开幕式结束后，"五好"(即好看、好吃、好听、好玩、好用）非遗大集同步开集。大集汇集了来自全国 各地的传统美食、传统音乐、传统戏剧、传统工艺、民俗、杂技等国家级、省级非遗项目。大会还推出 了"非遗打卡路线"，该路线贯穿"社火广场""傩舞广场""非遗食光里""百艺匠心坊""茗萃雅赏街""鱼纹广 场"六大活态展演区。 "社火广场"上鼓乐喧天，英歌舞、傩戏、抬阁、板凳龙、鱼灯让游客目不暇接……在这场视觉、听觉、 味觉、触觉于一体的文化盛宴中，中华优秀传统文化的独特魅力正以最鲜活的方式感染着每一位参与 者。 "'非遗视频创作哺育行动'是一次社会力量参与非遗保护的集结号，也是构建非遗传播新生态的播种 机。"中国非物质文化遗产保护协会会长王晓峰表示，其核心宗旨就是为广大青年非遗传承人和视频创 作人构建一个交流互鉴的广阔平台，为非遗项目提供展示与传播的重要窗口。 文化和旅游部非物质文化遗产司副司长李晓松表示，希望非遗传承人在有效传承的基础上，用社会公众 喜闻乐见的方式讲好自己的非遗故事，创作出更多有思想、有深度、有温度的视频作品。希望视频创作 者深入挖掘和阐述非遗蕴含的文化内涵，转化为有意义的主题、有意思的表达、有品质的作品 ...

杨稚梓：不得不说，安徒生是一个很善于营销自我的作家。如您所说，安徒生非常喜欢写自传。他在这些自传中 一遍遍讲述自己从底层少年成长为文学大师的励志人生，而且省略掉生活中那些幽暗阴郁的秘密，把自己符号 化。另一方面，安徒生的虚构性创作也具有自传性色彩，其中一部分使用的是加密式自传性写法，目的是把自己 无法直接透露的真实信息传达给"被选定的"读者——指的是那些细心的读者，他们可以通过作者留下的一些密钥 型线索找到更深的意义层面；另一部分则是安徒生塑造的"舞台自我"，比如我们熟悉的丑小鸭、坚定的锡兵等， 都是虽然出身有所欠缺，但要么天生具有才能，要么意志坚定，未曾因缺陷而自我放弃，非常符合市民价值观， 问世以来都成了非常深入人心的文学形象。其中，《丑小鸭》的结尾是："当我还是一只丑小鸭的时候，我做梦也 不曾想到过会有这样的幸福！"这对应的正是安徒生最著名的自传《我的童话人生》的开头："我的人生是一个美 丽的童话。"可见，安徒生希望读者把他的人生和《丑小鸭》这则童话联系在一起，和他笔下这些著名的童话形象 联系在一起，让作者和作品一起构成完整的文化符号，而这个符号背后的意义是才能更加坚定，非常符合市民群 体心目中励志人生 ...

Core Viewpoint - The article outlines three practical content creation rules for Douyin (TikTok) that can help users increase engagement and viewership, emphasizing the importance of visual appeal, practical value, and emotional connection in video content. Group 1: Visual Appeal - Rule One: Capture the Eye with Visuals - Users tend to scroll past videos if they are not visually engaging within the first three seconds. Key visual strategies include using vibrant colors and dynamic actions to attract attention [3][4]. - Example: A street vendor tossing an egg before cooking created a visually striking 15-second video that resulted in 20 franchise inquiries in one day [4]. Group 2: Practical Value - Rule Two: Provide Immediate Benefits - Content that offers practical tips or hacks is highly favored. Categories that perform well include life hacks, avoidance guides, and quick tutorials [5]. - Example: A mechanic created a series demonstrating how to fix a car window noise for just 10 yuan, attracting numerous customers to his shop [5]. Group 3: Emotional Connection - Rule Three: Hook Emotions - Content that evokes strong emotional responses, such as joy or relatability, tends to resonate well. Successful examples include satisfying visuals and relatable everyday moments [6]. - Caution: Avoid overly dramatic or forced emotional narratives, as authenticity is more impactful than staged performances [6]. Group 4: Content Creation Mindset - Ultimate Tip: Think Like the Audience - Before posting, creators should ask themselves if the content is engaging enough to stop scrolling, if it offers practical use, and if it encourages sharing with friends [8].

