Group 1 - The main event for Cultural and Natural Heritage Day is held in Changsha, Hunan, featuring significant exhibitions such as "The Yangtze River and Chinese Civilization" at the Changsha Museum, showcasing over 200 important cultural relics from various ancient cultures [1][51] - The exhibition includes artifacts from Hemudu, Liangzhu, Shijiahe, and Sanxingdui cultures, highlighting the Yangtze River's role in the origin and development of Chinese civilization [51] - The Hunan Museum is also presenting a new exhibition on the art of gold and bronze Buddhist statues, featuring over 100 exquisite pieces [54] Group 2 - The "Creating Modernity" exhibition at the Pudong Art Museum in Shanghai features over a hundred masterpieces from the Musée d'Orsay, including works by Van Gogh, Millet, Gauguin, Monet, and Cézanne, covering various important art movements [3][1] - The exhibition is noted as the largest ever held by the Musée d'Orsay in China, showcasing significant works from the 19th to early 20th centuries [3] Group 3 - The "Modern Chapter - Decorative Arts of Modern Shanghai" exhibition at the Shanghai Library East Pavilion explores the history of decorative arts in China through historical photographs, design collections, and iconic Shanghai objects [4][7] - The exhibition aims to present Shanghai's unique narrative in the context of decorative arts, architecture, and aesthetic living [7] Group 4 - The "Alvaro Siza Archives" exhibition showcases over 800 pieces from the renowned Portuguese architect, marking the largest retrospective of Siza's work in Asia [12] - The exhibition is structured into nine sections, creating a comprehensive architectural landscape that reflects Siza's influence [12] Group 5 - The "Dragon Roar Across the Land: China Dinosaur Exhibition" at the Shanghai Natural History Museum features 118 representative dinosaur fossil specimens from various geological eras in China, emphasizing its educational significance [14]

民乐汇3天演出期间，南京世界文学客厅客流较2024年端午节激增近5倍，民乐文创、端午市集销售 火爆，艺术盛事高效转化为消费活力。 自5月30日开幕至6月13日，"2025南京艺术节"半个月以来已呈现35台精品演出、10余场特色活动， 交出一份含金量十足的"促消费成绩单"：总票房达4015万元，吸引6.2万人次走进剧场，直接拉动文旅 消费约1.92亿元，活动相关综合消费增量超1600万元，彰显了文化赋能经济社会发展的强劲"艺引力"， 这场艺术盛宴将持续至6月底。 票根经济，织就"观演+游玩"消费闭环 精品剧目展演是南京艺术节的核心引擎，今年"戏聚金陵"——精品剧目展演荟萃15部高规格舞台艺 术杰作，率先上演的音乐话剧《受到召唤·敦煌》，由中国国家话剧院院长田沁鑫编剧、导演，青年演 员张艺兴主演。 据悉，《受到召唤·敦煌》开售的2万张门票中，75%为外地观众，成功引爆跨城消费。该剧被纳 入"乐享1+3"文旅优惠活动，观众凭观演票根可享全市景区、住宿、购物三重优惠，有效形成"观演+游 玩"消费闭环。来自外地的观众小易说："我们周六早上就来南京了，看完《受到召唤·敦煌》，准备周 日拿着票根去薅景区的羊毛！逛吃一路，晚 ...

Core Viewpoint - The "Chunhua Pavilion Collection" is a significant cultural artifact in Chinese calligraphy, showcasing the evolution of Chinese characters and the artistic pursuit of beauty throughout history [1][6]. Group 1: Historical Significance - The "Chunhua Pavilion Collection" was commissioned by Emperor Taizong of the Song Dynasty in 992 AD, compiling works from 103 calligraphers over 1,000 years, making it a foundational text in Chinese calligraphy [1]. - The collection includes various styles of calligraphy, such as seal, clerical, cursive, running, and regular scripts, and features works from notable figures like Wang Xizhi and Yan Zhenqing [1]. Group 2: Preservation and Transmission - The original woodblocks of the "Chunhua Pavilion Collection" were destroyed in a fire during the Song Dynasty, leading to a scarcity of original copies, with most surviving versions being reproductions from later periods [2]. - The "Sufu Edition," created in 1615, is the most complete and influential reproduction, closely resembling the original Song version, and is made from high-quality stone, ensuring the preservation of the calligraphic details [3]. Group 3: Cultural Impact - The "Chunhua Pavilion Collection" serves not only as a calligraphic reference but also as a vital cultural artifact that reflects the philosophical and aesthetic values of ancient China [6]. - It has influenced the study of calligraphy, leading to the development of a specialized field known as "tiexue," which has promoted the dissemination of Chinese calligraphy art, impacting countries like Japan and South Korea [6].

