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古丝路上新!中国两处千年遗址首次面向公众开放
Xin Hua Wang· 2025-05-01 10:06
Core Viewpoint - The opening of the ancient Silk Road sites, the Tuyugou Grottoes and the Xuanquan Zhi site, marks a revitalization of cultural heritage in the new era, enhancing public access to historical treasures [1][4]. Group 1: Tuyugou Grottoes - The Tuyugou Grottoes, a large complex of cave temples established around the 5th century, consists of 157 caves, 3 ground temples, and 9 pagodas, showcasing a variety of multilingual Buddhist manuscripts and secular documents [2]. - Over 77 million RMB has been invested in the protection, restoration, and reinforcement of the Tuyugou Grottoes, with a focus on preserving the artistic essence of the site [2]. - A real-name reservation system and daily visitor limit of 300 tickets have been implemented to manage tourist flow and protect the site [2]. Group 2: Xuanquan Zhi Site - The Xuanquan Zhi site is the only systematically excavated ancient post station along the Silk Road in China, recognized as a UNESCO World Heritage site in 2014 [4]. - A 1:1 scale replica of a Han Dynasty post station has been constructed near the site, providing modern amenities for travelers [4]. - The site incorporates wooden walkways and protective measures to enhance visitor experience while ensuring the safety of the archaeological remains [5]. Group 3: Cultural Heritage Promotion - China is actively promoting the protection and opening of Silk Road cultural heritage, with more ancient sites being made accessible to the public [5]. - Other sites, such as the Shengjinkou Grottoes and the Yarlug Lake Grottoes, have also recently opened to visitors, with plans for the Han-Wei Luoyang Ancient City Museum to open later this year [5]. - The global interest in the Silk Road is growing, with hopes that the opening of more sites will foster a systematic and visual understanding of Silk Road culture [5].
莫高窟里 毫厘之间坚守匠心
Yang Shi Wang· 2025-05-01 00:04
Core Viewpoint - The preservation and restoration of the Dunhuang Mogao Caves' cultural relics are crucial for maintaining historical heritage, with skilled professionals like Liu Tao playing a vital role in this process [1][10]. Group 1: Importance of Cultural Heritage - The Mogao Caves are a popular tourist destination, showcasing exquisite murals and sculptures that reflect ancient social life and the exchange of civilizations along the Silk Road [1]. - Many relics have suffered damage over the centuries, necessitating skilled restoration efforts to ensure their longevity [1]. Group 2: Restoration Expertise - Liu Tao, a seasoned restoration expert, continues to work on the murals in Cave 55, addressing various forms of deterioration [3][10]. - Each restoration specialist possesses a unique set of tools, with Liu Tao having developed many of his own over his 30 years of experience [5]. - The meticulous nature of restoration work requires immense patience and precision, with a strict adherence to a "zero-error" principle [7][10]. Group 3: Evolution of Restoration Techniques - The restoration team at the Dunhuang Research Institute has grown from four members to over a hundred, with a significant proportion of young professionals [12]. - Recent advancements in preservation techniques and concepts have led to significant progress in the protection and restoration of the murals, aiming for long-term preservation and sustainable use [15].
山西:“面对面”沟通 “肩并肩”调研
Ren Min Wang· 2025-04-30 00:52
今年全国两会上,最高人民法院工作报告提出,要深入践行全过程人民民主,切实把体现人民意 志、保障人民权益、激发人民创造活力落实到司法审判各方面,在自觉接受监督下严格公正司法。 山西省各级法院始终自觉、深入践行全过程人民民主,主动接受人大监督、接受人大代表监督、接 受人民监督,邀请人大代表参与视察法院、专题调研、开展调解、见证执行等活动,主动向人大代表报 告工作,把制度优势转化成推动司法审判工作高质量发展的强大动力。 现场观摩——"在治罪的同时充分考虑了治理" 今年全国两会上,最高人民法院工作报告中提到的"践行生态环境预防性、恢复性司法。判令责任 主体承担生态环境损害赔偿资金共计96亿元",令全国人大代表、山西大同大学煤基生态碳汇技术教育 部工程研究中心主任赵建国印象深刻。 全国两会闭幕后不久,赵建国便来到文水县人民法院,了解一起环境资源案件的审理情况,并就案 件中的山体破坏、沙坑污染情况以及环境修复举措进行现场观摩指导。 翟某某等5人向某处沙坑倾倒固体废物,造成经济损失122.59万元。案件办理过程中,翟某某等人 认罪认罚,主动退缴违法所得,缴纳生态损害修复费用41.2万元、环境绿化费用82.5万元。文水法院以 ...
