近日，亚洲首档跨国歌手文化交流节目《亚洲新声》正式官宣定档5月23日，一场汇聚亚洲多元音乐文化的视听盛宴即将拉开帷幕。加多宝以独家冠名之 姿、以新声领航官之名，再度携手现象级音乐综艺IP，通过音乐的媒介，打造文化出海新载体，持续探索凉茶文化与现代艺术融合的无限可能。此外，基于 携手《中国好声音》缔造国民级音乐记忆的标杆经验，加多宝此次强势回归音综赛道，将再次强化"凉茶+音乐"的超级符号，畅饮加多宝，唱响亚洲新声！ 豪华阵容集结，亚洲音乐盛宴蓄势待发 节目一经亮相，便引发了业内的广泛关注和热议。在加多宝的全力支持下，《亚洲新声》集结了国内外实力导师，首发阵容Jessie J、张靓颖、张信哲、尤长 靖一经亮相，便引发讨论，除此之外，苏有朋、蔡健雅、古巨基等华语乐坛中流砥柱，工藤静香、Faouzia凡希亚（摩洛哥）等国际巨星，以及Phạm Đan Trường范丹长（越南）等新生代跨国音乐人的表现，更让人期待。多元组合覆盖流行、R&B、摇滚等多领域，形成跨越代际与地域的专业评审矩阵。 爱奇艺出品 亚洲首档跨国歌手文化3 声 启 航 JessieJ 新 人 加多宝携手《亚洲新声》，以音乐为媒传递中国韵味 《亚洲新声》 ...

经过数月的升级改造，位于西湖区转塘街道的转塘南街菜市于近日正式亮相。这个由中国美术学院 团队操刀设计的菜市，不仅打破了传统菜市的封闭格局，更以开放的空间、多元的业态和艺术化表达， 成为西湖区又一处兼具烟火气与艺术感的民生新地标。 来到转塘南街菜市，映入眼帘的是金属做旧的背景墙和低饱和度的外立面，上面点缀着明亮的彩色 编织设计。"菜市视觉设计以'菜篮子'为核心理念，以编织为基础设计元素，多彩的颜色反映了菜市的 多元性。"菜市视觉形象及视觉氛围设计师隋焕臣介绍，这里的每个设计都藏着巧思，就连停车场的地 标，都是由一个个彩色篮箱堆叠而成。 走进焕然一新的转塘南街菜市，传统菜摊与花店比邻而居，三文鱼简餐店旁飘来咖啡香。"我们特 意保留了老商户，同时引入年轻业态，让不同年龄段的居民各得其所。"菜市运营副总何灿琳介绍。 邻近美院象山地铁站的地理优势和约1400平方米的宽敞建筑面积，赋予转塘南街菜市无限可 能。"过去这里像一个封闭的盒子，现在我们要让它成为连接社区、学校和地铁的活力枢纽。"菜市建筑 师、中国美术学院教师张雯和李颂赞说。 面对原场地1.5米的高差阻碍，团队通过打造阶梯式下沉广场，将生硬的台阶转化为可休息、可展 ...

Core Viewpoint - The exhibition "Rising Sun and Moon" at Fudan University Art Museum aims to address contemporary social issues through art, aligning with the vision of integrating liberal arts with other disciplines, marking the university's 120th anniversary [1][7]. Group 1: Exhibition Overview - The exhibition is divided into four units discussing themes such as tradition vs. contemporary, individual vs. collective, difference vs. coexistence, and technology vs. magic, featuring 41 domestic and international artists [1][5]. - The exhibition runs from May 24 to October 10, 2023, and serves as a gift to commemorate Fudan University's 120th anniversary [1][9]. Group 2: Artistic Contributions - The opening piece is Wang Quchang's "Qin History Manuscript," which reflects the integration of literature, history, and philosophy, emphasizing the interconnectedness of these fields in traditional scholarship [3]. - Notable works include Wang Tiande's reinterpretation of traditional ink painting and Hu Xiangqian's exploration of martial arts through visual art, showcasing the transformation of traditional practices in contemporary contexts [3][5]. Group 3: Thematic Exploration - The second unit, "Restoring the Heart of Heaven and Earth," examines the relationship between the individual and the collective, featuring works that engage viewers in participatory experiences [5]. - The third and fourth units incorporate scientific themes, such as genetic editing and non-human life forms, challenging anthropocentrism through artistic expression [5]. Group 4: Museum's Role and Future Plans - Fudan University Art Museum is designed to foster interaction between art and the surrounding environment, enhancing the viewer's experience [7]. - The museum plans to host three to five exhibitions annually, focusing on the integration of art with academic disciplines and public engagement [9].