Core Insights - The "Labubu" toy, launched by Chinese company Pop Mart, is rapidly gaining popularity globally, becoming a cultural connector among young people across different countries [2][4][5] - Despite a nearly 30% price increase due to rising tariffs, demand remains high, leading to long queues and a booming secondary market in the U.S. [2][5] - The success of Labubu signifies a new era for Chinese original IPs, moving away from traditional symbols to a more globalized approach [5][6] Group 1: Market Performance - In April, Pop Mart's app surged to the top of the U.S. App Store shopping chart, climbing 114 spots to reach fourth place [2] - The overseas and Hong Kong-Macau-Taiwan business revenue for Pop Mart is projected to reach 5.07 billion yuan in 2024, marking a year-on-year increase of 375.2% [5] - In the first quarter of 2025, overseas revenue is expected to grow by 475% to 480% year-on-year, highlighting the international expansion of the toy segment [5] Group 2: Cultural Impact - Labubu's unconventional design challenges traditional aesthetic standards, creating a unique emotional attachment among its audience [3] - The toy has been recognized in various countries, such as being named "Magical Thailand Experience Officer" in Thailand and selling out limited editions in Singapore [2][4] - The cultural exchange facilitated by China's open policies is enhancing global understanding and appreciation of Chinese culture, providing fertile ground for original IP growth [6] Group 3: Industry Dynamics - The production network in Dongguan, which supplies over 70% of Pop Mart's capacity, is crucial for the toy's manufacturing, with the region housing over 4,000 toy companies [4] - Hong Kong serves as an artistic hub, contributing to the creative aspect of Pop Mart's products, with the founder actively seeking design talent at art fairs [4] - Challenges such as counterfeit products and the rise of AI-driven alternatives pose risks to the brand's value and require enhanced supply chain management [6]

消息人士：伊朗莫斯科大剧院交响乐团共有51名艺术家，他们撤离的可能性正在研究之中。 ...

今年的FAB Paris将于9月20日至24日在巴黎大皇宫举行，主席路易·德·贝塞热情欢迎中国艺术爱好者前往巴黎大皇 宫体验欣赏这场艺术盛宴。 正是由于这种对专业学术水准的把控，以及对参展商品质的严审遴选，令其在行业内享有权威性。很多在FAB Paris展示销售的古董与艺术作品已经被卢浮宫、奥赛博物馆、纽约现代艺术博物馆等重要艺术机构收藏或展出。 今年的FAB Paris将于9月20日至24日在巴黎大皇宫举行，届时，来自全球的100家艺术与古董商将齐聚于巴黎大皇 宫标志性的玻璃穹顶之下。在媒体见面会上，FAB Paris主席路易·德·贝塞（Louis de Bayser）热情欢迎中国艺术爱 好者前往巴黎大皇宫体验欣赏这场艺术盛宴。 贝塞介绍称，为确保参展作品的学术水准与专业可信度，FAB Paris组委会特别设立了由60余位来自不同领域、享 誉国际的法国及海外专家组成的独立审核委员会。该委员会成员涵盖艺术品鉴定专家、艺术史学者与博物馆策展 人，构成了一套权威而多元的学术审查体系。展出的每一件艺术作品，均需由至少两位与参展商无任何关联的独 立专家进行严格审阅与认定，从源头把关真伪，保障其艺术与收藏价值的高度可信 ...

Core Viewpoint - The article highlights the artistic philosophy and contributions of Han Meilin, emphasizing the importance of cultural roots and the integration of traditional Chinese art with contemporary expressions [4][5][6]. Group 1: Artistic Philosophy - Han Meilin believes that art should be independent, unique, and dignified, rooted in national culture, which allows it to stand confidently in the global art scene [4][5]. - The artist emphasizes the need to seek inspiration from the world, life, and folk culture, rejecting the notion of "closed-door" creation [4][6]. - He advocates for a deep connection with the people and the environment, stating that true artistic expression comes from engaging with life and culture [6][7]. Group 2: Contributions and Achievements - Han Meilin has created over 350 works for the upcoming "Beauty of the Forest - Han Meilin Art Exhibition," showcasing a dialogue between ancient and modern aesthetics [5][6]. - His works span various mediums, including painting, calligraphy, sculpture, ceramics, and design, reflecting a broad artistic practice [6][7]. - The artist has received numerous accolades, including the title of "Peace Artist" from UNESCO and the "Coubertin Medal" from the International Olympic Committee, highlighting his role in cultural exchange [5][8]. Group 3: Cultural Impact - Han Meilin's art is deeply influenced by ancient Chinese culture, particularly through the study of ancient symbols and folk art, which he integrates into modern artistic expressions [6][7]. - He has established multiple art museums across China, including in Hangzhou and Beijing, to promote cultural heritage and education [7][8]. - The artist's philosophy emphasizes that art should not only be for the elite but should resonate with the public, making beauty accessible to all [8].

