Core Viewpoint - The 9th China Chengdu International Intangible Cultural Heritage Festival opened on May 28, showcasing the importance of intangible cultural heritage (ICH) and promoting cultural exchange and protection efforts [12][13]. Group 1: Event Overview - The festival is a key brand event in the ICH field, held annually since 2007 in Chengdu, which serves as its permanent venue [12]. - This year's festival features a "guest country + guest city" mechanism, with Malaysia as the guest country and cities like Algiers, Penang, Chiang Mai, and Bari as guest cities [12]. - Nearly 400 ICH inheritors and experts from over 60 countries and regions participated in the event [12]. Group 2: Festival Structure - The festival is organized into a "3+3+N" framework, including three main sections: "Vibrant ICH: Tianfu Parade," "Colorful ICH: World Dialogue," and "Charming ICH: International Exhibition," along with three special sections focusing on creative living, beautiful living, and healthy living [12][15]. - Activities are held across 288 community practice spaces in 183 counties, creating a strong atmosphere for public participation [12][20]. Group 3: Highlights and Activities - Approximately 600 ICH representative projects are showcased, with performances from various cultural traditions, including Sichuan opera and traditional dances from different countries [14]. - The "Creative Living" section includes an international ICH brand IP authorization trading event, attracting over 580 enterprises and facilitating significant business interactions [15]. - The "Healthy Living" section features over 120 traditional medicine representatives offering health consultations and experiences [16]. Group 4: Technological Integration - The festival incorporates technology into traditional practices, showcasing over 30 interactive tech installations that enhance the presentation of ICH [18][19]. - Innovative projects include a mobile game based on the 24 solar terms and a VR art exhibition exploring the origins of Chinese characters [19]. Group 5: Cultural Exchange and Tourism - The festival promotes cultural exchange and tourism, inviting global guests to experience Sichuan's unique charm and engage in discussions on ICH's role in tourism development [20][21]. - Activities during the festival include dragon boat races and cultural performances, aimed at integrating ICH into daily life and enhancing public engagement [20].

（原标题：娜布其和汉克·维奇 双个展 "玩具和低语声"） 娜布其于2013年毕业于中央美术学院。她曾参加多个重要国际展览，包括：「玩具和低语声」，娜布其 和汉克·维奇双个展（CLC画廊，北京，2025）；「目：中国新一代的艺术家们」，（蓬皮杜艺术中 心，巴黎，2024）；「娜布其：关于一片无水之海的地理诗学」，（马凌画廊，香港，2024）；「娜布 其：绿幕游戏」（木木美术馆，北京，2024）；「一切都回到了开始的地方」，(西岸美术馆，上海， 2022）；「镜像：中国身份的转变」，(亚洲协会博物馆，纽约，2022）；「摸着石头过河：第 一届迪 里耶双年展」（2021）；「暗光」，（昊美术馆，上海，2020）；「格物致知。或一则关于喷泉，砖， 锑，硬币，蜡，石头，贝壳，窗帘和人的故事」，（广东时代美术馆，广东，2020）；第58届威尼斯双 年展「愿你生活在有趣的时代」(2019）；「寒夜」，(UCCA当代艺术中心，北京，2017）；「缺失的 段落」，（Museum Beelden aan Zee， 海牙，2017）；「球场」(中央美术学院美术馆，北京， 2017）；第十一届上海双年展「何不再问？正辩，反辩，故事」 ...

Group 1 - The forum on "AI technology empowering cultural development and innovation" was held in Shenzhen, focusing on the integration of culture and technology [1] - AI is driving the creative transformation and innovative development of traditional Chinese culture, allowing broader public participation in artistic creation [1] - Tencent's Vice President highlighted three paradigm shifts due to breakthroughs in large model technology: democratization of creation, intelligent production, and inclusive ecology [1] Group 2 - Multilingual intelligent systems enhance the dissemination of Chinese culture, focusing on emotional recognition, semantic reasoning, and cultural transfer capabilities [1] - Xiaohongshu's Vice President emphasized the transformation of cultural dialogue through technology, moving from "text conversion" to "cultural decoding" [2] - Shenzhen University professor noted that AI-generated content technology can enhance quality, efficiency, and reduce costs in artistic creation, despite facing challenges [2]

