Core Viewpoint - The article highlights the dedication of Su Yijia, a cultural innovator and inheritor of the Shantou fishing song tradition, who has been performing and preserving this cultural heritage for 36 years, emphasizing its importance in rural revitalization and cultural transmission [2][7][30]. Group 1: Cultural Heritage and Transmission - Su Yijia has been recognized as a "Model Worker of Guangdong Province" for her efforts in preserving and innovating the Shantou fishing songs, which are integral to the local culture [8][30]. - The Shantou fishing songs reflect the life and emotions of fishing families, with lyrics often depicting elements of their daily lives, such as fishing and relationships [14][27]. - Su Yijia's work includes collecting and recording nearly lost fishing songs, ensuring that the wisdom and melodies of the older generation are not forgotten [22][24]. Group 2: Community Engagement and Modernization - The New Port Fishing Song Team, where Su Yijia is a core member, has been actively involved in community performances, bringing fishing songs to various venues, including schools and public spaces, thus promoting cultural awareness [30][37]. - The team has adapted the fishing songs to modern contexts, incorporating themes such as anti-drug campaigns and fire safety into their performances, making the songs relevant to contemporary audiences [45][46]. - Su Yijia has developed a comprehensive training system for teaching fishing songs in schools, fostering a new generation of performers and ensuring the tradition's continuity [58][61]. Group 3: Recognition and Impact - Su Yijia has received multiple accolades for her contributions to music and culture, including titles such as "Outstanding Musician of Guangdong Province" and "Cultural Advanced Worker of Shantou City" [69][71]. - The New Port Fishing Song Team has grown to over 40 members, with a significant portion being younger individuals, indicating a shift towards a younger demographic in the preservation of this cultural heritage [61][62]. - Su Yijia's commitment to the fishing song tradition is seen as a vital part of the cultural identity of Shantou, with her efforts contributing to the broader narrative of cultural confidence and heritage preservation in the region [47][68].

2024年10月6日本报第六版报道《江西省瑞金市推进传统村落集中连片保护利用——客家古邑 沉淀时 光》中提到，冈面车灯制作技艺省级非遗代表性传承人蔡秀柱和村民忙活了一上午，赶制了一组精美的 车灯。近日有读者询问：能否具体介绍一下冈面车灯制作技艺？这种技艺制作出来的车灯有哪些独特之 处？ 瑞金冈面车灯的"冈面"指其诞生地——瑞金市冈面乡。车灯是中国汉族民间舞蹈灯舞的一种。一人扮演 坐车（男扮女），另一人推车（假车），表演各种滑稽生活场景，同时边歌边舞、有说有唱，以此谐谑 逗趣增添节日气氛，是车灯表演的主体特征。 冈面车灯的起源与北宋名臣蔡襄（端明殿大学士、大书法家）家族密切相关。据明万历二年《蔡氏前修 族谱》记载，蔡襄后裔于南宋隆兴年间迁居瑞金上田村，为彰显先祖蔡襄的荣耀，模仿其赴任场景创作 了"车马灯"。最初由四人表演，官人骑马、夫人坐车、丫鬟打凉伞、车夫推车，后逐渐舍弃马灯，保留 车灯。 冈面车灯灯形独特、花饰精美，制作较为复杂。车灯的制作以竹、木、花纸为原料，工艺流程包括制作 木十字架、连接十字架、圈连竹篾、剪纸密封、剪纸花、贴纸花、连接两个轮子、制作凉伞8个步骤。 （本报记者周欢采访整理） 《 人民日报 ...

新华社香港5月6日电（谢妞）入夜后的长洲热闹非凡，备受瞩目的"抢包山"比赛在6日零时的北帝庙游 乐场足球场举行。比赛前三小时，已有数十位长洲居民到赛场附近领取入场券。"每年都来现场看比 赛，已经超过10年了，希望今年有一个好位置。"排在第一位的长洲居民张先生说。 太平清醮是香港长洲岛居民于每年农历四月初八佛诞日举行的一项传统祭祀活动，已于2011年被列入国 家级非物质文化遗产名录。其中传统节庆活动"抢包山"比赛中，参赛者需爬上由钢枝和竹枝搭建而成的 巨型仿真"包山"，在3分钟时限内摘取尽可能高分数的"平安包"。 "抢包山"比赛也带动周边消费热。有长洲酒店负责人表示，太平清醮期间酒店房间几乎满员，超过半数 为内地旅客。一家海鲜大排档负责人何先生表示，当日生意理想，营业额同比增长三成，平均每桌客人 消费三四百港元。"长洲作为海岛，海鲜物美价廉，希望举办丰富多样的活动吸引旅客来岛体验。" "十、九、八……三、二、一！"全场倒计时结束后，12名选手奋勇攀爬，抢占"包山顶"夺取高分包。约 一分钟后，不少选手下降到较低区域取低分包，以便在规定时限内落到地面。经过3分钟的激烈角逐， 郭嘉明、龚子珊分别获得"包山王""包山后 ...

