科技史与文化研究 文摘两则

Group 1 - The core idea of the articles revolves around the exploration of ancient Chinese automata and the risks associated with digital identities in the modern era [2][4][8] - The first paper discusses the historical context and technological evolution of automata in ancient China, highlighting notable examples such as the wooden bird and the wooden man [4][5][6] - The second paper examines the implications of AI technologies, particularly deepfake, on personal identity and the concept of "facelessness," where individuals lose control over their digital representations [9][10][12] Group 2 - The discussion on ancient automata reflects a broader narrative of technological innovation and cultural perception in China, indicating a shift from mythological interpretations to rational engineering considerations [6][7] - The concept of "facelessness" is articulated through various dimensions: the theft of identity, the transformation of appearance, and the systematic erasure of visibility in digital spaces [9][10][11] - The emergence of digital personas, such as "momo," represents a form of resistance against identity theft and the pressures of digital visibility, allowing individuals to express themselves without revealing their true identities [12][13]