Group 1 - The core idea emphasizes that impactful content resonates with collective human emotions such as loneliness, desire, and self-doubt, which are often unspoken yet universally experienced [1][2][4] - Creating content that allows the audience to see themselves in the narrative is essential for replicating successful engagement [3][4] - Attention is a scarce resource, and genuine emotional honesty in content creation can foster deeper connections with the audience [5][6] Group 2 - The act of creation is described as a process of returning silent experiences into words or images that resonate with others who share similar feelings [6]

Core Viewpoint - The annual graduation exhibitions showcase innovative artworks that resonate with social issues, reflecting the connection between individual experiences and broader societal themes [1][2][3] Group 1: Key Artworks - The oil painting "Prayer" from Sichuan Fine Arts Institute has gained significant attention, being described as the "Mona Lisa of Chongqing" due to its modern interpretation of the classic Virgin Mary image [1] - The sculpture "Acute Angle" from Central Academy of Fine Arts creates an enveloping "space of love" by layering figures of parents and elders, evoking feelings of familial affection and pressure [1] - The installation "30-Minute Ruins" from Xi'an Academy of Fine Arts uses over 200 takeaway packaging bags to construct a unique structure, prompting discussions on environmental issues and modern lifestyles [1] Group 2: Artistic Trends - Young creators are increasingly linking personal experiences with social realities, addressing topics like cultural heritage, environmental protection, and technological ethics through their art [3] - The emphasis on interactivity and experiential engagement reflects a desire for dialogue between the artwork and the audience, showcasing the contemporary youth's values of individuality and openness [3] - The potential of youth creativity is highlighted, with references to historical figures like Wang Ximeng and Ernest Hemingway, illustrating the impact of youthful passion and insight on artistic innovation [3]

Core Insights - The event focused on the characteristics of Alipay's video platform users and traffic strategies, organized by the Shenzhen Self-Media Association in collaboration with Ant Group [1] - The training gathered local self-media influencers and MCN agency professionals to explore new paths and commercial potential in content creation and platform operation [1] Group 1 - Ant Group's Digital Livelihood Division leader presented on three core topics: platform rules analysis, content creation process optimization, and resource cooperation [3] - A detailed analysis of successful cases from top accounts on Alipay's Living Account was provided, showcasing an efficient conversion chain from policy promotion to community service and offline traffic [3] - The presentation aimed to inspire content creators to rethink their approach to content creation and commercial monetization [3] Group 2 - The interactive Q&A session fostered lively discussions between Ant Group representatives and self-media influencers regarding platform ecosystem development and Living Account cooperation mechanisms [5] - MCN representatives shared practical experiences and offered valuable suggestions for the platform's growth [5] - The event emphasized the potential of Alipay's Living Account as a bridge connecting users with local life services, providing a broader stage and diverse business opportunities for self-media creators [5]

Core Viewpoint - The article highlights the life and contributions of Yu Dafu, a Chinese writer and patriot, who transformed from a literary figure into a warrior for national liberation, ultimately sacrificing his life for the anti-Japanese war effort [1][2]. Group 1: Life and Background - Yu Dafu was born on December 7, 1896, in a family of intellectuals in Fuyang, Zhejiang [1]. - He expressed his deep love for the country in his diary during his studies in Japan at the age of 17, stating that his life was tied to the fate of the nation [1]. - As a founding member of the "Creation Society," his literary works, such as "Sinking" and "On a Spring Night," established his position in modern Chinese literature [1]. Group 2: Anti-Japanese Efforts - In March 1938, Yu Dafu was elected as a director of the National Anti-Japanese Association of Literature and Art, documenting the struggles of Chinese soldiers and civilians as a war correspondent [2]. - He moved to Singapore in late 1938, where he served as the editor of the "Morning Star" supplement of the "Singapore Daily" and became the chairman of the Singapore Cultural Anti-Japanese Federation [2]. - Between 1939 and 1942, he published numerous articles supporting the anti-Japanese cause, significantly boosting the morale of overseas Chinese [2]. Group 3: Final Years and Legacy - After the fall of Singapore in 1942, Yu Dafu used the alias "Zhao Lian" and continued his anti-Japanese activities while running a distillery as a cover [2]. - He was forced to work as a translator for the Japanese occupying forces, during which he secretly aided many locals and gathered crucial intelligence on Japanese war crimes [2]. - Yu Dafu was secretly killed by Japanese military police on August 29, 1945, shortly after Japan's surrender, at the age of 49 [2]. - In 1952, he was posthumously recognized as a revolutionary martyr by the People's Republic of China, and in 2014, he was included in the first batch of notable anti-Japanese heroes [2]. Group 4: Commemoration and Influence - Today, various places in Fuyang are named after Yu Dafu, reflecting the enduring legacy of his patriotic spirit [3]. - The Yu Dafu Novel Award, established by the Zhejiang Writers Association and the Fuyang District Government, has become a significant literary award in China, held every two years [3]. - Yu Dafu's descendants continue to honor his legacy, emphasizing the importance of his values in contemporary society [4].

