Group 1 - The core viewpoint emphasizes the importance of developing new cultural formats, which leverage advanced technologies like big data and artificial intelligence to reconstruct the entire chain of cultural resource creation, production, dissemination, and consumption [1] - New cultural formats are characterized by cross-industry integration, such as "culture + technology" and "culture + tourism," which open up new growth spaces [1] - The article highlights the need to eliminate barriers through improved intellectual property protection policies, promoting the flow and restructuring of cultural elements across various sectors [1] Group 2 - The digital cultural sector is a strategic competitive area globally, with the U.S. maintaining a monopoly in streaming and online gaming, while South Korea effectively operates its IP through K-POP and film [2] - China possesses the largest and most active digital cultural consumption market, providing a vast stage for industry rooting, technological iteration, and large-scale development [2] - To transition from a large to a strong cultural industry, China must address challenges such as an overemphasis on technology at the expense of content and the need for a collaborative development system that integrates content, technology, ecology, and institutional frameworks [2] Group 3 - The focus on technology-driven innovation includes core technologies like blockchain, cloud computing, and generative AI, with an emphasis on creating collaborative innovation entities [3] - There is a need to deepen demand-driven approaches and expand application scenarios by integrating technology research and scene applications, particularly in cultural tourism and exhibition venues [3] - The article advocates for building a collaborative development ecosystem among enterprises of all sizes, establishing a national cultural gene and material database, and enhancing the protection of intellectual property in the digital cultural sector [3]
一体化培育新型文化业态
Jing Ji Ri Bao·2026-01-01 22:13