中国日报记者： 刚才发布人提到，此次友城周期间将举办20多场活动，能否介绍一下主要包括哪些活动？有什么特点？ 今天下午，山东省人民政府新闻办公室举行新闻发布会，邀请省委外办主要负责同志等介绍2025山东国际友城合作交流周系列活动情况，并回答记者提 问。 陈白薇：活动是友城周的主要呈现形式。在谋划活动时，总的思路是"两个服务""两个促进"，就是将服务国家总体外交、服务全省经济社会发展结合起 来，将促进经贸合作、促进民心相通融合起来，以一系列活动实现多重效果。 此次友城周的活动，可谓多元、丰富、精彩，重点包括：一是5月26日下午，将组织多场省领导会见外方重要嘉宾活动，介绍山东经济社会发展成就，加 深了解、广交朋友、增进友谊、拓展市场。二是5月27日上午，举办友城周启动仪式暨友好省州长对话，将邀请重要嘉宾致辞，设置友城说、签约、友城 杰出伙伴颁授、发布"济南倡议"、省州长对话等环节，全景展现山东与友城合作的成就和机遇，推动山东与各友城深度对接，形成多方面合作成果。三是 5月27日下午，举办友城企业对接洽谈会，组织国内外来自现代农业、装备制造等领域企业"一对一"洽谈，促成更多合作项目落地，让友城合作更务实、 更紧密。 ...

（原标题：艺术家夏季双展开启："陈可：无名包豪斯"：与廖斐："如人有目"） 北京UCCA尤伦斯当代艺术中心近期同时推出两场艺术家个展："陈可：无名包豪斯"与"廖斐：如人有 目"。 "陈可：无名包豪斯"展览现场 "陈可：无名包豪斯"展览现场 "陈可：无名包豪斯"展览现场 地址：北京UCCA尤伦斯当代艺术中心 时间：2025年5月17日至9月7日 展览集中展示了60多件绘画、纸上作品及特定场域毛毡壁画，重点关注包豪斯学院女性群体及其常被忽 略的艺术贡献，特别是编织工坊中女性艺术家的创作实践及其对纺织艺术的深远影响。这些作品的艺术 感染力在北京798艺术区UCCA的独特环境中得到强化——该区域的后工业建筑群由德绍国家设计院建 筑师于1950年代设计，而包豪斯学派曾在1925-1932年间于这座东德城市达到鼎盛时期。 陈可通过跨时空的多元视角重新诠释包豪斯历史，将包豪斯的色彩元素与视觉符号巧妙地融入富有情感 张力的叙事画面中。展览不仅是对包豪斯创新精神的重新解读，更是通过致敬这段历史中被边缘化的女 性创作者，展现她们被长期低估的艺术价值和创造力。本次展览由UCCA馆长田霏宇担任策展人。 "廖斐：如人有目"展览现场 " ...

Core Viewpoint - The exhibition "Rising Sun and Moon" at Fudan University Art Museum aims to address contemporary social issues through art, aligning with the vision of integrating liberal arts with other disciplines, marking the university's 120th anniversary [1][7]. Group 1: Exhibition Overview - The exhibition is divided into four units discussing themes such as tradition vs. contemporary, individual vs. collective, difference vs. coexistence, and technology vs. magic, featuring 41 domestic and international artists [1][5]. - The exhibition runs from May 24 to October 10, 2023, and serves as a gift to commemorate Fudan University's 120th anniversary [1][9]. Group 2: Artistic Contributions - The opening piece is Wang Quchang's "Qin History Manuscript," which reflects the integration of literature, history, and philosophy, emphasizing the interconnectedness of these fields in traditional scholarship [3]. - Notable works include Wang Tiande's reinterpretation of traditional ink painting and Hu Xiangqian's exploration of martial arts through visual art, showcasing the transformation of traditional practices in contemporary contexts [3][5]. Group 3: Thematic Exploration - The second unit, "Restoring the Heart of Heaven and Earth," examines the relationship between the individual and the collective, featuring works that engage viewers in participatory experiences [5]. - The third and fourth units incorporate scientific themes, such as genetic editing and non-human life forms, challenging anthropocentrism through artistic expression [5]. Group 4: Museum's Role and Future Plans - Fudan University Art Museum is designed to foster interaction between art and the surrounding environment, enhancing the viewer's experience [7]. - The museum plans to host three to five exhibitions annually, focusing on the integration of art with academic disciplines and public engagement [9].