月港氤氲
Ren Min Ri Bao· 2025-04-29 22:31
市镇繁华甲一方,古称月港小苏杭。在闽南漳州龙海区,月港古镇以"一水中堑,环绕如偃月"而得名。 周末清晨或夜晚,我喜欢独自漫步其中。 月港位于九龙江入海口,一条长约500米的狭窄街道,走过了繁盛、坚守、寂寞和挣扎的历史,承载着 厚重的记忆。时至今日,这里依旧古意浓浓,满是人间烟火。 林语堂在《我的故乡》中有这样一则记载:"在镇上,每户人家的门口,都挂着一面竹帘子,妇女们只 能躲在屋子里,隔着竹帘往外看,而在外面镇上的人,却无法看到里面的情形"。竹帘子,又叫"朱子 帘",是朱熹任漳州知府时主张"节民力、易风俗"创造的,高2米、宽1.5米,用竹竿和竹片制成。讲究 的家庭会在竹片上画上祈福图案,有喜事的还会贴上一对双喜。其独特之处在于房屋内的人可以透过竹 帘看到外面,而屋外的人却无法看到里面,从而表达儒家思想的内外有别的理念。 至今,月港古镇的原住居民还保留着在家门口摆放竹帘子的习俗,不过"朱子帘"已经从束缚女性的象征 转变为文化遗产和文化符号。这种转变不仅仅是女性地位的提高和社会进步的体现,更是历史和文化的 延续和传承。 2008年,英国牛津大学鲍德林图书馆在清理馆藏时,意外发现了一幅古老的中国航海图。经研究确认, ...
一起守护,黄土高原上的文化“宝藏”
Xin Hua She· 2025-04-28 09:36
行走在山西大地上 无论在城镇里 还是在太行山、吕梁山群山之间 总会遇到一些外貌古旧的楼、塔、寺、院…… 东倚太行,西临黄河 山西被誉为"古建筑爱好者的天堂" 一个个文化"宝藏"犹如璀璨珍珠点缀着表里山河 寺内巡查、检查监控 山西拥有5万余处不可移动文物 其中古建筑约有2.8万处 全国重点文物保护单位531处 国保单位数量居全国第一 在这个被越来越多人发现和了解的宝藏之地 是谁? 在默默守护着这些文化"宝藏" 海拔1500多米的太行绝壁之上 山桃花掩映着历经千年风霜的金灯寺 66岁的守寺人冯开平 记录监测文物情况 翠云山间的法兴寺里 文保员张宇飞 坚守30多个春秋 看护寺庙、客串讲解 还开设了"守寺者"微信公众号 介绍寺内的宋代彩塑、唐石舍利塔与唐燃灯塔 武周山南麓 石窟造像顶天立地 一支文物医生团队对石窟"望闻问切" 进行病害调查、微环境监测和日常保养 让饱经风霜的石窟焕发光彩 石窟本体保护的同时 文物医生逐步对石窟进行数字化信息采集 随着"数字档案"不断完善 加强文物保护利用和文化遗产保护传承 为加强基层文物保护队伍建设 2022年,山西省文物局等5部门联合印发了 《文物全科人才免费定向培养实施办法》 同年 ...