Core Viewpoint - The article highlights the significance of the "Great Field Trip" initiative organized by the China Artists Association, emphasizing its role in promoting artistic creation that reflects the new era of China through deep engagement with rural life and cultural experiences [1][3][4]. Group 1: Event Overview - The "Great Field Trip" is described as the largest and most extensive artistic fieldwork activity in over 70 years, aimed at fostering a connection between artists and the people [1][4]. - The initiative encourages artists to step out of their studios and immerse themselves in the community, capturing inspiration from real-life experiences [3][5]. Group 2: Artistic Impact - Artists participating in the initiative are expected to produce works that embody emotional depth, artistic quality, and social relevance, moving beyond mere conceptualization [3][5]. - The program aims to showcase the vibrant changes in society, including advancements in technology, military defense, and cultural education, through various artistic expressions [2][4]. Group 3: Collaborative Framework - The initiative involves a three-tiered collaboration among national, provincial, and local art associations, facilitating resource sharing and collective creative efforts [4]. - Eight themes have been established to guide the field trips, focusing on regional development and innovation, with 15 planned routes for artists to explore [4]. Group 4: Educational and Cultural Development - The "Great Field Trip" is linked to broader initiatives aimed at nurturing young artistic talent and enhancing the quality of thematic art creation in the new era [4]. - The program also emphasizes the importance of community service through art, contributing to the cultural and spiritual life of urban and rural areas [4].

6 月 16 日，腾讯 AI Lab 推出并开源 SongGeneration 音乐生成大模型，专注解决音乐 AIGC 中 音质、音乐性与生成速度 这三大共性难题，基于 LLM-DiT 的融合架 构，模型在保持 生成速度 的同时，显著提升了 音质表现 ，生成歌曲的准确度相较部分商业闭源模型表现出相当甚至更优的质量，同时在 整体表现、旋律、伴 奏、音质与结构 等维度也优于现有多数开源模型。 此外，SongGeneration 模型还支持 文本控制、多轨合成 与 风格跟随 等功能，既满足面向 C 端创作者的可玩性，又兼具 B 端的稳定性与拓展性，构建出面向未来 的音乐 AI 生产力工具。 图 1 商业模型主观评测结果 图 2 开源模型主观评测结果 相较于传统基于规则或小型模型的方式，基于大模型的音乐生成模型在旋律的长程连贯性、潜在风格迁移能力以及音色建模的表达维度上，展现出更强的泛化能 力和生成潜力。AI 音乐创作正从过去的 "辅助工具" 迈向 "智能共创" 的新阶段，被广泛应用于短视频配乐、游戏音效、虚拟人演出、商业广告以及个人音乐创作 等场景。 当前主流音乐生成大模型虽已初步实现 "文本到音乐" 的生成能力， ...

Group 1 - The Labubu brand has gained immense popularity, leading to a surge in demand for its clothing and accessories, creating a vibrant market for related businesses [2] - Various styles of Labubu clothing are available online, with prices ranging from 30 to 70 yuan, and some custom items priced over 400 to 500 yuan [2] - The production of Labubu clothing involves intricate design and craftsmanship, with simple accessories taking about 20 minutes to make, while complex outfits can take up to 3 hours [2] Group 2 - The Labubu trend has spurred additional business opportunities, including doll customization, repair, and rental services, with rental prices for popular items ranging from 60 to 90 yuan per day [3] - The Labubu phenomenon reflects a significant shift in the consumption patterns of Generation Z, where the focus has moved beyond materialism to social expression through creative consumption [3] - This "creative consumption" model is driving the evolution of the toy industry towards a comprehensive ecosystem that includes design, production, rental, and second-hand trading [3]