Group 1 - Beijing has over 900 cultural social organizations, with more than 480 at the municipal level, playing a significant role in the construction of Beijing as a cultural center [1] - The Beijing Chinese Zitan Museum has recently replicated the Chaoyangmen city gate using precious Zitan wood, showcasing traditional craftsmanship and historical culture [1] - The museum, established in 1999, is the first non-state-owned museum in China dedicated to Zitan art and has been recognized as a "5A-level social organization" by the Beijing Civil Affairs Bureau in 2023 [1] Group 2 - A large-scale art exhibition featuring Alphonse Mucha's works is currently being held at the Today Art Museum, showcasing nearly 200 classic pieces and integrating modern technology for audience engagement [2] - The Today Art Museum, established in 2002, promotes contemporary art development in China through various exhibitions, public activities, and educational programs [2] Group 3 - Cultural social organizations are recognized for their flexibility, professionalism, and public welfare characteristics, contributing significantly to the development of cultural undertakings and industries [3] - The Beijing Civil Affairs Bureau plans to enhance management and services for cultural social organizations, encouraging them to leverage their professional and resource advantages to enrich public cultural services [3]

Core Insights - Liu Ye's artwork "Zhang Ailing" sold for 42.55 million yuan, becoming the highlight of the 2025 China Guardian Spring Auction, showcasing the artist's continued appeal and market demand for his unique aesthetic [2][8] - The auction featured a total transaction value of 360 million yuan, indicating a successful strategy of combining classic and contemporary Chinese art [8] Artwork Details - "Zhang Ailing," created in 2004, is a 60×45 cm oil painting that blends surrealism and cartoon styles, reflecting the themes of loneliness and alienation associated with the writer Zhang Ailing [2][3] - The painting started at an opening bid of 9 million yuan and was sold after numerous bids, achieving a final price nearly five times its minimum estimate, marking Liu Ye's fourth highest auction price [2][3] Market Trends - The top ten artists' works accounted for 70% of the total transaction value, highlighting a growing "head effect" in the market where a small percentage of artists dominate sales [7] - Younger collectors are increasingly favoring emerging artists, while seasoned collectors focus on 20th-century classics, indicating a diverse collecting landscape [7] - The introduction of Western masters' works did not perform as well as local artists, suggesting a strong preference for domestic cultural values among Chinese collectors [6][8]

天眼查App显示，近日，沈阳熙辰智沣文化产业发展有限公司成立，法定代表人为杜倩，注册资本 20000万人民币，沈阳锦城文化产业发展有限公司、北京中网数信息技术研究院有限公司持股。 企业名称沈阳熙辰智沣文化产业发展有限公司法定代表人杜倩注册资本20000万人民币国标行业文化、 体育和娱乐业>文化艺术业>文艺创作与表演地址辽宁省沈阳市沈河区盛京路22号205室企业类型其他有 限责任公司营业期限2025-5-15至无固定期限登记机关沈阳市沈河区市场监督管理局 来源：金融界 经营范围含许可项目：营业性演出；演出场所经营；演出经纪；房地产开发经营；建设工程施工；住宅 室内装饰装修；艺术品进出口；互联网游戏服务；住宿服务；提供电子竞技娱乐的住宿服务；餐饮服 务。（依法须经批准的项目，经相关部门批准后方可开展经营活动，具体经营项目以相关部门批准文件 或许可证件为准）组织文化艺术交流活动；非居住房地产租赁；住房租赁；文艺创作；旅游开发项目策 划咨询；项目策划与公关服务；娱乐性展览；会议及展览服务；数字创意产品展览展示服务；数字内容 制作服务（不含出版发行）；数字技术服务；专业设计服务；动漫游戏开发；数字文化创意软件开发； 摄 ...

智研咨询组织编撰的《2025-2031年中国当代艺术行业供需态势分析及市场运行潜力报告》（以下简称"《报告》"）是中国当代艺术领域的专业市场研究报 告，是当代艺术行业发展忠实的记录者和见证者。旨在为中国当代艺术行业生产厂家、政府机构、业界专家了解和掌握中国当代艺术发展脉络提供全面参 考。 《报告》自2018年开始出版，每年一版，目前已连续7年。智研咨询研究团队持续跟进当代艺术发展历程，总结现状、深化研究、探索规律，《报告》总计 12章，首先介绍了当代艺术行业市场发展环境、当代艺术整体运行态势等，接着分析了当代艺术行业市场运行的现状，然后介绍了当代艺术市场竞争格局。 随后，报告对当代艺术做了重点企业经营状况分析，最后分析了当代艺术行业发展趋势与投资预测。通过详实的数据，全面总结和回顾了2024年当代艺术行 业的新趋向、新亮点，同时对现存问题进行了深度思考，为下一步当代艺术行业高质量发展提出了一系列有益的建议和未来的展望。 当代艺术是指从20世纪中叶至今的艺术创作和艺术现象。它强调的是艺术的创新性、实验性和多样性，是对传统艺术形式和观念的一种突破和拓展。当代艺 术不仅仅是绘画、雕塑等传统艺术形式的延续，更包含了多 ...

