Group 1 - The 19th Venice International Architecture Biennale features the Chinese Pavilion, organized by the Ministry of Culture and Tourism, with the theme "Co-Exist" [4] - The exhibition includes 10 works that explore themes such as Liangzhu civilization, Dunhuang caves, Beijing's central axis, and future cities, reflecting the integration of traditional Chinese wisdom into modern architectural practices [4][6] - The works aim to illustrate how Chinese architects draw from the "Tianren He Yi" worldview to address contemporary challenges in material innovation, urban development, and landscape reconstruction [4] Group 2 - "Liangzhu Twelve Laws," created by a team from the China Academy of Art, interprets the concept of "wisdom" through a poetic representation of the "Ritual and Music Civilization" as a foundational principle of Chinese culture [6][7] - The installation features 12 sound devices corresponding to the twelve months and hours, linking the Liangzhu archaeological site with surrounding communities and promoting a cultural ecological circle [6][7] - The project is part of a broader initiative by the China Academy of Art to explore cross-disciplinary themes and engage in global cultural exchanges [6][7] Group 3 - "Cang Qiong," an installation by Wang Zigeng, embodies the Chinese philosophy of harmony between humans and nature, utilizing green protective nets and traditional bamboo weaving techniques [8][9] - The work employs a rotating structure to create dynamic narratives that reflect the cyclical nature of life, drawing inspiration from traditional Chinese architectural forms [8][9] - The installation incorporates recycled construction materials, emphasizing sustainability and the cultural significance of construction sites in China [9][10] Group 4 - "Dunhuang: Gong Yi," created by architects Zhang Jiyuan and Bu Xiaojun, reflects the historical significance of the Dunhuang Mogao Caves as a site of cultural convergence along the Silk Road [10][11] - The installation presents a three-dimensional star map that symbolizes the intersection of various civilizations, including Indian, Persian, and Greek influences [11][12] - The work emphasizes that true cultural integration involves the organic reconfiguration of cultural genes over time, rather than mere stylistic amalgamation [12]

春风拂面，学意正浓，当"税务知识"遇上创业脑洞，会碰撞出怎样的火花？不久前，税务干部化身"税 务学姐"来到长春大学旅游学院创客中心，把专业的税收知识变成了"创业版"趣味课堂。 走入旅游学院创客中心，缀满铃铛的苗族银发冠随着穿堂风发出细碎的叮当声，后面的衣架上三件风格 迥异的衣裙并肩而立，温婉柔和的旗袍旁是极具设计的漏肩长裙，厚实的羽绒服在旁边也不显笨重，视 线右移，一个个微缩世界映入眼帘，园林风景和古建筑都被微缩在小小的展台上，环顾四周，屋内装满 了同学们的"创业脑洞"。 长春大学旅游学院创客中心是"创业脑洞"的孵化园，近年来，共获批了1个国家级平台和7个省级平台， 年收入额稳定增长，从成立至今共孵化了44家企业，目前在孵企业17家，涉及新媒体运营、艺术品加 工、数媒电商、旅游路线开发等多个领域，均在双阳区注册纳税。 围绕同学们最关注的就业创业内容，税务干部对高校毕业生创业就业税费优惠政策、个人所得税纳税申 报缴纳等内容开展详细讲解，不仅列举了重点群体创业就业的优惠政策，更把申报过程"划重点"，从申 领《就业创业证》到申报纳税时通过相关纳税申报表享受政策，结合创客中心内的项目分析政策如何落 地实施。 "原来创 ...

"希望通过《社区书记》这部现代戏曲，让更多人了解基层工作者的艰辛与付出，展示他们'平凡中的伟 大'和'琐碎中的崇高'，让广大群众感受'党心与民心同频共振'的磅礴力量，也是落实省委十一届九次全 会提出的'繁荣发展文化事业'要求的生动实践。"湖滨区车站街道党工委书记陈书峰说。 这一原创豫剧现代戏的推出，只是湖滨区文化发展"推陈出新"的生动缩影。而承载演出的百花剧场，正 是湖滨区盘活闲置资源、打造文化惠民阵地的生动缩影。400余平方米的旧厂房经过改造，焕然新生， 自2024年5月启用以来，平均每半个月就有一场文化盛宴上演，年均举办活动超过20场。从元旦戏曲展 演周连演五台大戏的盛况，到《社区书记》首演的座无虚席，居民们感慨："演员把人物演活了！" 近年来，湖滨区紧扣"文化铸魂、产业赋能、惠民共享"主线，依托新时代文明实践站，打造"湖滨大舞 台""社区戏曲角"等品牌，开设文化课堂，举办居民才艺展演活动，构建起"15分钟文化生活圈"，让文 化融入百姓生活；总投资5000万元的综合文化艺术中心以"文化+科技"的前沿理念，打造集展览、演 出、体验于一体的综合性文化空间……遍布城乡的文化驿站、农家书屋、社区文化广场，让群众在 ...