Core Viewpoint - The article highlights the significance of traditional Chinese craftsmanship, specifically focusing on the production techniques of four cultural heritage items: Lake brushes, Huizhou ink, Xuan paper, and Duan inkstones, emphasizing their historical importance and contemporary relevance in preserving cultural heritage [4][7][9][17]. Group 1: Lake Brushes - Lake brushes are renowned for their meticulous production process, which includes 12 major steps, with the selection of materials and the crafting of the brush tip being the most critical [6][7]. - The craft of Lake brush making was recognized as a national intangible cultural heritage in 2006, and recent regulations have been established to support its preservation and development [7]. - New generations of artisans are innovating by integrating modern marketing strategies, such as online sales and social media, to attract younger consumers [7][8]. Group 2: Huizhou Ink - Huizhou ink is produced through a complex process that involves multiple steps, including the careful blending of materials and extensive pounding to achieve the desired quality [10][11]. - The Huizhou ink industry has adapted to modern trends by developing cultural products and leveraging e-commerce, generating significant revenue [12]. - The ink's historical significance is underscored by its use in restoring historical artifacts, showcasing its cultural value [12]. Group 3: Xuan Paper - Xuan paper production involves over 100 intricate steps, with a focus on maintaining traditional methods that cannot be easily mechanized [15][16]. - The industry has seen a shift towards e-commerce, with a significant number of businesses operating online, contributing to local economic growth [16]. - The establishment of a dedicated market for Xuan paper aims to enhance its cultural and economic impact, positioning it as a key player in the cultural heritage sector [16]. Group 4: Duan Inkstones - Duan inkstones are celebrated for their unique stone quality and intricate carving techniques, with a rich history dating back to the Tang Dynasty [17][18]. - The industry is experiencing innovation through the combination of traditional craftsmanship with modern design, creating new cultural products [18]. - Local government initiatives are in place to protect the resources needed for inkstone production, ensuring the sustainability of this traditional craft [18].

央视网消息：在人类与海洋共生的漫长历史中，贝壳不仅是自然的造物，更成为承载文明的载体。在北部湾畔，两千多年前，中国的海上 丝绸之路就发轫于此。5月5日，我们一起走进方寸间的海洋史诗与文明对话，探究国家级非物质文化遗产代表性项目——北海贝雕如何由经典 向新而行。 自唐宋起，"海上丝绸之路"带来的异域珍宝与中国传统螺钿工艺不断碰撞，催生出明代的"百宝嵌"技法。海洋的呼吸、匠心的温度与文明 的记忆从此凝聚于方寸之间，也把这条航线上的一座座城市以一种特殊的方式联结在一起。这就是2021年入选第五批国家级非物质文化遗产代 表性项目名录的"北海贝雕"。 非物质文化遗产项目贝雕（北海贝雕）代表性传承人何明军称："这幅作品叫海丝掠影，总共有13块国家的城市地标剪影组成。从北海出 去，经过了东南亚到非洲，最后到了威尼斯，这个作品我们用贝雕的形式来呈现还是第一次。" 20世纪七八十年代，北海市工艺美术总厂制作的贝雕画名噪一时，产品出口40多个国家和地区。20世纪90年代，受一些原因影响，北海工 艺美术总厂陷入困境，北海贝雕技艺面临失传。在艰难的时刻，北海贝雕第五代非物质文化遗产市级代表性传承人林雄召回原北海工艺厂的26 名老艺人 ...

