanese War Cartoons - Anti-Japanese war cartoons evolved beyond mere artistic expression to fulfill a historical mission, becoming an essential part of the anti-Japanese salvation movement led by the Chinese Communist Party [3][4]. - Prominent cartoonists like Ye Qianyu, Hua Junwu, and Ding Cong used their art to awaken public awareness of the war, exposing the brutality of the invaders and reflecting the fighting spirit of the Chinese people [4][5]. - The establishment of organizations and publications dedicated to anti-Japanese cartoons, such as the Shanghai Woodcut Research Association and the publication of "Times Comics" and "Anti-Japanese Comics," played a crucial role in mobilizing the public and promoting anti-Japanese sentiment [3][4]. Group 2: Historical Context and Achievements - The period from the September 18 Incident in 1931 to Japan's surrender in 1945 was marked by the relentless efforts of cartoonists who captured the struggles and sacrifices of the Chinese people through their works [5][6]. - Notable works like Ding Cong's "The Victims of War are the People" and Zhang Leiping's "Fellow Countrymen Who Do Not Wish to Be Slaves Have Risen" illustrated the growing resistance and unity among the Chinese populace against Japanese aggression [5]. - The victory in the anti-Japanese war, symbolized by the surrender ceremony on September 9, 1945, marked a turning point for China, transitioning from a semi-colonial and semi-feudal society towards a path of national rejuvenation [5][6].