Core Viewpoint - The exhibition "Beyond: Infinite Possibilities of Avant-Garde Art" showcases 18 Japanese avant-garde artists, marking the opening of the 2025 Yangyun Art Season, emphasizing the dialogue between contemporary art and Eastern aesthetics [1][3]. Group 1: Exhibition Overview - The exhibition features key figures from the Japanese Concrete Art movement, aiming to bridge Eastern and Western avant-garde art [1][3]. - The Concrete Art movement, established in Japan, sought to transcend the boundaries of abstract art, influencing contemporary art significantly despite the dissolution of the Concrete Art Association in 1972 [3]. Group 2: Artistic Themes and Influences - Japanese artists have creatively transformed Western artistic ideas while reflecting on their local culture and history, exploring more experimental and free forms of creation [5]. - The Mono-ha movement, represented by Lee Ufan, emphasizes the relationship between materials and their environment, merging Western philosophical thoughts with traditional Japanese views on nature [7]. - The first generation of non-form artists, influenced by abstract expressionism and post-abstract expressionism, focuses on the exploration of abstract forms and spatial relationships [7][8]. Group 3: Upcoming Exhibitions and Themes - The "Cloud Hidden: Contemporary Awakening of Family Beauty" exhibition, curated by Su Mang, serves as the prologue to the 2025 Yangyun Art Season, exploring Eastern aesthetics through various artistic expressions [12][13]. - The "Slower" segment features the solo exhibition of Canadian ink artist Xia Huiwen, emphasizing a "slow philosophy" through contemporary ink art [17]. - The "Step Forward: Inner Reflection and Journey of Landscape" exhibition will showcase new works by Liu Jiutong, aiming to create a dialogue between traditional and modern art [19].

Core Viewpoint - The construction of the Future Art and Technology Center pedestrian bridge in Hangzhou aims to connect the industrial heritage of the Hangzhou Refinery site with the vibrant cultural atmosphere of the Pinglian Road market, enhancing community interaction and cultural experiences [1][2]. Group 1: Project Overview - The pedestrian bridge will serve as a connection point between the Hangzhou Refinery, a significant industrial site, and the lively Pinglian Road market, promoting social interaction among residents and visitors [1]. - The Future Art and Technology Center project, located on the former refinery site, will be developed in three phases, integrating cultural, industrial, and commercial elements to create a hub for innovation and cultural vitality [1]. Group 2: Symbolic Significance - The bridge symbolizes more than just a transportation link; it represents the transformation of historical industrial sites into incubators for innovative economies, fostering a new urban landscape [2]. - The surrounding area will feature a pedestrian-friendly network that connects various cultural landmarks and public spaces, allowing residents and tourists to experience a blend of local life and artistic culture [2]. Group 3: Current Status - The pedestrian bridge is currently in the planning stage, with its final design yet to be determined, generating anticipation for its future presentation [3].

（原标题：刘野：童话叙事下的孤独哲思与市场神话） 刘野，中国当代艺术领域的标志性人物，作品以其独特的视觉语言、超现实主义的哲思与童真表象下的 复杂人性探索，成为近年来国际艺术市场中备受瞩目的"硬通货"。他的作品既承载着东西方艺术史的交 融，又通过明快的色彩与符号化形象，构建了一个充满矛盾与诗意的精神世界。 刘野的创作理念深受西方现代主义艺术的影响，尤其是超现实主义与荷兰风格派（新造型主义）的启 发。在柏林艺术学院留学期间，他接触到了比利时超现实主义画家马格里特的作品，被其"对现实的颠 覆与重组"所震撼。马格里特作品中常见的矛盾图像组合（如烟斗与文字"这不是烟斗"）启发了刘野 对"表象与本质"关系的思考。例如，其1991年的《画室》中，安迪·沃霍尔、毛泽东肖像、半兽人等看 似无关的元素被并置，形成一种荒诞的剧场感，暗示东西方文化碰撞下的个体精神困境。 而荷兰画家蒙德里安的新造型主义则赋予刘野对形式与平衡的极致追求。蒙德里安主张通过三原色、直 线与矩形构建"纯粹的美学平衡"，这一理念被刘野转化为具象绘画中的色彩分割与构图控制。例如， 《红2号》（2003年）中，大面积的红色背景与几何色块的精准排布，既是对蒙德里安 ...