在谈论电视剧《长安的荔枝》之前，有必要先介绍一块砖头。 1976年，考古人员在安徽亳州元宝坑村的曹氏宗族墓里，发现了一大批东汉末年的铭文砖。其中有一块 大砖，断代时间为东汉建宁三年，即公元170年。其上赫然刻有26个字："王复，汝使我作此大壁，径冤 我，人不知也，但抟汝属。仓天乃死，当搏。" 熟悉汉末历史的人，读到这里会悚然一惊。这句话实在太熟悉了，14年后的光和七年，张角三兄弟高高 举起"苍天已死、黄天当立"的大旗，掀起动摇整个东汉王朝的黄巾起义。 我在年轻时沉醉于三国文化，觉得那是一个英雄辈出的年代。深入研究历史后，我意识到风起云涌的背 后，是"兆民呼嗟于昊天，贫穷转死于沟壑矣"的沉重。但这些描写毕竟还是太宏大了，兆民也罢，万姓 也罢，都是作为一个抽象的整体概念。直到我看到这一块砖，才深切地体会到一个渺小个体的痛苦。 一叶知秋，像这样的人，在东汉末年不知还有多少。这块砖头真是一个绝妙的象征。它告诉我们，三国 乱世的开启不单单因为那些英雄人物，或许还有一个亳州小砖瓦匠的愤怒。这一个小人物就像长江里的 一滴水，无足轻重，但如果千千万万个水滴都有着同一种愿望，向着同一个方向移动，那便可以汇聚成 大江大河，形成我 ...

"短视频营销铺天盖地，为什么流量没有转化为票房？""大场面大制作越来越多，为什么观众未必照单 全收？"自2025年春节档创造"史上最强"以来，萦绕在电影人心头的一系列问题，在第二十七届上海国 际电影节上一一求解。 一方面，好电影的价值不断放大，电影的溢出效应刷新认知。6月14日，本届电影节开幕影片《酱园弄· 悬案》在上海影城举办首映礼，以58万元票房刷新上海单场最高票房纪录；截至6月15日，本届电影节 总票房达4300万元。光线传媒董事长王长田在电影节开幕论坛上透露，《哪吒之魔童闹海》（以下简称 《哪吒2》）衍生品预估销售额上千亿元，海外票房有望超过1亿美元。 另一方面，好电影的阈值不断抬升，观众的审美口味和情绪价值似乎越来越难"对齐"。据灯塔研究院在 春节档之后的用户调研分析，观众对于"好电影"的评价标准又上升了15%。大麦娱乐总裁李捷说："春 节档之后，很多电影没有达到预期票房，表面看是观众流失，实际上是没有满足观众的期望值。" 回归电影的创作规律，回归观众的审美需求，一个接一个问号便可以被拆解。在变动不居、潮流涌动的 大时代，电影人要敢于打破套路，和观众一起造梦。毕竟今天的观众，已成为文化的创造者、传播 ...

眼下，各大美术院校毕业展正在全国精彩上演。继中央美术学院毕业展5月率先拉开帷幕，中国美术学 院、四川美术学院、清华大学美术学院等艺术院校的毕业展也相继展开。 近年来，毕业展不仅是高校美术人才培养成果的集中展示，更成为突破校园边界、融入城市公共空间的 艺术节日。美术馆入口处，排队进场的人群似蜿蜒的长龙；一件件充满想象力的作品在社交平台持 续"出圈"；丰富多样的活动点燃观众热情，形成一个个社会美育的现场。 记者日前走进2025中国美术学院毕业季，探看青年学子对现实的回应和对未来的畅想，感受这场青春盛 会与城市碰撞出的缤纷火花。 艺术与科技共舞 在浙江美术馆，游戏《黑客帝国》中的一名女性NPC（非玩家角色）与观众展开了一场跨次元的对话。 创作者之一王芃介绍，团队在开源项目《黑客帝国：觉醒》中植入人工智能体，控制角色的面部及语音 交互，并将植入的编码以U盘及实时程序进行展示。作品不仅揭示了智能体在摄取与处理数据时所面临 的伦理挑战，也探讨了它们在人类社会中所扮演角色的复杂性与多样性。 如今，人工智能介入社会生活已成为不可阻挡的趋势，艺术创作也不例外。在中国美院毕业展上，学子 们将AI玩出新花样，或与AI深度对话，人机 ...