Core Viewpoint - The recent success of songs like LIBI's "Jumping Machine" and Cloud9's diss track "New Feudalism Rap 2025" has sparked criticism about the state of the Chinese music industry, suggesting a decline in quality and artistic merit [3][7][11]. Summary by Sections Market Performance - "Jumping Machine" has achieved over 10 million collections on QQ Music and NetEase Cloud Music, with QQ Music's hot song chart ranking for 137 weeks, earning double platinum certification from Tencent Music [7]. - The song has also gained popularity in Southeast Asia and regions like Hong Kong and Taiwan, indicating a broad market appeal [7]. - Cloud9's diss track has similarly elevated the artist's profile, leading to recognition and opportunities in the industry [9]. Criticism and Public Perception - Both songs have faced significant backlash, being labeled as low-quality and detrimental to the music scene, with critiques focusing on their lyrical content and perceived lack of depth [9][13]. - Critics argue that the songs reflect a trend towards superficiality in music, prioritizing catchy hooks over meaningful lyrics [13][14]. Emotional Resonance and Commercial Success - The phenomenon of these songs highlights the emotional resonance they create, which is a key factor in their commercial success, regardless of artistic quality [11][15]. - The current music landscape favors emotionally driven content that aligns with audience preferences, often at the expense of traditional musicality [14][16]. Changing Music Aesthetics - The article discusses the evolving nature of music consumption, where the distinction between high and low art becomes blurred, as audiences seek entertainment and emotional feedback rather than artistic integrity [15][20]. - The rapid consumption habits driven by short video platforms have led to a focus on immediate emotional impact, often resulting in songs that are catchy but lack depth [14][20]. Conclusion - The success of these "internet hits" prompts a reevaluation of what constitutes good music in a commercial context, suggesting that market dynamics and audience engagement are increasingly influential [19][21]. - The article emphasizes that music appreciation is subjective, and the commercial viability of a song does not necessarily correlate with its artistic value [20].

Core Insights - The recent music festivals in Foshan have significantly transformed the perception of the city from a traditional manufacturing hub to a vibrant cultural destination, attracting large crowds and generating substantial economic activity [2][6][10] Economic Impact - During the May Day holiday, Foshan hosted two major music events, drawing 120,000 attendees to a concert and 80,000 to a music festival, collectively generating over 1 billion yuan in cultural tourism consumption [2][3] - The ticket multiplier effect in music festivals is notable, with estimates suggesting that 1 yuan spent on tickets can lead to 7 yuan in additional spending, as evidenced by the 3.5 billion yuan generated by the Galaxy Left Bank Music Festival and 6.8 billion yuan from the Huachenyu concert [3][4] Tourism and Audience Engagement - Foshan ranked as the 5th most popular destination for migration during the holiday, surpassing major cities like Shanghai and Xi'an, indicating a shift in tourism dynamics [2] - A significant percentage of attendees at these events were from outside the city, with 82.9% of concertgoers and 89.2% of festival attendees coming from other cities, highlighting the growing trend of travel for cultural events [4] Urban Brand Reconstruction - Foshan is strategically leveraging its manufacturing base to integrate cultural elements, with initiatives like the "Show Plus Plan" aimed at establishing large-scale music venues and attracting top-tier performances [6][10] - The city is transforming its image through music, with social media buzz reflecting a shift in perception among younger audiences, who are redefining Foshan beyond its historical landmarks [7] Sustainable Development and Industry Ecosystem - The development of a music industry ecosystem in Foshan includes various components such as creative incubation, performance management, and equipment manufacturing, fostering a competitive environment among districts [8][9] - The city is implementing a collaborative model involving government, businesses, and residents to ensure sustainable growth in the music and cultural sectors, reducing common issues faced by other cities hosting similar events [9] Cultural Transformation Insights - The success of Foshan's music festival economy illustrates a broader trend in urban development, where industrial cities can successfully merge cultural and economic growth, creating new opportunities for innovation and talent retention [10]

