南宋花器修复中的东方美学与文明重生

Core Insights - The lecture titled "Flourishing Techniques: Restoration and Aesthetic Rebirth of Cultural Relics from Deshou Palace" was delivered by Hu Lihong, the director of the Hangzhou Archaeological Research Institute, highlighting the restoration of Southern Song Dynasty ceramics and the underlying Eastern aesthetics and philosophy [1] - Since 2020, Hu Lihong and her team have systematically restored over 200 cultural relics, showcasing the hidden historical and aesthetic values within the fragments excavated from Deshou Palace [1] Group 1 - The lecture emphasized the transformation of artifacts from fragments to restored pieces, illustrating the historical narratives behind items like the "Great Auspicious Bottle," which symbolizes the fusion of Chinese and Indian cultures [1] - The centerpiece of Deshou Palace, the Longquan Kiln blue-glazed hexagonal seven-tube vase, serves as evidence of Southern Song flower arrangement art and is considered an inspiration for modern flower arrangement tools [1] Group 2 - Hu Lihong stated that restoration is not about making artifacts "look new" but about allowing them to "speak again," adhering to the principle of "minimal intervention, maximum information retention" [2] - The team has optimized their restoration processes to handle the large volume of artifacts, exemplified by the rapid restoration of a seasonal vase for an exhibition at Zhejiang University, completed in just six hours with minimal visible traces [2]