大侠后宫：“现在的短剧内容能有多逆天？？”哈哈哈哈哈哈把我当傻子是吧！

Group 1 - The article discusses the absurdity of modern elements appearing in historical dramas, highlighting a disconnect between the setting and the content [1][3][4] - It mentions specific examples of ridiculous plot points and dialogues that detract from the authenticity of the genre [11][13][14] - The overall tone of the article is humorous, with the author expressing disbelief and amusement at the creative choices made by the writers [16][19][21] Group 2 - The article includes commentary on the quality of writing in contemporary dramas, suggesting that the dialogue often lacks depth and coherence [14][22][24] - It reflects on the audience's reaction to these elements, indicating a mix of laughter and frustration [16][30][32] - The piece serves as a critique of the current state of scriptwriting in the industry, calling into question the standards of storytelling [11][13][19]