6月24日，"解码共生——中外艺术史课程展"正式揭幕。展览由张新担纲学术主持，刘沛文、胡明明担 任策展人，单文博、张润、黄燕、赵紫晨、方钰城、张温吉翔担任执行策展人。 展览邀请7位 /组艺术家，通过提示词视角和AI算法辅助创作，展示了提示词在艺术创作中的重要作 用，探索如何将跨学科知识如中国美术史、西方艺术史转化为实用提示词，帮助创作者提升AI提示词 的表达能力。 展览现场。 策展人刘沛文认为，本次展览的核心内容，源自《AIGC艺术设计与影像创作》一书第二章"提示词归纳 与应用——跨学科AI创作的辅助工具"。该书首次融合了美术史、设计史、数字媒体艺术概论、影视概 论等理论，并以提示词为核心框架进行系统梳理。 开幕式现场。 本次展览中的作品，是艺术家在创作前期分别从媒介、技术、语言、符号、观念、应用、展示等关键要 素出发，提炼出提示词的表格，然后围绕人工智能生活、未来世界、生态文化及非遗保护等前沿议题， 呈现一系列基于此理论框架的创作成果。 展览现场。 执行策展人张温吉翔认为，通过了解历史才能逃离历史的束缚。本次展览集中呈现艺术家运用AIGC软 件辅助创作的国画、油画、版画、雕塑、当代艺术、数字媒体及摄影等多元 ...

年轻人的消费观，正悄然改变着中国市场的格局。周末假日，熙攘的商场里，年轻男女手持奶茶，低头刷着手机，网红店前人潮涌动，他们构成了消费市场 的主力军，以蓬勃的活力推动着消费升级。然而，这股青春风暴却给一些传统产业带来了寒流。曾经备受推崇的白酒、邮票、红木家具等，如今却在年轻一 代面前遭遇了"滑铁卢"，市场遇冷，销量下滑。这究竟是为何？ 因此，白酒、红木家具等非必需品若继续坚持高价策略，在这个新一代消费者逐渐占据主导地位的市场中，注定难以长久生存。 信息来源: (此处补充具体信息来源，例如新闻链接、学术报告等) 让我们先从白酒说起。在中国，白酒拥有悠久的历史，曾是人际交往的润滑剂，逢年过节、商务宴请，总少不了它的一席之地。几千年来，独特的酒桌文 化，将劝酒、敬酒甚至拼酒，塑造成了某种社交"潜规则"。然而，这种潜规则如今却在年轻人中日渐式微。数据显示，2000年至2015年间，20多岁饮用白酒 的比例逐年下降，到2020年已不足10%，且仍在持续下滑。白酒产量也应声减少，同比下降近30%。茅台等龙头企业也未能幸免于跌价的浪潮。白酒市场， 已不再是昔日盛景。 白酒的困境并非个例。曾经在拍卖行拍出天价的字画古董，如今也 ...

艺术项目如何真正沉入社区并呈现"接地气"的一面？如果社区居民坐在一起互相画像，最后会成就一个什么样的展览？ 由苏州当代美术馆主办的"八点半以后：社区艺术画像计划"就作出了这方面的尝试与探索。近日，这一计划的成果展览在苏州工业园区展出，集中呈现了 在过去两个月项目实施过程中，近400位社区居民参与开放调研与艺术工作坊的共创成果，彼此勾写出的社区生活画像与图景。 "八点半以后：社区艺术画像计划"在社区画像现场 "八点半以后：社区艺术画像计划"在社区现场 "八点半以后：社区艺术画像计划"在社区现场 在为期两个月的项目实施中，苏州当代美术馆通过两场调研开放日活动和四场费纳奇镜艺术共创工作坊与近400位居民相遇。不论是刚识字的孩童，还是 生活经验丰富的长者，都在活动中找到了属于自己的艺术表达——或是投出关于社区认知的一票，或是在生活交换日记中认真书写生活节奏，或是在光绘 中留下身影，或是将业余生活转化为活泼的视觉动画。 社区居民以家庭或邻里为单位围坐在一起，共同创作。在互相画像的过程中，大家用更专注的目光彼此观察；在分享与审视业余生活的同时，也激发了对 日常的重新发现与理解；而在伞面的绘制中，创意和想象力被轻松释放。当 ...