Core Insights - The exhibition "Jincheng Silk Pipes: Harmonious Resonance of Music in Chengdu" showcases the evolution of Chinese music civilization through ancient artifacts, emphasizing the enduring pursuit of harmony and order by the Chinese people [1] Group 1: Ancient Instruments and Cultural Significance - The Jiahu bone flute, dating back 8,000 to 9,000 years, is noted for its five-tone scale, which has influenced global music history, demonstrating a connection between ancient music and the cosmos [2] - The flower-shaped bronze bell from Sanxingdui, discovered in Chengdu, reflects the integration of Shu culture with the broader Chinese civilization, indicating a mature ancient music system [3] Group 2: Historical Musical Practices - The Eastern Han ceramic figurines depict a vibrant musical scene, illustrating the harmony of string and wind instruments as described in historical texts, showcasing the cultural richness of the Han and Tang dynasties [4] - The "Boya Playing the Qin" brick image symbolizes the legendary friendship between Boya and Zhong Ziqi, representing the deep cultural significance of music in ancient China [5] Group 3: Artifacts Reflecting Musical Traditions - The Tang dynasty "Cai Feng Ming Qi" seven-stringed qin, with intricate designs and craftsmanship, exemplifies the high artistic standards of the time and its connection to poetic expressions [7] - The "Dashi Diao" porcelain pillow from the Song dynasty features musical notations, indicating the intertwining of daily life and music in historical contexts [9] Group 4: Cultural Exchange and Evolution - The gilded eight-sided cup from the Tang dynasty showcases the influence of foreign cultures on Chinese music and dance, reflecting the dynamic cultural exchanges during that period [10] - The exhibition highlights the transition of music from sacred rituals to popular entertainment, illustrating the evolution of musical practices from the Song and Yuan dynasties [11][12] Group 5: Conclusion and Legacy - The exhibition concludes with a reflection on the continuous evolution of music in Chengdu, emphasizing the city's rich musical heritage and its role in nurturing the spirit of harmony [14]

Core Viewpoint - The roadside music concerts in Guiyang have become a cultural phenomenon, enhancing the city's charm and providing a platform for local musicians and community engagement [4][11]. Group 1: Event Overview - Over 400 roadside music concerts have been held in Guiyang, attracting more than 3 million attendees and featuring over 70,000 participants on stage [11]. - The concerts are free, non-commercial, and encourage public participation, creating a shared cultural experience [4][5]. Group 2: Cultural Significance - The concerts blend historical architecture with modern music, enriching the cultural landscape of Guiyang [4][5]. - The initiative has historical roots, dating back to 1937, when music was used to unite people during challenging times [5]. Group 3: Community Engagement - Local musicians from various backgrounds, including the visually impaired, have found a platform to showcase their talents, fostering inclusivity [7][8]. - The concerts have inspired a new generation of performers, with participants from different age groups and professions taking the stage [6][8]. Group 4: Promotion of Local Culture - The events serve as a platform for promoting Guizhou's unique cultural heritage, including traditional music and local cuisine [8][9]. - More than 80 local bands and 1,500 musicians have participated, with a focus on original works and local cultural expressions [8][11]. Group 5: Media and Publicity - The concerts have gained significant online exposure, with over 50 billion views across various platforms, thanks to the involvement of new media volunteers [9][10]. - The initiative has successfully integrated music into the urban development narrative, enhancing the city's cultural identity [10][11].

