Core Viewpoint - The article highlights the growing popularity and establishment of hip-hop music in China, particularly through the recent successful concert of the Japanese hip-hop group Creepy Nuts in Beijing, despite challenges faced by Japanese artists in the country [2][4]. Group 1: Hip-Hop's Development in China - Hip-hop music has been spreading in China for approximately 25 years and has become deeply rooted, with regular performances and local dialect rap gaining popularity [2][5]. - The year 2017 is marked as the "Year of Hip-Hop" in China, largely due to the success of the online program "China Has Hip-Hop," which garnered over 2.6 billion views and sparked a youth trend [5]. - Following regulatory actions in 2018, the popularity of hip-hop faced a decline due to concerns over the portrayal of social issues and the image of artists, leading to a rebranding of the show to "China New Rap" [5][6]. Group 2: Regional Influence and Cultural Integration - The city of Chengdu has become a hub for hip-hop culture, with events like Iron Mic fostering local talent and the emergence of groups like "Rap House" and Higher Brothers, who have gained significant attention [6][7]. - The unique cultural elements of Sichuan, such as night markets and the tonal characteristics of the Sichuan dialect, have contributed to the widespread acceptance of hip-hop in the region [6]. - Other regions, including Hunan and Xinjiang, are also experiencing a rise in hip-hop music, indicating a broader national trend [6]. Group 3: Audience Engagement and Concert Experience - The concert by Creepy Nuts in Beijing was met with overwhelming enthusiasm, with tickets selling out quickly and fans actively participating in the performance [4][2]. - Audience interaction was a key feature of the concert, exemplified by the spontaneous singing and the desire of fans to prolong the experience even after the show ended [4]. - The emotional connection and shared experiences among the audience highlight the universal appeal of hip-hop music, transcending cultural and national boundaries [7].