Group 1 - The AI + Low Altitude Economy Investment Summit Forum was held in Shenzhen, showcasing the integration of technology and culture as a driving force for innovation [1] - The first "Low Altitude AI Smart Retail Store" was launched, marking the implementation of the "Low Altitude Economy + Consumption" innovation model [2][3] - The store features immersive smart consumption scenarios, integrating humanoid robots and intelligent flying devices, creating a comprehensive ecosystem of technology display, product experience, and consumption conversion [2] Group 2 - Strategic partnerships were formed with art and cultural spaces to enhance the retail experience, aiming to create a "Technology and Culture Complex" [2][3] - The debut of a series of portrait paintings of academicians by local artist Zhang Wuchang highlighted the fusion of high-end art and technology consumption scenes [2][4] - The low altitude AI smart retail store plans to implement a "buy and return" tax refund policy, positioning itself as a "Technology and Cultural Landmark" for global visitors [3] Group 3 - The integration of technology, art, and consumption in a single space aims to create a "city living room" for innovation in China [3][4] - The forum outlined a blueprint for the low altitude economy, emphasizing the importance of combining hard technology with soft power for future urban development [4]

5月27日，2025文化强国建设高峰论坛"人文湾区 数智湾区"论坛在深圳国际会展中心举行。论坛紧密围绕大湾区的人文传承根基与科技创新 实践成果展开，会聚内地、港澳的政府部门代表、高校智库学者、杰出企业家、全国著名演员等多位各界大咖，共同探讨大湾区历史、文化、 艺术与创新技术如何融合共生，助力人文湾区跃升式发展。 全国政协文化文史和学习委员会副主任、澳门文化界联合总会会长吴志良认为，当谈论"人文湾区"，必须警惕将其简化为经济协同的附属品。 大湾区真正的战略价值，在于具备三重文明属性：中华文明连续性发展的前沿阵地；社会主义文化创新性转化的试验平台；全球化时代人类共 同价值的对话窗口。他认为，人文湾区的终极使命，是证明人类完全可以在保持文化独特性的同时，创造更具包容性的价值共识。 香港地方志中心副总编辑刘蜀永认为，弘扬大湾区抗战文化首先要有正确的历史观。弘扬大湾区抗战文化，有助于湾区青年从中吸取精神力 量，增强信心，坚定立场，为增强国家实力、为世界和平发展贡献力量，这也是强化内地和港澳青少年的爱国教育、共建"人文湾区"的重要组 成部分。 导演、制片人、国家一级演员，龙马社艺术总监张国立带来《在坪山种下一颗戏剧的种子 ...

企业名称点满楼文化科技（东莞）有限公司法定代表人袁证威注册资本300万人民币国标行业文化、体 育和娱乐业>文化艺术业>文艺创作与表演地址广东省东莞市南城街道鸿福路200号第一国际财富中心4 栋216室企业类型其他有限责任公司营业期限2025-5-27至无固定期限登记机关东莞市市场监督管理局 天眼查App显示，近日，点满楼文化科技（东莞）有限公司成立，法定代表人为袁证威，注册资本300 万人民币，琼海乐悦贸易有限公司、东莞市芭蕉船餐饮管理有限公司持股。 序号股东名称持股比例1琼海乐悦贸易有限公司40%2简集商业投资（东莞）合伙企业（有限合伙） 25%3东莞市芭蕉船餐饮管理有限公司20%4张海龙15% 经营范围含技术服务、技术开发、技术咨询、技术交流、技术转让、技术推广；文艺创作；组织文化艺 术交流活动；餐饮管理；家宴服务；市场营销策划；会议及展览服务；摄像及视频制作服务；广告制 作；工业设计服务；电子元器件批发；科技中介服务；工艺美术品及收藏品批发（象牙及其制品除 外）；食用农产品零售；服装服饰零售；鞋帽零售；日用百货销售；家用电器销售；家具销售；日用陶 瓷制品销售；办公用品销售；文具用品零售；钟表销售；眼镜销 ...