在线音乐是指通过互联网进行传播、播放和存储的音乐内容。用户可以借助各种电子设备，如电脑、手 机、平板电脑等，连接到互联网，通过在线音乐平台访问和享受大量的音乐资源，无需像传统方式那样 购买实体音乐介质（如CD、磁带等）或事先将音乐文件下载到本地设备。 截至2023年年末，国内在线音乐付费用户数量实现飞跃式增长，已成功突破1.5亿人次。这一数字不仅 彰显了中国音乐市场付费模式逐渐深入人心，更预示着行业正迈向更为成熟、健康的发展阶段，为在线 音乐产业注入强劲动力。 在数字音乐市场蓬勃发展的当下，我国在线音乐领域成绩斐然。据中国音像与数字出版协会数字音乐工 作委员会发布的《中国数字音乐产业报告(2023)》显示，2023年我国在线音乐市场规模攀升至239.8亿 元。 中国在线音乐行业的竞争格局近年来趋于稳定，主要由腾讯音乐娱乐集团（TME）和网易云音乐两大 巨头主导，形成"两强争霸"的局面。腾讯音乐娱乐集团在中国在线音乐市场的份额长期保持在70%以 上，占据绝对主导地位。 华经产业研究院研究团队使用桌面研究与定量调查、定性分析相结合的方式，全面客观的剖析在线音乐 行业发展的总体市场容量、产业链、经营特性、盈利能力和 ...

中新网北京5月9日电(记者 左宇坤)如果记忆如同橡皮擦下的字迹，还有什么能留住消失的过去？如果有 一个恢复记忆的机会，你想听他再吹一次笛子，还是想和她再唱一首歌？ 阿尔茨海默症，被称为"无情的记忆杀手"，会导致记忆力和其他认知能力的进行性下降。面对这一特殊 群体，音乐被认为可以带给他们积极的影响。 2024年11月起，中国网络社会组织联合会携手中国互联网发展基金会、中国新闻网，由中国互联网发展 基金会中国正能量网络传播专项基金资助支持，组织开展"数爱无疆"数字公益故事征集展播活动，最终 遴选出50个具有代表性的数字公益故事，腾讯音乐"听见·记忆的回响"40赫兹伽马音乐疗愈公益企划入 选。 40赫兹的力量 忘了自己在哪里、要干什么，没有了时间空间的定向能力……当前，中国的阿尔茨海默病患者约千万。 世界卫生组织数据显示，全球每3秒钟就有1例痴呆患者产生。 阻止这快得让人揪心的数字，民众的认识、医学的干预以及全社会的协作都是亟待解决的问题。 40赫兹，这个肉眼不可见的低频振动，正从冷冰冰的实验室参数转化为温暖的艺术表达。 随着对国内外最新医学研究的关注，腾讯音乐了解到使用40赫兹伽马音频，有机会改善阿尔兹海默病患 ...

Concert Industry - Sun Yanzi's concert in Beijing sold out instantly, demonstrating her strong market appeal, even with over 10,000 tickets available at the Bird's Nest stadium [1] - The secondary market for tickets saw significant price inflation, with a ticket originally priced at 680 yuan being resold for 3,833 yuan, and a 1,680 yuan ticket exceeding 7,000 yuan [1] - The concert industry is thriving, with large concerts expected to generate over 26 billion yuan in ticket sales in 2024, a 78.1% increase year-on-year, and attendance surpassing 29 million, up 45% [4] Music Artist Landscape - The emergence of new top-tier musicians is becoming increasingly difficult, as evidenced by the recent popularity of LBI's song "Jumping Machine," which reportedly earned over 40 million yuan [5] - Many musicians are now focusing on short video platforms for promotion, but they lack the lasting impact and recognition that established artists like Sun Yanzi have [6][7] - The fragmented nature of music promotion in the short video era makes it challenging to build a complete artist image, highlighting the enduring value of classic songs and established musicians [7][8]