Core Viewpoint - The article highlights the growing popularity of intangible cultural heritage (ICH) in Chengdu, particularly during the "May Day" holiday, where various traditional cultural activities attract both locals and tourists [1][3][5]. Group 1: Cultural Activities - Chengdu has become a vibrant hub for traditional cultural experiences, with activities such as sugar painting, Sichuan opera, and lacquer fan making drawing significant crowds [1][5]. - The "Labor Song, Civilized Appointment" event, organized by the Chengdu Spiritual Civilization Construction Office, combines labor spirit and cultural practices through music, markets, and interactive experiences [3][9]. Group 2: Participation and Engagement - Long queues were observed at booths for sugar painting and lacquer fan making, indicating high public interest and engagement in these traditional crafts [5][7]. - The sugar painting artisan, Jiang Qijun, reported a surge in interest, with many apprentices coming from various regions and even foreign countries [5]. Group 3: Evening Cultural Events - The Chengdu International Intangible Cultural Heritage Expo Park hosted lively evening events, including performances of Sichuan opera and a music festival featuring local bands [11][14]. - The park also offered hands-on experiences in traditional crafts, such as bamboo weaving, allowing visitors to create their own souvenirs [16]. Group 4: Visitor Experience - The article notes that visitors are increasingly seeking immersive experiences in traditional culture, with many families participating in educational activities related to Labor Day [9][16]. - The combination of cultural performances, interactive workshops, and food markets aims to create a comprehensive cultural experience for both local residents and tourists [16].

新华社广州5月2日电 题：古村"球火"引客来 新华社记者田宇、钟焯 5月1日，广东肇庆端州区白石村。夜色已浓，荷花池畔围满了游客。 19时52分。 灯光渐渐暗下来，一场甩火球表演即将开始。 52岁的表演者李炎紧了紧身上的红腰带，阔步走上舞台，点燃舞台两侧的火盆。一会儿，这将成为点燃火球的火种。 肇庆端州是出端砚的地方。端砚石质柔润、发墨不滞，是中国四大名砚之首。村里许多人世代以此为生。 当地流传，甩火球起源于北宋年间。当时包拯任端州知府，处理了官员敛取贡砚、欺压砚工案件。百姓们为表达对包拯的感激，也为庆祝丰收、 辟邪驱魔，祈求国泰民安、红红火火，兴起甩火球的民俗。 5月1日，肇庆端州甩火球民俗表演。（吴勇强 摄） 表演正式开始。李炎用粗绳拴住龙眼叶球，放到火盆里引燃。紧接着，只见他扎起马步，两只手一前一后握紧绳索，甩过头顶，开始旋转——几 秒之后，火苗迅速壮大，变成火球。 另一侧，同台的演员同步动作，两"球"火呼应着转起来了。 在激情的音乐中，欢呼声、掌声、尖叫声、鞭炮声此起彼伏。 火球由干燥易燃的龙眼叶组成，叶片厚实耐烧，每个大概20斤重。里面还填充鞭炮，燃烧起来噼啪作响，一公里外都能听到。 19时56分。 ...

Group 1 - The biomass power generation sector experienced a decline of 0.90%, ranking among the top losers in the concept sector, with ST Xindong and ST Huaxi hitting the limit down [1][2] - Notable declines within the sector included Shengyuan Environmental Protection and Shaoneng Co., with significant losses, while 15 stocks saw price increases, led by Wangneng Environment, Fulongma, and Wuhan Tianyuan, which rose by 10.00%, 5.63%, and 3.58% respectively [1][2] - The sector saw a net outflow of 81 million yuan from main funds, with 26 stocks experiencing outflows, and 7 stocks seeing outflows exceeding 10 million yuan, with Shaoneng Co. leading the outflow at 51.68 million yuan [2][3] Group 2 - The top stocks with net outflows included Shengyuan Environmental Protection, Jinhua Industrial, and China Tianying, with outflows of 41.22 million yuan, 25.02 million yuan, and 15.43 million yuan respectively [2][3] - Conversely, the stocks with the highest net inflows were Fulongma, Wangneng Environment, and Jiuzhou Group, with inflows of 35.52 million yuan, 35.52 million yuan, and 25.35 million yuan respectively [2][3] - The trading activity indicated that the biomass power generation sector had a significant turnover rate, with stocks like Shaoneng Co. and Shengyuan Environmental Protection showing turnover rates of 15.20% and 13.22% respectively [3]