从那艺娜到者来女，当代身份狂想曲

Core Viewpoint - The article discusses the phenomenon of identity fabrication in the entertainment industry, focusing on two figures, Zhe Lai Nu and Na Yi Na, who embody the complexities of modern identity and performance in a post-truth society [1][2][3]. Group 1: Identity and Performance - Both Zhe Lai Nu and Na Yi Na engage in identity fabrication, reflecting a modern survival metaphor where individuals must create and sell their identities in both job and consumer markets [2][6]. - The article highlights how Zhe Lai Nu's various aliases and Na Yi Na's initial portrayal as a foreigner serve as examples of how individuals navigate and manipulate their identities for public acceptance [4][5][6]. Group 2: Audience Reception and Cultural Commentary - The audience's perception of Zhe Lai Nu and Na Yi Na has shifted from ridicule to a more sympathetic understanding, indicating a complex relationship between performers and their audience in the context of identity and authenticity [9][11]. - The article notes that the public's engagement with these figures reflects a broader cultural trend where people seek to participate in the narrative, blurring the lines between reality and performance [13][16]. Group 3: Market Dynamics and Commercial Success - Na Yi Na's transition from a viral internet persona to a successful singer demonstrates the potential for identity manipulation to yield commercial success, as evidenced by her sold-out shows and significant ticket demand [14][15]. - The article suggests that the rise of such figures is fueled by a willingness among audiences to invest in experiences that allow for personal expression and community engagement, particularly within niche markets [15][16].