中国海外文物研究中心主任谈流失日本唐鸿胪井碑：这是头号流失国宝

Core Viewpoint - The publication of "Tang Honglu Well Stele Archive Document Compilation" has reignited public interest in the "Tang Honglu Well Stele," which has been lost in Japan for over a century, highlighting its significant historical, political, and cultural value to China [1][11]. Group 1: Publication Details - The "Tang Honglu Well Stele Archive Document Compilation" systematically organizes all existing images, rubbings, and related documents of the stele, providing a comprehensive resource for further research and repatriation efforts [3][5]. - The book includes 63 photographs, 93 pages of original documents, 34 related articles, and 122 academic papers, totaling 11.96 million words, making it the most detailed academic compilation on the stele to date [7]. Group 2: Historical Context and Significance - The Tang Honglu Well Stele, erected in 714 AD, serves as a crucial historical artifact that confirms the governance of the northeastern region of China by the Tang Dynasty, representing a significant political and cultural symbol [3][11]. - The illegal removal of the stele by Japanese forces in 1908 is emblematic of the broader issue of cultural artifacts lost during periods of conflict and colonialism, with approximately 150 million artifacts currently held overseas, 10% of which are considered illegally obtained [11][9]. Group 3: Research and Repatriation Efforts - Recent research has clarified misconceptions regarding the timeline and circumstances of the stele's removal, identifying the specific period and location of its current status in Japan [15]. - The ongoing repatriation efforts are supported by international conventions and growing moral pressure from the global community, with recent successful returns of artifacts from countries like Germany and the UK to Nigeria [8][9]. Group 4: Future Implications - The repatriation of the Tang Honglu Well Stele is seen as a critical step towards rectifying historical injustices and fostering better relations between China and Japan, contributing to a new order of international cultural heritage exchange [17].