（新春走基层）中国戏剧梅花奖得主张建敏：青春戏曲不在年龄在朝气

Core Viewpoint - The article discusses the revitalization of traditional Chinese opera, particularly through the lens of Zhang Jianmin, a prominent figure in the field, emphasizing that "youth" in opera is more about vitality and innovation than age [3][6]. Group 1: Youthful Transformation of Traditional Opera - The "Zhejiang has Drama" cultural initiative has led to 11 major opera tours and over 200 performances across Zhejiang, making opera a new cultural consumption hotspot during the Spring Festival [1][3]. - Zhang Jianmin believes that true "youth" in opera comes from the work itself being vibrant and relevant, rather than merely the age of the performers [3][4]. - The success of traditional operas like "The Legend of the White Snake" and "Mu Guiying" showcases the enduring appeal of these classic narratives, which have been rejuvenated for modern audiences [4][6]. Group 2: Education and Talent Development - Zhang Jianmin transitioned from performing to teaching, focusing on nurturing the next generation of opera talent, emphasizing the importance of rigorous practice and comprehensive artistic education [6][9]. - She highlights the necessity for young actors to develop a deep understanding of theory, scripts, and character creation, evolving into "comprehensive talents" [6][8]. - Recent productions from the Zhejiang Wuju Art Research Institute, such as "The Three Strikes of the White Bone Spirit," have gained significant popularity, indicating a resurgence in the market vitality of traditional opera [6][8]. Group 3: Innovation and Tradition - Zhang Jianmin attributes the current popularity of Wuju to a combination of strong grassroots support, government attention, and innovative leadership within theater companies [7][8]. - She advocates for blending traditional opera techniques with modern stage aesthetics, likening it to transforming a "black and white photo" into a "color photo," while still retaining the essence of opera [7][8]. - The evolution of vocal techniques in Wuju, from separating false and true tones to integrating them for character-specific sound, illustrates the balance between innovation and tradition [8][9].