Group 1 - The article discusses the trend of "female suffering" in short dramas, highlighting its prevalence and the impact on female actors in the industry [2][3][28] - Short dramas have become a dominant form of entertainment, catering to the fast-paced lifestyle and fragmented viewing habits of audiences, with an expected market size exceeding 650 billion yuan by 2025, growing at 36% [5] - The portrayal of female characters often involves physical and psychological violence, with a focus on creating emotional responses from viewers, leading to a cycle of gendered violence in storytelling [10][30][69] Group 2 - Female actors face significant challenges in the industry, often being typecast into roles that require them to endure physical violence, which is seen as a standard part of their job [6][20][21] - The disparity in workload and compensation between male and female actors is evident, with female actors often taking on more demanding roles while receiving the same pay as their male counterparts [18][21][50] - The normalization of violence against women in scripts reflects broader societal issues, as these narratives can influence audience perceptions and behaviors, particularly among younger viewers [70][74][82] Group 3 - The writing process for short dramas has evolved to demand increasingly extreme portrayals of female suffering, with a focus on shocking and sensational content to capture audience attention [62][63] - The industry is characterized by a lack of formal training and support for actors, leading to a reliance on shared experiences and informal knowledge to navigate the challenges of performing in violent scenes [27][28][60] - The commodification of gender violence in short dramas creates a feedback loop where such content is prioritized for its commercial viability, often at the expense of ethical considerations [30][68][80]
“爽”是怎么炼成的?短剧里的性别暴力公式
Hu Xiu·2025-08-01 07:55