透过孩子的双眼，望见诗意三江源（新语）

Core Viewpoint - The children's play "Black Eyes on the Plateau" returns to its origin in Yushu, Qinghai, celebrating 15 years of support from Beijing, and aims to bridge cultural and geographical gaps through storytelling and artistic expression [1][2]. Group 1: Artistic Creation - The play is set against the backdrop of the Sanjiangyuan National Nature Reserve and tells the story of a Beijing boy named Xia Tian who forms a genuine friendship with local children, including a boy named Zhashi [1]. - The creative team undertook field research in Qinghai, immersing themselves in the local culture and environment to capture the essence of the plateau, which informed the characters and narrative of the play [1]. Group 2: Cultural Exchange - The perspective of children is central to the narrative, with Xia Tian's experiences serving as a lens for the audience to view the Sanjiangyuan region, highlighting his transformation from resistance to acceptance of local customs [2]. - The use of puppetry and dance in the play serves as a dynamic representation of the plateau's wildlife, blending traditional art forms with modern aesthetics to engage audiences [2]. Group 3: Audience Engagement - Performances in both Qinghai and Beijing have elicited enthusiastic responses from audiences, demonstrating the potential for cultural dialogue and emotional resonance across different regions [2]. - The play aims to leave audiences with a deeper appreciation for nature and local culture, planting a metaphorical seed of respect and longing for the snow-covered plateau [3].