Kavitta: The Rap in Kathak | Shreeyaa Popat

Core Elements of Kathak Kavita Composition - Kathak Kavita compositions utilize specific, constant tempos, typically fast-paced, composed within a Taal (cycle of beats) where words follow the Taal's structure [1] - Kavita compositions in Kathak primarily use Sanskrit, Awadhi, or Hindi literature, often describing gods and goddesses, serving as the subject matter's conduit [1] - Percussive bols (rhythmic syllables) from instruments like the Pakhawaj or Tabla, along with sounds like "ta thei tat thei," enhance the emotion and storytelling in Kavita compositions [1] - A Tihai, a phrase repeated thrice, concludes any rhythmic composition in Kathak [1] - Emotion (Ras) dictates the literature and bols used, conveying the essence of the Kavita [1] - Choreography transforms vocal compositions with hand gestures, body movements, spins, footwork, and facial expressions, bringing the story to life for viewers [1] Significance of Kavita in Kathak - Kathak began as a storytelling medium, now performed as a recital with various compositions; Kavita is both rhythmic and expressive [1] - Unlike rhythmic compositions requiring briskness and Abhinaya compositions needing subtle nuances, Kavita demands both from the dancer [1] - Through Kavita, the writer and dancer can educate, entertain, and evoke emotions in the audience [1] Literary and Rhythmic Aspects - Kavita compositions can be composed in specific Taals, such as a Shiv Kavita in Dhamaar Taal (14 beats) with divisions of 5-2-3-4 [1] - Kavita can be composed in decimal Taals, such as a Taal of 22 and a half beats, divided into 12 and 10 and a half [1] - Kavita compositions can be composed in a specific Jaati (groove), following the Taal's structure with syllables per beat as per the composition's groove [1] - Kavita compositions use figures of speech like alliteration (Anupras Alankar in Hindi literature), as seen in Krishna and Ardhanarishwar Kavit [1] Educational Nature - Kavita can educate about Indian history, such as excerpts from the Ramayana, exemplified by Guru's Sita Swayamvar Kavita [1]