Group 1 - The article explores the historical and cultural significance of the poem "Spring River Flower Moon Night" by Zhang Ruoxu, highlighting various locations in Jiangsu province that claim to be the inspiration for the poem [6][8][9] - Different regions such as Taizhou, Yangzhou, and Jiangdu present their interpretations and evidence to support their claims regarding Zhang Ruoxu's connection to the poem [10][12][14] - The article discusses the establishment of cultural sites and museums, such as the Spring River Flower Moon Night Art Museum in Guazhou, aimed at promoting the poem and its cultural heritage [20][22][30] Group 2 - The poem is recognized for its artistic value and has been the subject of various interpretations, reflecting themes of nostalgia, beauty, and philosophical insights [29][32] - The article emphasizes the ongoing debates about the poem's geographical inspiration, showcasing the cultural pride of different regions in Jiangsu [18][28][31] - The significance of the poem has grown over time, with increasing recognition in literary circles, particularly during the Ming and Qing dynasties [30][31]

Core Perspective - Huang Jiannan's artistic journey reflects a profound exploration of how visual experience resonates with the inner landscape, breaking traditional boundaries between Eastern and Western art forms [2][4][6] Group 1: Artistic Philosophy and Techniques - Huang Jiannan's work embodies a unique creative philosophy where art is not merely imitation of nature but a manifestation of life's will, as seen in his piece "Desert Solitude" [1][4] - His approach integrates elements from both Eastern and Western art, such as blending Monet's impressionism with traditional Chinese ink techniques, creating a dialogue between different cultural expressions [2][4] - The artist's innovative use of materials and techniques, like using oil painting to express traditional Chinese aesthetics, has been recognized as a significant contribution to contemporary art [4][6] Group 2: Market Trends and Value - Huang Jiannan's early works, marked by his travels, have shown an annual appreciation rate of 27%, significantly higher than the average 12% in the art market [5] - Collaborations with scientific institutions, such as NASA, have led to substantial increases in the value of his works, exemplified by the "Interstellar" series, which quadrupled in price over three years [5] - His unique market strategy, which includes the integration of digital art with traditional painting, reflects a broader trend in contemporary art where the hand-crafted aspect is becoming a rare and valuable resource [5][6] Group 3: Cultural Impact and Recognition - Huang Jiannan's work has been pivotal in establishing a cultural dialogue on a global scale, as evidenced by his large installation at the Venice Biennale, which asserts cultural authority [6] - His recent exhibition at the British Museum highlights the relevance of his work in addressing contemporary artistic challenges, particularly in the context of digital art's rise [6][7] - The artist's philosophy emphasizes a connection between local experiences and global narratives, showcasing the duality of being rooted in tradition while reaching for global recognition [6][7]

转自：北京日报客户端 那年今日 1942年5月,中共中央宣传部在延安杨家岭召开了文艺座谈会。5月23日,毛泽东同志在会议结束时作了著 名的《在延安文艺座谈会上的讲话》。 时至今日，《在延安文艺座谈会上的讲话》的精神仍散发着灼灼光华,"为人民大众"的文艺方向和"深入 生活"的创作道路，构建了新时期文艺的根基。 红色驿站 1936年的九、十月间，古城西安七贤庄一个牙科诊所，著名左翼女作家丁玲在这里秘密栖身。 丁玲平日里帮着诊所做些杂务，不敢随便走出院子，百无聊赖时，就找些吃的逗弄诊所里的狗，那只狗 叫"希特勒"。 牙科诊所的主人是德国医学博士海伯特，中文名冯海伯。因为早年在上海时，他曾给张学良治疗过牙 病，就以张学良保健牙医的身份跟着到了西安，开了这间牙科诊所。 当然，这是公开的身份，海伯特其实是德国共产党员，1931年的时候被纳粹驱除出境，来到了中国。所 以，他给自己养的狗取了那个邪恶的名字。 这间牙科诊所，实际上是中国共产党在西安的地下交通站。诊所里设备先进，海伯特医术高明，当真是 门庭若市，也提供了绝好的掩护。 1942年前后，延安文艺界有何纷争？延安文艺座谈会为何举办？今天，北京日报纪事带您一起回顾延安 ...

"62位演员评出17位进入梅花奖终评，初评担子非常沉重。"梅花奖评委宋官林回顾，"传统经典剧 目、传统折子戏命中率非常高。为什么演新编戏得梅花奖很难？因为很多新剧本主题先行，立意太满， 演员手眼身法步、唱念做打的空间几乎没有了。" "很长一段时间，没人看舞剧，剧本、舞美创作滞后，突然到了某个节点，舞剧起来了，到今天， 舞剧呈井喷式爆发。"昨天，中国戏剧梅花奖、曹禺戏剧文学奖得主济济一堂，围绕"重视一剧之本，突 出表演中心"探讨创作，上海歌舞团荣典·首席朱洁静直言，"有些地方吃到舞剧红利，都想做舞剧，让 其作为自己的成绩，快速求成的心态严重影响艺术创作规律。" 在朱洁静看来，艺术需要时间打磨，需要精力去沉淀，作为演员，要有定力、耐得住寂寞，面对快 速发展的舞剧市场能对一个角色和一部作品十年磨一剑。"从舞蹈演员、舞剧演员到演员，是非常漫长 的路。"朱洁静认为，《朱鹮》和《永不消逝的电波》给了她职业生涯最重要的角色，"今天，40岁的我 已经尝到表演的快感，也拍了舞剧电影。表演两个字，真的非常美妙。" "很多演员台词背得特别溜，唱段特别溜，但是不懂得为什么在这个地方断句、为什么在这个地方 甩腔。"国家话剧院演员秦海璐 ...

