短剧编剧自白：批量制造狗血时，我们也觉得自己疯了

Group 1 - The article discusses the challenges and dynamics of the short drama industry, highlighting the transition from traditional writing to short scriptwriting [4][38][82] - It emphasizes the importance of understanding audience preferences and market trends, particularly the appeal of sensational and dramatic storylines in short dramas [25][66][70] - The industry is characterized by rapid changes in content style and audience demographics, with a focus on engaging a lower-tier market [65][66][63] Group 2 - The process of script approval is lengthy and often involves multiple revisions, with writers facing pressure to conform to market demands [43][44][70] - The financial structure of the industry is challenging, with writers often not receiving payment until scripts are approved and produced, leading to financial instability [42][88] - The competitive nature of the industry has increased, with more traditional media professionals entering the short drama space, intensifying the pressure on new writers [88][87] Group 3 - The article highlights the gender dynamics within the narratives of short dramas, often portraying women in stereotypical roles that reflect societal norms [30][23][26] - It discusses the impact of audience demographics on content creation, noting that many viewers are from lower-income backgrounds who may not critically engage with the material [66][67] - The industry is criticized for perpetuating harmful stereotypes and narratives, particularly regarding female characters, which can alienate more progressive audiences [23][30][25] Group 4 - The article concludes with a reflection on the unsustainable nature of the short drama industry for many writers, leading to high turnover and dissatisfaction [88][82] - It suggests that the industry's focus on quick returns and sensational content may not be conducive to long-term creative fulfillment for writers [88][82] - The narrative indicates a potential shift in the industry as it evolves, with opportunities for more nuanced storytelling emerging as audience preferences change [52][56]