Core Viewpoint - LiveOne is set to announce preliminary financial results for FY25 on June 18, 2025, highlighting its focus on creator-first music and entertainment experiences [1] Company Overview - LiveOne, headquartered in Los Angeles, is a music, entertainment, and technology platform that offers premium experiences through memberships and events [3] - The company operates several subsidiaries, including Slacker, PodcastOne, and LiveXLive, and is accessible on various platforms such as iOS, Android, and Roku [3] Financial Performance - LiveOne reaffirms audio revenue of over $108 million and adjusted EBITDA of over $16 million for FY25 [5] - The company has improved efficiency by leveraging AI technology, launching over 25 new radio stations, and reducing Slacker's staff by one-third, achieving an additional $1.3 million in cost savings [5] Strategic Focus - The integration of AI is aimed at scaling and personalizing programming while maintaining human-centered curation and storytelling [2]

Group 1: KIDZ BOP Tour Overview - KIDZ BOP is launching the KIDZ BOP LIVE Certified BOP Tour in 2025, featuring performances of popular songs like "espresso," "HOT TO GO!," and "Dance Monkey" [3] - The tour will include a "Daddy Dance Off" segment where dads from the audience compete in a dance battle, hosted by SiriusXM personalities [2][3] - The tour will kick off on Father's Day weekend and will visit 42 cities throughout the summer [1] Group 2: Collaborations and Sponsorships - SiriusXM personalities, including Andy Cohen and others, will host the "Daddy Dance Off" and create custom content for the tour [2] - Spin Master’s Unicorn Academy™ will sponsor the KIDZ BOP LIVE tour and provide prizes for the "Daddy Dance Off" winners [3] Group 3: KIDZ BOP Brand and Reach - KIDZ BOP is recognized as the 1 music brand for kids, having generated 14 billion streams since its inception in 2001 [5] - The brand connects with its audience through various channels, including a dedicated SiriusXM channel and live tours across the US, UK, and Canada [5] - KIDZ BOP records music in five different languages, enhancing its global reach [5] Group 4: SiriusXM Overview - SiriusXM is a leading audio entertainment company in North America, reaching approximately 160 million listeners monthly [6] - The company offers a diverse range of content, including music, talk, news, and sports, through its various platforms [6]

Core Insights - Taylor Swift has regained ownership of her old albums, leading to a significant increase in streams on Spotify, which may help her maintain her position as the most-streamed artist for a third consecutive year [1][5]. Group 1: Impact on Streaming - Following Swift's announcement, streams of her original Big Machine albums surged between 110% to 430% per album, with her entire catalog seeing a 55.1% increase in plays, totaling 30.64 million streams in one day [3][4]. - "Speak Now" experienced the highest increase at 430%, while "Taylor Swift" and "Reputation" saw jumps of 220% and 160%, respectively [4]. Group 2: Market Implications - The increase in streaming could lead to Swift's old albums re-entering the Billboard 200 chart, benefiting both her and Universal Music Group, which has released her recent albums [5]. - Spotify is likely to benefit from the influx of fans seeking access to Swift's music, as she was the top-streamed global artist in 2024 [6]. Group 3: Stock Performance - Spotify's stock reached a new 52-week high of $708.19, closing at $701.08, reflecting a year-to-date increase of 56.7% and over 114% in the past year [7].

Increase in the price of the public buyout Offer followed by a squeeze-out on Believe’s shares filed by Upbeat BidCo. Favorable reasoned opinion of Believe’s Board of Directors on the proposed Offer, based on the recommendation of its Ad Hoc Committee and the report of the independent expert. Upbeat BidCo has decided to increase the price of its Offer to 17.20 euros per share, reflecting premiums of +12.6%, +13.1%, +17.5% and +17.6% respectively compared to the volume-weighted average prices over the last ...

Signs of Nashville's explosive growth are visible from the city skyline. There are cranes everywhere. It's booming.Nashville is known for its country music scene and boasts the largest concentration of music industry jobs per capita in the US. But the secret to the city's success goes beyond music. 150,000 new jobs, $30 billion growth in our GDP, and we're tracking on that.More than 2 million people and 60,000 businesses call the Nashville area home. The city boasts the fifth hottest real estate market in t ...

本播客由扣子空间（coze.cn）一键生成 整理｜冬梅、核子可乐 2024 年，全球录制音乐市场迎来里程碑时刻，总收入飙升至 296 亿美元。其中，流媒体经济贡献突 出，年收入首次突破 200 亿美元大关。然而，这一蓬勃发展的领域，却因 AI 技术的火爆成为了犯罪 分子眼中的 "肥肉"，利用 AI 技术进行的流媒体欺诈问题日益严峻。 利用 AI 诈骗流量，获利千万美元 近日，《连线》报道的一起涉嫌利用 AI 欺诈的案件引发热议。 在这起涉及 AI 生成音乐的开创性刑事案件中，一名 52 岁的北卡罗来纳州男子被控利用 AI 创作虚假 歌曲，并在 Amazon Music、苹果音乐、Spotify 及 YouTube Music 等音乐平台上进行欺诈性传播以 获取非法版税。 从起诉书来看，利用这些自动账户外加虚拟专用网络（VPN）模拟不同地理位置，被告人恶意操纵 流媒体数据，造成了全球用户都在收听他歌曲的假象。 Smith 承认， 他每天可以产生约 66 万 1440 次流媒体播放，每年版税收入超过 120 万美元 。为了 避免被平台管理员发现，他还将刻意将流量分摊到大量曲目当中。 为了进一步增加利润，Smith ...

