该清的要清，该退的要退

Core Viewpoint - The summer box office was significantly boosted by the success of "Nanjing Photo Studio," which prevented an otherwise dismal performance and exacerbated the operational crisis of cinema chains [1][4]. Group 1: Box Office Performance - "Nanjing Photo Studio" grossed 1.574 billion yuan in 11 days, accounting for 56.8% of the total box office [2]. - Other films like "Wandering Mountain Little Monster" and "The Legend of Little Nezha" had lower earnings, with 152 million yuan and 353 million yuan respectively, indicating a disparity in box office success [2]. - The overall quality of films released during the summer was above average, but they lacked the blockbuster appeal needed to drive significant box office revenue [3]. Group 2: Industry Challenges - The Chinese film industry is in a precarious position, being the largest single market globally for cultural products, yet struggling to produce groundbreaking works [5][8]. - There is a notable gap between the audience's expectations for innovative content and the industry's current output, which often relies on outdated narratives and themes [12][16]. - The persistence of classic films in the audience's consciousness highlights a failure of new productions to resonate, leading to a cultural stagnation [6][11]. Group 3: Audience Expectations - Contemporary audiences are increasingly demanding high-quality storytelling and visual experiences, leading to a decline in interest for mediocre films [7][22]. - The cultural consumption threshold has risen, making it difficult for average films to succeed in a market that favors either exceptional or classic content [7][25]. - The need for a new generation of filmmakers who can meet modern standards is critical for the industry's evolution [15][19]. Group 4: Market Dynamics - The current market is characterized by a rapid turnover of cultural products, with new classics emerging to replace older ones [8][19]. - The film industry must adapt to the changing landscape, where traditional producers may struggle to keep pace with new creative forces [10][17]. - The expectation for domestic films to compete on an international level is growing, necessitating improvements in both content and production quality [21][22].