Core Viewpoint - Zeng Fanzhi has become a symbol of contemporary Chinese art, breaking the billion yuan mark in art sales, with his work "The Last Supper" fetching 1.81 billion HKD, setting a record for contemporary Asian art [2][8]. Group 1: Artistic Journey - Zeng Fanzhi's career began in 1990 with a controversial exhibition that showcased his bold use of red paint, which was deemed excessive [2]. - His artistic evolution includes several phases, starting from the influence of German Expressionism in the early 1990s, moving to the iconic "Mask" series, and later developing a unique "chaotic brush" style [5][7]. - The "Mask" series, characterized by figures wearing pale masks, reflects urban alienation and has become a signature of his work [4]. Group 2: Market Impact - Zeng Fanzhi's artworks are considered "hard currency" in the art market, with total sales exceeding 35.8 billion CNY, consistently placing him at the top of contemporary Chinese artists [9]. - His auction records include "The Last Supper" at 1.81 billion HKD and "The Concord Hospital Series No. 3" at 48.45 million HKD, showcasing his market dominance [8][9]. - The rise of Zeng's market value is linked to the emergence of a new wealthy class in China, which views his works as cultural investments and status symbols [10]. Group 3: Cultural Significance - Zeng Fanzhi's contributions have established a global discourse on contemporary Chinese art, with his "Mask" symbol interpreted as a reflection of identity anxiety in a globalized context [10]. - His chaotic brush style challenges the aesthetic barriers between Eastern and Western art, representing a significant cultural dialogue [10]. - Despite ongoing controversies regarding his artistic direction, Zeng's journey from a struggling artist to a prominent figure in international art reflects the transformation of contemporary Chinese art from imitation to establishing its own identity [10].

中新社兰州5月18日电 题：千年瑰宝甘南藏族唐卡"破圈"成新宠 中新社记者 丁思 方寸间的"微型唐卡"、唐卡艺术研学、"唐卡+酥油茶"民宿体验套餐、唐卡饰品……在青藏高原东麓的 甘肃省甘南藏族自治州夏河县，唐卡艺术不断"破圈"，走出寺院和画室，成为当代年轻人的新宠。 唐卡藏语意为"能摊开观赏的布绢卷轴画"，距今已有1000多年的历史，是雪域高原旳文化瑰宝，被誉为 藏族历史的"百科全书"。以拉卜楞唐卡为代表的"甘南藏族唐卡"，2008年被列入中国国家级非物质文化 遗产名录。 5月17日，在甘肃省甘南藏族自治州夏河县"拉卜楞画风唐卡传艺画室"里，扎西当知布正在绘制唐卡。 (受访者 供图) 17日，毗邻"世界藏学府"拉卜楞寺，在夏河县步行街的一间唐卡画室里，31岁的藏族画师扎西当知布正 俯身绘制。笔尖蘸取矿物颜料，他在画布上勾勒出佛像的衣袂纹样，每一笔都需凝神屏息。 扎西当知布自幼受家庭艺术熏陶，2008年，12岁的他师从甘南藏族唐卡甘肃省级代表性传承人加央索 南，经过8年对唐卡理论、度量经、白描、画派等系统学习，成为一名合格的唐卡画师。 "一幅唐卡的诞生需要数月甚至数年，每一笔都是修行。"扎西当知布17日接受中新 ...