除了前沿技术成果外，雅昌还不遗余力地将创新延伸到数字文化产品领域。活动现场集中展示的雅昌艺 数盒子、雅昌百灵等产品，以多元内容与交互设计为载体，将艺术教育与文化传承融入数字生活场景， 让传统文化与红色精神以更加鲜活的姿态触达大众。而在沉浸式艺术体验领域，雅昌同样不断突破边 界，打造出一系列妙趣横生的互动项目。例如《红楼梦生成式粒子系统》，把画中人物变成百万级的动 态粒子流，开创了文化遗产数字化呈现的新方式，等等。 在本届文博会上，雅昌与中科紫东太初（北京）科技有限公司、佳能（中国）有限公司、宁波博洋控股 集团、茑屋投资（上海）有限公司、平安臻颐年（上海）企业管理有限公司、深圳市画然美育文化创意 有限责任公司、深圳市左印视觉艺术发展有限公司、广东树华科技咨询服务有限公司、深圳出版集团有 限公司、深圳广播电影电视集团等知名机构及行业领军企业正式签署战略合作协议。这些合作围绕文化 全产业链展开，包括文化数字化与数据资产入表和交易、艺术科技与智能应用、文化教育与美育服务、 艺术产业与空间运营等多个方面。雅昌以开放包容的姿态推进艺术数据标准化建设，深化技术协同研发 与跨界资源整合。 值得一提的是，雅昌艺术中心分会场聚焦 ...

Group 1 - The first "Hengqin-Macau International Digital Art Expo" is held in Hengqin, featuring various activities such as themed exhibition areas, high-end speeches, roundtable forums, and art classes over an 8-day period [1][2] - The expo aims to create a platform that connects art and technology, tradition and future, as well as China and the world, promoting Hengqin as an "international salon" for digital art [2][3] - The event includes four themed exhibition areas covering a total exhibition area of 6,000 square meters, attracting renowned artists and over 20 technology companies [3] Group 2 - The "Art Future Style" exhibition area showcases how digital technology activates traditional cultural genes and fosters new artistic paradigms, allowing immersive experiences of the Palace Museum [3] - The "Technology Reconstructs Art" exhibition area demonstrates the profound impact of technologies such as artificial intelligence, big data, and virtual reality on artistic creation [3] - The "Super Association" exhibition area features award-winning works from the 2025DASHOW International Digital Art Association competition, highlighting how technology supports young avant-garde artists in creating unique and creative works [3]

来源：金融界 经营范围含组织文化艺术交流活动；电影摄制服务；广告发布；广告制作；广告设计、代理；数字广告 制作；文艺创作；会议及展览服务；市场营销策划；其他文化艺术经纪代理；企业形象策划；影视美术 道具置景服务；文化用品设备出租；图文设计制作；个人商务服务；体育竞赛组织；体育经纪人服务； 信息技术咨询服务；技术服务、技术开发、技术咨询、技术交流、技术转让、技术推广。（除依法须经 批准的项目外，凭营业执照依法自主开展经营活动）许可项目：广播电视节目制作经营；电影发行；营 业性演出。（依法须经批准的项目，经相关部门批准后方可开展经营活动，具体经营项目以相关部门批 准文件或许可证件为准）。 企业名称赫趣燃（厦门）文化传媒有限公司法定代表人魏庆旺注册资本500万人民币国标行业文化、体 育和娱乐业>文化艺术业>文艺创作与表演地址厦门市思明区前埔中路323号莲前集团大厦22层2-A866单 元（该住所仅限作为商事主体法律文书送达地址）企业类型法人商事主体【有限责任公司(非自然人投 资或控股的法人独资)】营业期限2025-5-26至无固定期限登记机关 天眼查App显示，近日，赫趣燃（厦门）文化传媒有限公司成立，法定代表人为 ...

贾玲全资持股大碗娱乐。 天眼查信息显示，5月22日，北京大碗娱乐文化传媒有限公司(以下简称"大碗娱乐")投资人发生变更，三亚市文艺小红文化传媒有限公司退出，现由贾俞玲（贾玲） 全资持股。 | 序号 | 变更日期 | 变更项目 变更前 变更后 | | --- | --- | --- | | | | 投资人变更(包括出洛 贾俞玲(出资额:65万元,出资比例:65%) | | | 2025-05-22 | 额、出资方式、出资日 三亚市文艺小红文化传媒有限公司（出资额：35万元，出资比例：3 贾俞玲（出资额：100万元，出资比例：100%) | | | | 期、投资人名称等) 5%) 【退出】 | 去年9月，大碗娱乐曾发布公告称，旗下张小斐、许君聪等艺人经纪合约到期不续约，未来将"换一种形式继续合作"。大碗娱乐将不再负责艺人业务，贾玲将不再担 任公司任何职务。 天眼查信息显示，大碗娱乐成立于2016年7月，注册资本100万人民币，经营范围包括组织文化艺术交流活动、影视策划、经济贸易咨询等。目前，大碗娱乐法定代 表人为贾文田，同时也是公司董事、经理、财务负责人。据多家媒体报道，贾文田为贾玲父亲。 2021年8月，北京文 ...