最近，时代少年团翻唱的《Lemon》不仅在全网掀起讨论，更让"翻唱版权"这一行业议题再次引发关注，据传该曲目的版权费用高得惊人。 以歌曲流量带动商业流量的打法可谓屡见不鲜。商业广告之外，近年来不少音乐综艺为抢占流量，往往不惜重金采购热门曲目的翻唱权，动辄数十万甚至 上百万的单曲版权费用，已成为业内的"隐形内卷"。 但在这样的背景下，《亚洲新声》却选择一步险棋。这档新近上线的音综邀请初出茅庐的Z世代新声，横跨九个亚洲国家，选曲充分呈现新声们的个人特 质。在行业内一片熟悉面孔、大热单曲中，《亚洲新声》的出现无疑为行业提供了一个全新的观察视角： 音乐综艺，是否真的只能靠流量撑起关注度？ 换Z世代守国门 从概念上看，《亚洲新声》紧扣"新声"的题眼，将节目打造成一场海上的公路电影。 节目将舞台搬上邮轮，从中国上海出发，途经日本冲绳、越南下龙湾、新加坡、马来西亚巴生，中国音乐人将与来自亚洲九个不同国家的音乐人逐一竞 演，最后在中国香港举办总决赛。 从最新上线的第二期日本冲绳站来看，单就节目的选手构成来看，《亚洲新声》就足够有看点。本期由五位日本音乐人发起挑战，由五位中国音乐人应 战，为困顿的音综市场带来了一些新鲜的声音。 ...

据介绍，目前金融城起步区共有楼宇29栋，已启动招商楼宇21栋，其中12栋已投入使用。已进驻企业超 5000家，已进驻办公人员约3.14万。目前各招商楼宇在谈项目195个，近期拟进驻企业约50家。广发银 行、农业银行、广州银行、太平保险、新华人寿、中国人寿等 14 家金融机构区域总部也已进驻金融城 起步区。 "方城已成金融企业总部集群，位处珠江黄金三角区，这里市政面貌日新月异，岭南风情街宜商宜游， 作为方城之中第一个投入运营的项目，我们目标年底实现入驻率90%。"广州平盈置业有限公司相关负 责人表示。 根据《广州国际金融城"十四五"产业发展规划》，金融城将着力以金融业为发展核心，以新一代信息技 术为推动产业数字化发展内芯，现代商贸、高端专业服务业、新兴产业作为"数字+"赋能的重点产业， 继去年12月31日全面封顶，广州国际金融城起步区最核心区域——金融城方城再迎新进展。 5月30日，第十一届广州国际投资年会金融城专场暨金融城方城楼宇集体招商启动大会在广州国际金融 城起步区城祥大厦举办。会上，15栋高品质楼宇启动集体招商，标志着金融城方城从建设期全面转入运 营期。记者现场获悉，目前金融城起步区已进驻企业超5000 ...

MONTREAL, May 30, 2025 (GLOBE NEWSWIRE) -- Stingray Group Inc. (TSX: RAY.A; RAY.B) (“Stingray”), an industry leader in music and video content distribution, business services, and advertising solutions, today announced that Jean-Pierre Trahan, its Chief Financial Officer, is taking a leave of absence for health reasons. The Board of Directors of Stingray has appointed Marie-Hélène Fournier to serve as Interim Chief Financial Officer and perform the duties of the principal financial officer of the company, e ...

在前几天腾讯音乐研究院发布的《2024华语数字音乐年度白皮书》（下称《白皮书》）里，我们看到了不少有趣的数据。 一边是AI狂飙，新歌产量创下五年新高，年产量飙到135.1万首；一边是听众口味多元化，播放量破千万的歌曲一年就多了1095首。 而在这些数据的背后，不只是数量"卷"起来了，还有不可忽视的圈层重组和玩法升级。从AI共创到中老年观众撑起半壁演唱会，再到音乐节和游戏、电 影、品牌花式联动，华语音乐正在换个圈子找增量，也在悄悄进入一个全新的内容实验场。 AI，华语音乐催化剂 华语音乐市场变得更好了吗？ 在《白皮书》的一些数据上，的确体现了这样的答案。 得益于现场音乐的持续性热潮和录制音乐的发展，根据高盛数据，2024年，全球音乐市场收入从前一年的707亿美元暴涨至达762亿美元。 现场音乐毫无疑问仍是最大收入贡献源，占比达46.1%。录制音乐收入份额则上涨0.5%至40.9%。 在此之中，订阅流媒体为录制音乐收入增长贡献了51.2%的占比。特别是在中国市场——得益于平台内容、服务的提升与听众付费意愿加强，过去一年， 中国主要音乐平台在线音乐付费用户规模达1.8亿，其中腾讯音乐在线付费用户数同比增长13.4% ...