在手机摄影与AI运用已相当普及的新媒体时代，生成一帧再现性的肖像、场景或静物，可谓唾手可 得，但为何还有这么多人喜爱油画尤其是写实油画，并从事其创作研究？"本源与纯粹——康德美术馆 油画名家邀请展"的举办，通过85位油画名家的139件佳作，将这一问题抛向观众。 （作者为中国美术家协会美术理论委员会主任） 《 人民日报 》（ 2025年05月18日 08 版） (责编：白宇、卫嘉) 此次油画名家邀请展囊括了20世纪70年代末以来在画坛弄潮的众多艺术家的画作，通过梳理中国油画的 发展脉络，揭示了艺术回归本真的可能路径。从"乡土写实绘画"到"八五美术新潮"，从"新古典主 图为杨飞云油画《小憩》。 义""近距离写实"到庞大的写实画派油画群体，历经半个多世纪，当年的时代之子今天已功成名就，但 他们从未停止对油画艺术"本源"与"纯粹"的求索。靳尚谊先生曾说，油画这个品种创造的就是写实语 言。艾轩先生曾说，艺术风潮让许多有才华的人离开了写实这条道。时隔多年，人们发现他们并没走多 远。杨飞云先生说，只有不断回到欧洲油画传统寻源，才能获得中国油画发展之道。他们以对写实油画 的坚守，体现对艺术审美纯粹性的深入发掘。而这个展览，则 ...

Core Viewpoint - The future of museums, particularly art museums, is being shaped by rapid advancements in digital information technology, which necessitates a transformation in how these institutions operate and engage with the public [2][3]. Group 1: Digital Transformation in Art Museums - Art museums are increasingly adopting digital technologies such as the internet, IoT, cloud computing, big data, artificial intelligence, and blockchain to enhance their collections, exhibitions, education, and management [3]. - The Zhejiang Art Museum has been integrating digital technology into its operations since 2016, including exhibitions that blend traditional culture with digital innovation [3]. - The release of the "Public Art Museum Digital Service Standards" by the Zhejiang Art Museum and other institutions aims to provide a framework for digital upgrades across art museums in China [2]. Group 2: Immersive Digital Art Experiences - Immersive digital art exhibitions are becoming popular, allowing artworks to come alive and providing deeper engagement for audiences [4]. - The Guangdong Art Museum has designed a dedicated immersive digital art exhibition hall, showcasing the commitment of traditional art institutions to digital services [4]. Group 3: Aesthetic Education and Cultural Values - The role of art museums extends beyond technology; they are crucial in awakening public aesthetic awareness and fostering creativity, emphasizing the importance of "aesthetic" in the digital age [5]. - Aesthetic education is viewed as a systematic process that encourages individuals, especially youth, to engage positively with the world, promoting personal growth through daily aesthetic activities [6]. - The integration of Chinese aesthetic values into digital services is seen as essential for shaping humanistic values in the technological era [5][6]. Group 4: The Role of Aesthetics in Innovation - Aesthetics is recognized as a vital productive force in the digital age, serving as a countermeasure to technological alienation and a catalyst for cultural innovation [7]. - The exploration of new aesthetic realms in the context of digital construction is a collaborative effort that art museums are encouraged to pursue [7].

海天浩渺，湛蓝如洗。海面上，数条中华白海豚纵身跃出，与振翅群鸥相遇……钦州三娘湾一家小 店里，一面生动鲜活的彩绘外墙，引来不少游人驻足欣赏、拍照。 店内，80岁的店主杨永琪正以贝壳为材料，精心雕琢着一枚枚海豚胸针。砂轮轻旋，钢刀游走，在 他巧手下，小海豚栩栩如生，仿佛随时都会跃入海洋。 如今，贝雕魅力愈发彰显，一批原北海工艺美术总厂的老匠人悉心传授技艺，外来匠人积极融入创 新，新生代接续传承，共同推动北海贝雕事业创新发展。2021年，北海贝雕入选国家级非物质文化遗产 代表性项目名录。 "艺术作品唯有记录时代，与时代同频共振，才能焕发出璀璨光芒与无穷生命力。"利成世感慨道。 海上丝路、建党百年、铸牢中华民族共同体意识……在每一次重大主题创作中，北部湾的广袤与包容都 激发着艺术家们的灵感。他们匠心创作的贝雕佳作屡获全国大奖，让北部湾贝雕在全国沿海地区独树一 帜。 利成世的家乡钦北区青塘镇，正是平陆运河蜿蜒而过之处。目睹运河建设的宏大场景，他满怀豪 情："以贝之美，雕画山河壮丽；以心之诚，传承千年技艺。贝雕孕育于海，必将随浪起舞、与潮共 鸣，在这向海图强的新时代里绽放异彩。" 在北海传艺贝雕家居文化馆，该馆负责人何 ...