刚刚过去的五一黄金周，大型演出依然火热。 据中演协数据最新数据，五一期间，全国营业性演出（不含娱乐场所演出）场次3.35万场，与2024年同比降低2.52%；票房收入21.59亿元，同比增长 3.60%；观众人数1031.59万人次，同比增长0.47%。其中，5000人以上的大型营业性演出票房收入达到12.12亿元，同比增长5.12%。 据不完全统计，在接下来的5月，也将有超过20多场音乐节接棒五一的余温。 不过，五一档音乐节热度的B面，是创新与转型进程中衍生的诸多混乱与闹剧、乱子和乐子。从流程失序到体验割裂，种种乱象如同一把双刃剑，既折射 出行业变革的阵痛，也在无形之中消耗着乐迷的耐心与信任，让这场本应狂欢的音乐盛宴蒙上了一层阴影。 狂欢之乱 比起五一档电影票房的惨淡遇冷，同期的音乐节市场则是在乱象中"炙烤"。 首当其冲的，是来自于多场音乐节出现的部分艺人实际演出时长与官宣相差甚远所引发的舆论海啸。 这之中，造成较大舆论翻车的，便是5月2日北京元气森林音乐节演出当天，因落日飞车因堵车迟到和主办方应急处理能力不足，引发了一系列蝴蝶效应， 包括老狼、郑钧、崔健、赵露思等后续嘉宾演出时长接连被压缩，而最后登台的赵 ...

Core Viewpoint - The article emphasizes the significance of labor and its celebration in the traditional culture of various Chinese ethnic groups, highlighting how different labor songs and practices reflect the unique characteristics and heritage of these communities [1][2][3]. Group 1: Labor Songs and Cultural Significance - The article discusses the traditional labor songs of the She ethnic group, such as the "Tea Picking Song," which has been passed down for over a thousand years and reflects the joy of tea harvesting through various singing forms [1]. - The Hani ethnic group's "Transplanting Song" incorporates the 24 solar terms into its lyrics, transforming the arduous task of rice planting into a more enjoyable activity through song [2]. - The article mentions the unique maritime culture of the Jing ethnic group, whose "Out to Sea Song" captures the essence of collective fishing efforts and the resilience of fishermen [3]. Group 2: Labor Practices and Community Engagement - The She ethnic group's tea-picking practices involve joyful singing, which enhances the communal experience of labor [1]. - The Hani people's rice planting is characterized by a call-and-response singing style that makes the labor more engaging and less tedious [2]. - The article highlights the collaborative nature of the Tibetan "Axi" song, which is performed during traditional construction activities, showcasing the unity and rhythm of labor among workers [3]. Group 3: Artistic Expression and Cultural Heritage - The integration of labor and art is a recurring theme, with various ethnic groups using music and dance to elevate their work into a form of artistic expression [1][2][3]. - The article illustrates how these labor songs and practices contribute to a shared spiritual heritage among the diverse ethnic groups in China, fostering a sense of community and continuity [3].

在广州，这样一种以乐团形式开展的音乐教育，带给人怎样的启示？ "音乐提高我们对美好的敏感度和对世界的感知力" 一个月前，香港艺术节，歌剧《卡门》首演，香港中文大学生物医学博士王婧怡买了票。序曲响起，她 仿佛回到2011年的夏天。 当年还是初中生的她，背着琴盒，第一次走进二沙岛的排练大楼。参加广青交的第一次乐队合排，就是 《卡门序曲》，她心里直打鼓：近百人一起演奏，会不会乱成一团？"当指挥棒坚定地落下，雄壮和谐 的乐声从一群同龄人的手中奏响，每一声镲都击中我的心弦！"第一次合排，让王婧怡感受到音乐的魅 力。 广青交成员最爱合奏，理由有很多："聚光灯照向我们，集体给我安全感""更能体会音乐丰富的层 次""目标一致，一起演奏好一首曲子"。 他们慢慢懂得：何时将旋律让出去，何时把旋律接过来，怎样来配合，如何去衬托、聆听、合作，最终 将几串音符变成恢弘立体的乐章。"这是'和而不同'。"王婧怡如此总结。 合奏并非易事。快一点、慢一点，节奏就乱了，高一点、低一点，音准就没了。严格的要求、严谨的训 练、严密的配合，广青交给孩子们埋下一颗集体主义的种子。 广州青年交响乐团在瑞士韦尔比耶音乐节演出。 罗宇罡摄 珠江畔，二沙岛，星 ...