姜文不行！别上！

Core Viewpoint - The article discusses the controversial reception of Jiang Wen's latest film "You Can! You Go!" and critiques its storytelling and character development, suggesting that it lacks depth and coherence compared to his previous works [11][12][36]. Group 1: Film Overview - "You Can! You Go!" is Jiang Wen's seventh independent directorial work, released seven years after "Evil Can't Suppress Justice" [6]. - The film is perceived as the most controversial of Jiang Wen's career, receiving a significant amount of negative reviews, particularly on platforms like Douban [11][12]. - The narrative superficially follows the life of pianist Lang Lang, but is criticized for being more of a chronological account rather than a compelling story [19][21]. Group 2: Character Analysis - The film focuses more on Lang Lang's father, Lang Guoren, rather than Lang Lang himself, portraying the father's psychological journey in raising his son [26][30]. - Other characters in the film are described as overly simplistic and lacking depth, serving merely as tools in the narrative [28][29]. - Jiang Wen's portrayal of Lang Guoren is seen as a mix of affection and authoritarianism, diverging from the more oppressive image typically associated with the character [30][71]. Group 3: Critique of Style and Technique - The film is criticized for its lack of engaging storytelling and technical execution, with claims that it feels rough, tedious, and lengthy [36][65]. - The article suggests that Jiang Wen's previous films, even without deep metaphors, were still captivating, whereas this film fails to engage the audience [35][36]. - There is a notion that the film's design and metaphorical elements come off as superficial and poorly executed, leading to a lack of meaningful engagement with the audience [34][42]. Group 4: Audience Reception and Expectations - The audience's trust in Jiang Wen has diminished, with many feeling that the film's themes of paternalism and masculinity are outdated and unappealing [78][79]. - The article implies that Jiang Wen's attempt to convey deeper meanings through the film may come off as pretentious, alienating viewers [42][79]. - There is a call for Jiang Wen to reconsider his approach to filmmaking, suggesting that he should focus on understanding the audience rather than imposing his narrative [80][81].