本季拍卖近现代书画两个专场甄选890余件精品，涵盖收藏领域的主流品类与知名艺术家的代表作。如 齐白石《松溪禽趣》《鬻画担夫图》，傅抱石《峦途新象》，冯超然《关山暮雪图》，金协中《三国故 事》，生动传神。另有溥儒、于非闇、王心竞等十六家《各家法书》松风画会成员集体创作的四条屏等 难得一见的艺术珍品。古代书画板块，呈现240余件来自明代与清代不同时期、各大流派的杰出作品， 包括陆远《仿黄子久夏山雨过图》、刘墉《行书》、何绍基《行书八言联》以及皇帝御笔书法等。 中国玉器专场推出240余件拍品，涵盖明清佩饰及赏玩器等多种类型，古董珍玩专场推出270余件拍品， 以清代陈设瓷器为主，同时包含民国瓷器、铜器、金铜佛像等品类。"清乾隆御制胭脂红地锦上添花洋 彩缠枝花卉纹瓶"为本场重器，是中西合璧的罕见洋彩佳作。"清乾隆青花十字杵镗锣洗（二件）"来自 国有文物商店旧藏，"明正德铜双耳衔环阿文筒式炉"造型新颖，流传有序，有多次出版和展览。 6月12日—14日，北京翰海2025春季拍卖会在北京国际饭店会议中心举行。此次春拍推出近现代书画 （一）、近现代书画（二）、古代书画、中国玉器、古董珍玩、现当代美术六大专场，臻集1800余件文 ...

中古陶拍卖董事长张崇檀也表达了类似观点，"艺术品市场整体是回暖的态势，高精尖稀的拍品一直比 较坚挺，尤其是明清官窑、元代瓷器市场都是向好的，但原有的春秋大拍模式不断受到冲击，过去人山 人海的景象恢复还需要假以时日"。 继香港春拍收官之后，内地市场进入集中拍卖时间。从成交结果来看，一场审慎而微妙的价值重构大戏 正在悄然发生。正如中国嘉德董事总裁胡妍妍所讲，"春拍预展与拍场人气显著回升，磨砺三十载的收 藏群体，正以空前文化自觉重构本土艺术价值坐标，于资本与审美的共振中，逐渐塑就根植于东方美学 的市场"。 "曙光"初现 2025春拍首轮鏖战率先在香港市场点燃，尤其是元代书法家饶介作品《草书韩愈柳宗元文》历经95分钟 竞投，最终以2.5亿港元成交，给市场带来更多想象空间。作为内地市场风向标的中国嘉德不遑多让， 最终交出16亿元总成交额的答卷，北京保利、中贸圣佳、北京永乐、北京银座等陆续收槌，市场艰难中 仍传递出诸多积极稳健信号。 《2025年巴塞尔艺术展与瑞银集团环球艺术收藏调查报告》显示，2024年全球艺术品市场销售额达到 575亿美元（约合人民币4158亿元），同比下跌12%。令人欣慰的是，在充满不确定性的经济环 ...

第二个十年，是中贸圣佳发展相对缓慢的阶段。2009年，清代徐扬《平定西域献俘礼图》手卷以1.344 亿元成交，成为内地市场首件破亿拍品，拉开亿元时代的序幕。第三个十年，自2015年开始，中贸圣佳 进入快速发展期，经过十年不懈努力，再度回归国内一线拍卖公司行列。 北京商报：在过去的30年里，文物艺术品拍卖市场发生巨大变化，中贸圣佳的调整和应对策略是什么？ 薛世清：从2009年到2011年，中国文物艺术品市场总额达到历史峰值。2012年以后市场逐步发生变化， 尤其疫情以来，受外部经济影响，市场滑坡比较严重，根据中拍协年报，市场总成交额与高峰期相比萎 缩四成左右。 2025年，恰逢中贸圣佳而立之年，三十载栉风沐雨，是从行业开拓者到引领者的生动注脚。在春拍之 际，我们与中贸圣佳拍卖总经理薛世清展开深度对话，共同解码这家老牌劲旅长盛不衰的商业密码，聆 听其对行业未来发展的深刻洞察与前瞻思考。 "三十载坚守与突破" 北京商报：回望中贸圣佳拍卖30年发展历程，您觉得关键的历史节点有哪些？ 薛世清：如果按照公司的发展脉络划分，我认为有三个关键节点，即中贸圣佳的三个"十年"。从1995年 初创到2005年，是中贸圣佳的第一个十 ...