一出方言话剧的导演自述

Core Perspective - The production aims to create a unique theatrical style that combines cinematic fluidity with stage expressiveness, anchored in the fundamental concept of "truth" [1] Group 1: Story and Themes - The original script was adapted from the detective novel "The Maltese Falcon," but was transformed to resonate with contemporary Chinese audiences by setting it in the context of the Yuanmingyuan's horse head, making it relevant to the current year of the horse [1] - The narrative is set in 1930s Shanghai, a period rich in conflict and diverse characters, which serves as a backdrop for themes of modernity, desire, power, and transaction [1] - The story revolves around the journey of a "fake horse head," symbolizing the intersection of material civilization and the emergence of lies, greed, and desire, ultimately questioning moral boundaries [2] Group 2: Artistic Direction - The production is characterized as a "comedic style suspense drama," where the absurdity of the plot stems from the characters' intense desires surrounding a false object, reflecting the complexities of human nature [2] - The visual and auditory style is rooted in the Art Deco aesthetic of 1930s Shanghai, capturing the historical essence of the city while creating a dreamlike atmosphere suitable for suspense [3] - The music incorporates jazz and old Shanghai tunes, emphasizing rhythmic percussion to maintain a tight narrative pace throughout the performance [3] Group 3: Performance Philosophy - The foundation of the performance is the concept of "truth," where every action on stage must stem from genuine motivations, ensuring that characters are believable and relatable [4] - Actors are encouraged to discover and embody their roles authentically, allowing for a natural growth of character that resonates with the audience [4] - The performance style aims for a cinematic narrative flow, requiring actors to transition seamlessly between scenes, thus enhancing the overall emotional impact of the production [3][4]