材美工巧 器韵时宜

Core Viewpoint - The "Fourth China Good Craftsmanship Exhibition" showcases 110 pieces of traditional craftsmanship, emphasizing the new standards of "material beauty, craftsmanship, vessel charm, and timeliness" in contemporary contexts, while maintaining the essence of traditional Chinese craftsmanship [7][9][12]. Group 1: Material Beauty and Craftsmanship - The concept of "material beauty" transcends mere appreciation of materials, highlighting the wisdom of artisans in bringing out the natural spirit of materials [8][9]. - The essence of "craftsmanship" is rooted in the idea of "slow work yields fine products," with continuous innovation in techniques across various crafts such as lacquerware, embroidery, and carving [8][9]. - Wang Lihua's embroidery piece "Nine Dragons" exemplifies contemporary Su embroidery, merging poetry, painting, and calligraphy into a single artwork [8][9]. Group 2: Vessel Charm and Timeliness - The "vessel charm" is about embodying intangible concepts within tangible forms, as seen in the ceramic work "Like a Dream" by Chen Rongchun and Chen Hanqing, which resonates with literary themes [9][10]. - The exploration of "timeliness" in contemporary craftsmanship is a focal point of the exhibition, questioning whether craftsmanship should adhere to traditional techniques or embrace new materials and forms [10][11]. - Two notable works, "Narrative" and "Dinosaur," challenge traditional material values by utilizing everyday waste materials, prompting discussions on the essence of craftsmanship [10][11]. Group 3: Cultural Continuity and Innovation - The exhibition reflects a unique approach to modernization in Chinese craftsmanship, emphasizing respect for tradition while seeking breakthroughs within a framework of "inheritance/innovation" [12][14]. - The works presented, such as Fan Zefeng's Zisha teapot and Wang Lei's woven paper piece, illustrate the dynamic interplay between traditional symbols and contemporary materials, creating new meanings [13][14]. - The exhibition serves as a cultural landmark, showcasing the deep cultural connotations of Chinese craftsmanship while maintaining a strong identity in a globalized context [14].