Core Viewpoint - The article highlights the journey of a young glass artist, Qin Yuling, who has established herself in a niche field of glass art in China, particularly in Jingdezhen, and emphasizes her unique approach to creating art that encapsulates memories and time [1][12][24]. Group 1: Artist Background and Journey - Qin Yuling, a 90s-born girl from Hunan, studied glass art in Japan for six years before returning to China in 2021 to pursue her passion [12][49]. - She borrowed 60,000 yuan to rent a factory space, buy materials, and set up her own glass studio, becoming the first artist in China to build a glass-blowing furnace in a personal studio [1][3][12]. - Currently, there are likely fewer than 10 artists in China engaged in glass-blowing art, making her a pioneer in this field [3][12]. Group 2: Artistic Process and Exhibitions - Qin Yuling's works have been exhibited in prestigious locations such as the Tokyo Metropolitan Art Museum and the Shanghai Glass Museum, showcasing her talent on an international stage [3][12]. - Her recent exhibition, "The Gecko's Broken Tail and People Trapped in the Old City," features over ten glass installations that reflect her childhood memories and the passage of time [8][19][24]. - The glass-blowing process requires maintaining temperatures above 1000 degrees Celsius, and she often works for over ten hours a day in high heat [4][17]. Group 3: Themes and Concepts in Art - The theme of her latest exhibition revolves around family and past memories, using glass to "preserve" these experiences [24][31]. - She creates pieces that reflect on the transient nature of life, such as a glass "rocking chair" that encapsulates the remnants of a decayed chair, symbolizing the preservation of memories [33][35]. - Her work often contrasts the ephemeral nature of human experiences with the permanence of glass, as seen in her installations that incorporate photographs and everyday objects [31][41][46]. Group 4: Economic Considerations and Artistic Pursuits - Qin Yuling faces the challenge of balancing financial stability with her artistic ambitions, often questioning the sustainability of pursuing art without a steady income [57][62]. - She acknowledges the importance of earning money to support her artistic endeavors, reflecting on the broader dilemma faced by many artists [59][62]. - The article concludes with her contemplation on whether financial security would allow for a more profound artistic exploration, suggesting that the pressures of daily life can hinder creative expression [64][66].
全国不到100人的冷门行业，这个湖南姑娘成了行业高手
3 6 Ke·2025-07-04 01:29