Financial Data and Key Metrics Changes - The company reported a 16% increase in net revenue and gross profit for Q1 2025, driven by portfolio training and research-based learning services [7] - Total net revenues for Q1 2025 were RMB 48.1 million, a 15.9% increase from RMB 41.5 million in Q1 2024 [13] - Gross profit for Q1 2025 was RMB 25.4 million, also a 15.9% increase from RMB 21.9 million in Q1 2024, with a gross margin of 45.5% [13][14] - Operating expenses decreased slightly, leading to a reduced loss from operations of RMB 16.8 million compared to RMB 21.7 million in the prior year [14] Business Line Data and Key Metrics Changes - Portfolio training services accounted for the majority of revenue, with total credit hours delivered increasing by 5.8% [8] - Revenue from portfolio training programs grew by 11.5%, while combined revenues from research-based learning and consulting services increased by over 28% [8] - Student enrollment for Q1 2025 was 1,104, a decrease of 19.4% from the prior year, attributed to normalized demand [15] Market Data and Key Metrics Changes - The company hosted various in-person and online projects, engaging over 100 students in Q1 2025 [10] - ACG was awarded the 2025 Forbes China Studying Abroad Leading Brand, indicating strong market recognition [11] Company Strategy and Development Direction - The company aims to drive organic expansion, control expenses, and improve operational efficiency in 2025 [19] - ACG is focusing on enhancing classroom utilization and providing higher value programs by strategically allocating marketing resources [19] - The company plans to broaden its international partnership network to expand access to global resources and increase student enrollment in various destinations [22] Management's Comments on Operating Environment and Future Outlook - Management expressed optimism about the growth potential in the creative arts education market in China, emphasizing the value of their services [20] - The company anticipates total net revenues for 2025 to be between RMB 276 million to RMB 280 million, representing a year-over-year increase of around 3% to 5% [18] Other Important Information - The company is actively developing new project-based programs and expects to launch more research-based learning experiences in the upcoming quarters [21][22] - ACG continues to receive positive feedback from students regarding admission results from prestigious overseas institutions [10] Q&A Session Summary - No questions were raised during the Q&A session, and the call concluded with an invitation for investors to reach out directly for any inquiries [24][26]

人民网布鲁塞尔5月16日电 （记者牛瑞飞）作为布鲁塞尔中国文化中心开馆十周年的重要文化活动，由鲁迅美术学院与布鲁塞尔中国文化中心共同主办 的"视界交融——中国高等美术院校水彩作品国际巡展"于5月15日在比利时布鲁塞尔隆重开幕。 中国驻比利时大使馆文化参赞高炜、布鲁塞尔首都大区议会议员拉蒂法·艾特巴拉（Latifa Aït-Baala）、布鲁塞尔中国文化中心主任龚毅、比利时外交部 代表、布鲁塞尔圣吕克艺术学院教授Simone Schuiten，以及多位中比艺术家和文化界人士出席开幕仪式。开幕当天，参展艺术家与比利时观众开展深入交 流，展览现场气氛热烈、反响积极。 本次展览是2025年度国家艺术基金"传播交流推广"资助项目，亦是中国水彩画作品首次以大规模、高水准的方式集中走上国际舞台。展览将于5月15日 至6月15日在布鲁塞尔中国文化中心展出，此后还将巡展至至韩国国立全南大学美术馆和瑞典斯德哥尔摩中国文化中心。 活动现场。布鲁塞尔中国文化中心供图 活动现场。布鲁塞尔中国文化中心供图 展览共展出48件水彩画作品，来自中国31所高等美术院校，涵盖"转型与融合""挑战与突破""重塑与自觉"三个单元，集中呈现老中青三代中 ...