全国运动会统筹办公室主任 杨德强：后续全运会的赛事，我们也是希望可以加入更加多娱乐的元素，令观众除了观赛事以外也有一些更好的体验。 漫步在西九龙文化区的海滨长廊，感受古今中外文化在这里交融碰撞，中华优秀传统文化源源不断地从这里走向世界，香港故宫博物馆、M+美术馆、 戏曲中心等重磅文化地标，持续释放强大的艺术能量，吸引文艺爱好者深度漫游。 香港故宫文化博物馆馆长 吴志华：7 月份我们迎来香港故宫博物馆开馆三周年了，三周年我们很感恩，我们开馆到现在已经有大概320万观众。 7月1日起，香港高铁新增停靠7个站点，连接内地的站点增至96个。"粤港澳大湾区1小时生活圈"越来越活跃，从这里出发，14分钟到达深圳，46分钟到 达广州。"一地两检"的便捷服务，让乘客可在高铁站内完成出入境手续，这也使得更多游客青睐高铁出行。 央视网消息：在全力拼经济、促发展的背景下，香港正擦亮"盛事之都"的城市招牌。2025年上半年香港迎来93项多元盛事，涵盖文化、体育、旅游、金 融等多个领域，形成热力四射的"盛事矩阵"。 港铁公司过境铁路总管 王家明：我们除了一地两检的便利以外，其实我们高铁香港段的票务系统已经全面地联合国家的高铁票务系统， ...

Core Insights - The "2025 Art Market Trends Report" provides an in-depth analysis of the global art market, focusing on key trends, important data, and critical conclusions, emphasizing the need for a dynamic understanding of the art ecosystem [4][6]. Group 1: Market Trends - The report identifies ten key trends in the art market, highlighting changes in trading dynamics, market structure, and the impact of technology on the art ecosystem [12]. - The gallery sector is experiencing two main trends: slowing sales and rising costs, leading to increased pressure on small and medium-sized galleries [12][17]. - A significant number of galleries, over 30, have closed recently, indicating a broader trend of consolidation and transformation within the industry [13]. Group 2: Auction Market Dynamics - The global auction market remains relatively tight, with major auction houses like Christie's and Sotheby's facing performance pressures, projecting a 16% decline in Christie's global sales to $4.2 billion in 2024 [22]. - Auction houses are adapting by adjusting commission structures and exploring new client acquisition strategies to stabilize market dynamics [22][24]. - There is a growing focus on emerging markets, particularly in Asia and Africa, as auction houses seek to mitigate the impact of traditional market declines [27]. Group 3: Regional Market Insights - The Chinese art auction market exhibits cyclical patterns influenced by economic conditions, policy changes, and artistic trends, maintaining basic stability despite challenges [29][31]. - The Basel Art Fair continues to lead the global art fair market, with Paris gaining prominence as a key player following Brexit, while London remains influential with a 12% increase in transaction volume in 2023 [33][35]. - Hong Kong's art market has faced three consecutive years of declining performance, yet it remains a crucial hub for connecting domestic and international markets [39][41].

Core Insights - The "2025 Art Market Trends Report" symposium was held to analyze key issues in the art market and forecast its development direction, with contributions from various experts in the field [3][7]. Group 1: Market Trends - The global art market is undergoing a deep adjustment, with China's auction market showing a trend of "reducing quantity while improving quality," leading to resource concentration among top players [4]. - The international market is experiencing significant differentiation, with European and American auction houses facing operational efficiency challenges due to parent company debts, while Asian markets are developing in a multi-center manner [4]. - The primary market is seeing a decline in gallery sales and frequent changes among art fair exhibitors, leading to increased resource dispersion and operational challenges for traditional galleries [4]. Group 2: Financial Innovation - Experts discussed the current state of art finance, highlighting the rise of "emotional consumption" as a new market driver and the need for art finance to empower the art industry rather than just focus on investment tools [5]. - The demand for art assetization remains strong, with the expansion of art collateral financing in Europe and the U.S. presenting new opportunities in the art asset and derivative markets [5]. Group 3: Technological Impact - Technological innovations, particularly AIGC, are reshaping the art ecosystem, prompting discussions about the essence of art and leading to new pricing mechanisms and professional roles [6]. - Data governance and information integration are crucial for the healthy development of the art market, with challenges such as data fragmentation and non-standardization needing to be addressed through industry collaboration [6]. Group 4: Academic and Market Interaction - The symposium emphasized the importance of academic and market interaction for the development of the art industry, calling for continued collaboration to promote high-quality growth in the art market [7]. - The report aims to clarify the direction of the art market during its transformation phase, advocating for a focus on structural adjustments and dynamic processes in building the art ecosystem [7].

Group 1 - The "Wenbo fever" has been rising, leading museums to seek ways to meet the increasing demands of visitors within limited time and space [1] - The Wuxi Xiju Museum has attracted many visitors with immersive experiences of traditional culture, such as enjoying tea while listening to performances [1][3] - The museum features exhibits related to Xiju, and has introduced live performances to make the exhibits more engaging and lively [5] Group 2 - The integration of "museum + drama" is breaking cultural barriers and providing audiences with new experiences through immersive engagement [10] - In Zhejiang, some museums have incorporated drama stages into their exhibition spaces, allowing artifacts to come to life and history to be animated [10] - The Zhejiang Intangible Cultural Heritage Museum has hosted 272 drama performances since its opening in 2023, with an average of one performance every 2-3 days [19]