传统戏曲如何杀回年轻人视野?

Core Viewpoint - The recent performance of "Shiyuzhuo·Famen Temple" by Shanghai Jingju Theatre has garnered significant attention online, showcasing the potential for traditional Chinese opera to innovate and attract younger audiences through modern interpretations and creative expressions [1][4]. Group 1: Policy and Support - The "Three-Year Action Plan for Drama Revitalization (2026-2028)" was jointly issued by several government departments, emphasizing policy support for theater troupes and the need for a sustainable development mechanism [1][2]. - The plan encourages local departments to recognize the importance of drama revitalization, coordinate efforts, and integrate these initiatives into broader economic and social development strategies [2]. Group 2: Challenges in Traditional Opera - Traditional opera faces structural challenges, including high survival pressure on troupes, limited marketization capabilities, and a reliance on government funding, particularly among local troupes [3]. - There is a disconnect between creative output and contemporary audience preferences, with many troupes focusing on traditional adaptations rather than original works that resonate with modern themes [3]. - A significant talent gap exists, with young artists often leaving for more lucrative opportunities in film and television, compounded by rigid internal promotion and evaluation systems within troupes [3]. Group 3: Successful Innovations - Successful adaptations, such as the youth version of "Peony Pavilion," demonstrate how traditional opera can be modernized to appeal to younger audiences, combining contemporary aesthetics with classic elements [4]. - The innovative performances by Shanghai Jingju Theatre reflect a broader trend of integrating traditional art forms with modern cultural expressions, helping to bridge the gap between heritage and contemporary tastes [4][5].