中国影视出海新常态:东南亚成“桥头堡”
Zhong Guo Jing Ying Bao·2025-06-19 16:55

Core Insights - The structure of the box office composition in China's film market has significantly changed since 2020, with the proportion of imported films dropping from over 36% to a projected 21% by 2024 [1] - The Shanghai International Film Festival has introduced forums and promotional activities for various countries, indicating a trend towards more diverse international cooperation in the film industry, particularly with Southeast Asia [1] Box Office Trends - The share of Hollywood films in the Chinese market has also decreased, with projections showing a decline from 13.5% in 2020 to 15.1% in 2024 [1] - The Southeast Asian market is increasingly recognized as a potential growth area for Chinese films, with significant box office contributions from countries like Malaysia [3] International Collaboration - Chinese film companies are looking to collaborate with Southeast Asian and Japanese firms for mid-budget films, as opportunities for large-scale productions are limited [3] - The potential for collaboration has been highlighted by successful projects like the "Detective Chinatown" series, which have utilized Southeast Asia as a filming location [3] Market Growth - The Southeast Asian film market has recovered to pre-pandemic box office levels and is growing at an annual rate of 5%-6%, with a predominantly young audience [3] - The region has a significant Chinese-speaking population, providing a solid audience base for Chinese-language films [3] Tax Incentives - Many Southeast Asian countries offer attractive tax incentives for film production, with some providing rebates of 20%-30%, encouraging Chinese companies to film and establish branches in the region [4] Distribution Challenges - Chinese films often do not consider overseas distribution until after production, which can lead to cultural mismatches and lower acceptance in foreign markets [6] - The high costs of marketing and distribution in China pose challenges for smaller films from Southeast Asia, limiting their box office potential [7] Cultural Exchange - There is a call for greater cultural exchange and understanding between Chinese and Southeast Asian filmmakers to enhance the appeal of films in both markets [8]