拉布布一娃难求，带动娃衣等周边热卖！缺故事的IP能否长红

Group 1 - The article discusses the rise of high-quality consumer brands and the establishment of the "2025 High-Quality Consumption Brand TOP 100" by Southern Metropolis Daily, focusing on various popular sectors such as beauty economy, sports and outdoor, food and health, and pet economy [2] - The "Guzi economy" and "trendy toy economy" are emerging as significant growth points in the consumer market, indicating a shift in consumer preferences and spending habits [2][3] - The article highlights the increasing demand for high-priced collectible toys, particularly the LABUBU brand, which has seen significant price increases in the secondary market, reflecting a broader trend in consumer behavior towards emotional value and social display [3][8] Group 2 - The LABUBU brand, created by Pop Mart, has become a top-selling IP, with its products experiencing a price increase from an original price of 99 yuan to a resale price of 4,140 yuan, showcasing the high demand for collectible toys [5][11] - The market for collectible toys is shifting towards higher price ranges, with a notable increase in the proportion of mid-range to high-end products, indicating consumers' willingness to pay more for quality and design [9][8] - The article notes that the trend of showcasing toys as fashion accessories has emerged, with consumers using LABUBU figures as decorative items on bags, enhancing their social media presence and driving further sales [13][16] Group 3 - High-end consumers are increasingly investing in accessories and clothing for their collectible toys, leading to a surge in related product markets such as doll clothing and protective cases [19][27] - The article mentions that the overseas expansion of Chinese toy brands, particularly Pop Mart, has seen significant revenue growth, with international sales reaching 5.065 billion yuan in 2024, accounting for nearly 40% of total revenue [33][34] - The article emphasizes the importance of innovative design and storytelling in the toy industry, suggesting that brands need to evolve beyond being mere collectibles to become cultural symbols [36][37]