让世界看到中国非遗之美(侨界关注)
Core Viewpoint - Li Haihua is dedicated to promoting Chinese intangible cultural heritage (ICH) in Hungary and Europe through various public activities and collaborations with cultural institutions [2][4]. Group 1: Background and Motivation - Li Haihua has had a lifelong passion for culture, inspired by her childhood dream of becoming an artist and her admiration for the works of cartoonist Cai Zhizhong [3]. - After moving to Hungary eight years ago, she immersed herself in the study of Chinese ICH, initially as a hobby, which later evolved into a deeper commitment [3][4]. Group 2: Activities and Impact - Li Haihua has organized 20 public ICH activities, gaining attention from the Chinese cultural association formed by Hungarian university students, thereby increasing awareness of ICH among the local population [4][5]. - She emphasizes the importance of experiential learning, as demonstrated by a German couple who independently completed their tie-dye projects, showcasing the enjoyment and understanding of the process [5][6]. Group 3: Cultural Education and Exchange - Li Haihua does not sell ICH products but instead focuses on sharing knowledge and cultural stories, such as the significance of Chinese face masks and their historical context [6][7]. - She has established a non-profit ICH school in collaboration with a Hungarian traditional medicine school, aiming to systematically spread ICH culture and Chinese wisdom [7][8]. Group 4: Future Plans - Li Haihua plans to establish an ICH association in Hungary to further promote the visibility, experience, and transmission of ICH [8].
【省文物局】蜀道考古调查阶段性成果发布新发现文物遗存二百九十七处
Shan Xi Ri Bao· 2025-04-27 22:45
4月26日,"考古中国"重大项目重要进展工作会在四川召开,发布了蜀道考古调查阶段性成果。截 至目前,已完成对金牛道、米仓道、荔枝道、陈仓道、褒斜道、祁山道共6条干线的调查工作,现阶段 共调查蜀道里程2073千米,沿线分布各类文物遗存1034处,新发现文物遗存297处。 陕西省文物局工作人员介绍,此次考古调查打破了行政区划的限制,以完整的蜀道路段为单位,采 用"一家牵头,多家协作"的工作方法,共设立了6个专项任务。其中,除了不跨省域的褒斜道和祁山道 由所在省的文物考古科研机构独自完成外,跨省域的陈仓道调查工作由陕西省考古研究院牵头负责、甘 肃省文物考古机构协助完成;金牛道、米仓道调查工作由四川省文物考古研究院牵头负责,陕西省、甘 肃省文物考古机构协助完成;荔枝道调查工作由重庆市文物考古研究院牵头负责,四川省、陕西省文物 考古机构协助完成。国内相关高校、地方文博单位和社会各界共同参与此次调查,结合第四次全国文物 普查,最终形成了系统调查与专项普查相结合的新局面。此项工作为跨区域、多单位联合考古积累了全 新的"蜀道经验"。 考古人员在蜀道沿线新发现了大量的遗址、墓葬、碑刻等文物遗存。以陕西为例,陈仓道上新发现 的梁 ...
文明的刻度,让世界记住(推进文化自信自强)
Ren Min Ri Bao· 2025-04-27 22:11
《布施锡兰山佛寺碑》局部。 图为新华社记者伍岳摄 近日,联合国教科文组织宣布将74项文献遗产新列入《世界记忆名录》,其中包括中国申报的《随州曾 侯乙编钟》《少林寺碑碣(566—1990)》以及中国与斯里兰卡联合申报的郑和遗存《布施锡兰山佛寺 碑(1409年2月15日)》。至此,中国共有18项文献遗产入选《世界记忆名录》。 《世界记忆名录》是由联合国教科文组织于1992年发起的,旨在实施联合国教科文组织法中规定的保护 世界文化遗产的任务,促进文化遗产利用,提高人们对文献遗产重要性的认识。其所指文献遗产不仅包 括纸莎草纸、羊皮纸、棕榈树叶、木片、石片、纸张等传统载体,还包括录音、电视电影作品和数字媒 体等新型媒体。新入选的3项中国文献遗产凝聚了哪些珍贵记忆?让我们一同走进人类共同的记忆财 富,感受文化瑰宝的魅力。 游客在少林寺数字档案展厅参观。 苗雨浩摄 湖北省博物馆的随州曾侯乙编钟。 新华社记者 肖艺九摄 斯里兰卡国家博物馆的《布施锡兰山佛寺碑》。 图为新华社记者伍岳摄 出土以来,曾侯乙编钟的复制件已去到20多个国家和地区展出。"曾侯乙编钟是一张文化交流名片,通 过音乐,人们拉近了彼此的距离。编钟传递的礼乐文化 ...