Core Insights - The 78th Cannes Film Festival is showcasing Chinese films and facilitating discussions on their international market potential [1][2] - Chinese cinema is recognized as an attractive industry, achieving international standards in diversity and quality [1] - The integration of Kung Fu elements into various film genres is highlighted as a way to reshape the perception of Chinese films abroad [2] Group 1: Chinese Film Industry Development - The Chinese film industry is represented by over 60 companies and 180 films at Cannes, indicating a strong push for international promotion [1] - Experts emphasize the importance of unique Chinese cinematic language in the context of globalization and artificial intelligence [1][2] - The rise of co-productions is seen as a key strategy for entering the Chinese market, with Spain expressing interest in collaboration [2] Group 2: Technological Integration and Innovation - The participation of science fiction films like "Wild Times" in prestigious competitions reflects the growing attention on Chinese sci-fi cinema [3] - The use of artificial intelligence in storytelling is being explored, with creators leveraging technology to reach global audiences [3] - Chinese creators are increasingly returning from abroad, equipped with international storytelling skills, to share diverse narratives [2][3]

（原标题：当算法触碰灵魂：AI 时代的艺术拷问） 这场风波也折射出当代艺术市场的荒诞。当资本盲目追逐 "新技术" 的噱头，当藏家不再关注作品背后 的精神内核，艺术便异化为投机的工具。AI 画作的高价成交，与其说是对技术的认可，不如说是商业 逻辑对艺术价值的扭曲。真正的艺术鉴赏，应当回归到贡布里希所说的 "观看之道"—— 在色彩与线条 中触摸创作者的心跳，在构图与留白处聆听时代的回响。 或许，AI 之于艺术，更应是一面镜子。它照见人类对创造力的焦虑，也映照出艺术本质的永恒命题： 技术可以革新创作手段，却无法替代生命的温度；算法能够解构美学规律，却永远无法复制灵魂的震 颤。在这场技术与人性的对话中，我们终将明白：艺术的圣殿里，机器永远只能站在门外，唯有带着体 温的灵魂，才能奏响永恒的乐章。 艺术界的争论背后，是人类对自身创造力的珍视与捍卫。柏拉图认为艺术是对理念世界的模仿，而 AI 的 "创作" 不过是对模仿的再模仿，陷入了虚无的递归循环。从梵高在麦田里癫狂的笔触，到毕加索用 几何撕裂现实的勇气，艺术史的每一次突破都源于人类独一无二的生命体验。机器可以无限复制美的形 式，却永远无法拥有孕育美的灵魂。就像法国作家安 ...

试了一下谷歌昨晚发布的视频模型Veo3和AI视频创作产品FLOW，实在是太强了， 这个模型会跟4o的图像模 型一样将视频模型带到下一个时代。 Veo3 支持在生成视频的时候同时生成对应的环境音、语音，而且语音支持唇形同步，这个简直对一些剪 辑软件、视频 Agent 和数字人产品是降维打击，视频生成的可用性一下提升了一大截。 在FLOW这里可以生成图片和视频，支持视频延长和剪短，最后可以将你挑选好的视频直接剪辑为完整 的视频。 Veo 3 这个声音真的神来一笔一下子让视频生成多了很多应用场景，视频模型时代变了。 这篇文章我会发布我所有的 一手 Veo3 视频模型测试结果和对应的应用场景，同时还会详细介绍 FLOW 这个 产品如何使用。 Veo 3 测试 FLOW 里面只支持英文提示词，为了方便理解我会将提示词翻译为中文展示* 先简单介绍一下 Veo3 和 FLOW 的特性： 首先测试了一下他的语音生成和唇形同步能力，即使是小猫跟人不一样唇形同步也是很准确的，而且所有的音 效都非常精准。 一只可爱的拟人化小猫刚刚进入学校，它背着自己的行李，好奇地打量着一切，嘴里还不停地嘀咕着 Veo 3居然可以准确的生成游戏的画 ...