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第一代外资网红景区,悄悄退场了
创业邦·2025-09-07 03:30

Core Insights - The permanent closure of the Beijing Madame Tussauds wax museum, effective October 1, 2025, has caused significant shockwaves in the domestic cultural tourism industry, attributed to lease expiration and brand strategy adjustments [4] - This marks the second Madame Tussauds location to close in China within six months, following the quiet closure of the Chongqing location in May 2023, highlighting a global trend of retreat in the wax museum sector [6][7] - The decline of Madame Tussauds is indicative of a broader structural shift in the global offline photo-centric experience industry, as consumer preferences evolve [7][10] Industry Trends - The closure of Madame Tussauds locations is not an isolated incident but part of a global trend, with other locations like San Francisco and Istanbul also shutting down due to insufficient visitor numbers and lease expirations [7] - The wax museum's decline reflects a shift in consumer behavior, particularly among younger audiences who now prefer immersive experiences over traditional photo opportunities [10][13] - The once-popular wax museums have become less relevant as they fail to meet the evolving demands for engagement and memorable experiences, leading to a decrease in visitor interest [11][14] Consumer Behavior - Younger consumers are increasingly seeking experiences that allow them to participate and engage, rather than simply taking photos with wax figures, which they find less appealing [10][11] - The content and experience offered by wax museums have not kept pace with changing consumer expectations, resulting in a lack of emotional value and engagement [13][14] - The decline in interest for photo-centric experiences is mirrored in the broader travel photography industry, which has also seen a significant downturn [14][17] Strategic Shifts - Merlin Entertainment, the parent company of Madame Tussauds, is pivoting towards more immersive and interactive projects, such as LEGO parks, to better align with current consumer preferences [17] - The future of cultural tourism attractions will likely depend on their ability to provide participatory experiences that resonate with visitors, moving beyond mere photo opportunities [17][18]