交互设计助力创新文化遗产传播路径
Xin Hua Ri Bao· 2025-04-27 02:34
Core Insights - The report emphasizes the need to enhance the protection of cultural heritage and historical culture in urban and rural construction, highlighting its significance as a carrier of human civilization [1] - The integration of modern technology, such as H5 interactive design, XR technology, mobile applications, and social media platforms, is crucial for innovating the dissemination of cultural heritage [1] Group 1: H5 Interactive Technology - H5 interactive technology serves as a core medium for cultural heritage dissemination due to its low threshold, cross-platform capabilities, and social characteristics [2] - It deconstructs complex cultural content into accessible interactive units, reducing cognitive load and enhancing user engagement [2] - H5 can integrate location-based services (LBS) and real-time data interfaces to intelligently push cultural content based on user location and behavior, creating a virtual-physical integration [3] Group 2: XR Technology - XR technology, encompassing VR, AR, and MR, provides a multi-dimensional solution for the digital narrative and interactive experience of cultural heritage [4] - It transforms static cultural entities into interactive digital twins using high-precision digitization, allowing users to engage with multi-modal information in a virtual-physical context [5] - The non-linear narrative model of XR technology enables users to become active explorers, constructing personalized cognitive maps through autonomous interactions [5] Group 3: Mobile Applications and Social Media - Mobile applications and social media platforms create an ecological matrix for cultural heritage dissemination through terminal adaptability, data-driven approaches, and community operations [6] - They facilitate the transformation of physical spaces into intelligent cultural narrative environments, enhancing user interaction through ergonomic design and multi-dimensional feedback mechanisms [6] - User-generated content and algorithmic recommendations on social media activate community-driven cultural heritage dissemination, while data analytics provide quantitative support for cultural strategies [7]
宋锦:千年织造中的江南雅韵|生活美学
Jing Ji Guan Cha Bao· 2025-04-27 02:13
Core Viewpoint - Song brocade, as one of China's three famous brocades, embodies a rich historical and cultural heritage, showcasing exquisite craftsmanship and artistic expression through its intricate designs and vibrant colors [1][17]. Historical Development - The history of Song brocade dates back 2,500 years, with early references found in historical texts from the Spring and Autumn period, indicating its significance in ancient Chinese culture [2]. - During the Southern and Northern Song dynasties, the silk weaving industry shifted to the southern regions, particularly Jiangsu and Zhejiang, establishing Suzhou as a silk production center [2][3]. - The production of Song brocade flourished during the Ming dynasty, with significant advancements in patterns and applications, although it faced challenges during the Yuan dynasty due to war and strict regulations [3][4][18]. Artistic Characteristics - Song brocade is characterized by its elegant color schemes, which emphasize subtle contrasts rather than stark differences, creating a harmonious visual effect [5][6]. - The use of neutral base colors, such as beige and blue-gray, combined with vibrant floral patterns, contributes to its unique aesthetic appeal [7][8]. - The intricate patterns of Song brocade often draw inspiration from nature, featuring a wide range of motifs including flowers, animals, and geometric designs, reflecting the ancient Chinese pursuit of beauty and harmony [9][10][11]. Weaving Techniques - The weaving process of Song brocade involves over 30 intricate steps, showcasing a blend of technical skill and artistic creativity [13]. - Key techniques include the "lifting and pressing" method, which allows for a smooth finish on both sides of the fabric, and the "double warp" technique, which maintains tension and clarity in the patterns [14][15][16]. - The "living color" technique enables the incorporation of multiple colors within a single design, enhancing the fabric's lightness and visual dynamism [16]. Types and Uses - Song brocade can be categorized into four main types: heavy brocade, fine brocade, box brocade, and small brocade, each serving different purposes in historical contexts [17][20][22]. - Heavy brocade is used for royal decorations, while fine brocade is commonly found in clothing and art framing, reflecting its versatility and cultural significance [18][20]. - Box brocade is utilized for practical applications such as temple banners and book covers, while small brocade is favored for everyday decorative items, showcasing its accessibility to the general public [22][23].