油墨纸香里的温情岁月熠熠闪光

Core Viewpoint - The play "The Last Newsstand" premiered at the National Theatre, reflecting on 30 years of cultural memory in the print media era, showcasing the emotional connections formed through daily interactions at a newsstand [3][4]. Group 1: Story Structure and Themes - The narrative employs a reverse chronology, starting in winter 2025 as the last newsstand in Shanghai prepares to close, taking the audience back to 1995 when the protagonist, Li Jimin, was an intern eager to become a full-time employee [3]. - The play illustrates the transformation of characters over time, emphasizing how their encounters at the newsstand inadvertently alter their life paths [4]. Group 2: Character Development - A diverse cast of characters is presented, including Li Jimin, his wife Yu Ping, stock trader Liu Wanli, aspiring writer Wei Yuan, and student He Xiaoyue, each representing different facets of society and personal aspirations [4]. - The characters' interactions with the newsstand serve as pivotal moments that shape their futures, highlighting the significance of seemingly mundane experiences [4]. Group 3: Production Elements - The production's costume and set design effectively capture the essence of the 1990s, with specific attire symbolizing the economic vitality and individual awakening of that era [4]. - The dual portrayal of Li Jimin and his mentor, Master Zhang, by the same actor underscores the generational connection and the enduring values of the newspaper profession [5]. Group 4: Director's Perspective - Director Wang Siting emphasizes that the play is not merely nostalgic but a contemporary emotional drama that reflects on the past while being rooted in the present [5]. - The narrative invites the audience to recall their own significant "small harbors" in life, suggesting that the essence of print media continues to resonate despite the rise of new media [5].