100年前，一群亚洲人闯入巴黎，如今享誉世界

Core Perspective - The exhibition "The Other City: Asian Artists in Paris from 1920 to 1940" at the National Gallery of Singapore highlights the significant yet often overlooked contributions of Asian artists during a vibrant period in Paris, showcasing over 200 works from more than 100 artists from various Asian countries [4][12][54]. Group 1: Historical Context - Paris was the cultural heart of the world from the 1920s to 1940s, attracting artists globally and forming the "Paris School," predominantly led by foreign artists [9][12]. - By 1931, foreign residents made up 9% of Paris's population, including hundreds of Asian artists who faced a dual identity as both inspired creators and cultural outsiders [9][12]. Group 2: Exhibition Details - The exhibition is the first systematic exploration of Asian artists from this period, featuring notable figures such as Zhang Liying, Liu Kang, and the legendary painter Pan Yuliang [12][36]. - The exhibition is divided into five thematic sections: "World Workshop," "Colonial Theater," "Performance and Stage," "Exhibition Scene," and "Studio and Street," reflecting the diverse experiences of these artists [12][13]. Group 3: Notable Artists - Chang Yu, known as the "Oriental Matisse," created works that blend Eastern aesthetics with Western techniques, achieving a record sale of 270 million for one of his nude paintings [21][30]. - Xu Beihong, a prominent figure among Chinese artists in France, aimed to revive Chinese painting and contributed significantly to art education upon his return to China [32][34]. - Pan Yuliang, a trailblazing female artist, overcame significant personal hardships to become a celebrated figure in the art world, with her self-portraits reflecting her unique cultural identity [36][39]. Group 4: Cultural Significance - The exhibition aims to challenge the narrative that Asian artists were merely apprentices in Paris, emphasizing their integral role in shaping the city's artistic landscape [54][56]. - The artists' works reflect a blend of cultural confidence and a deep connection to their heritage, showcasing their ability to navigate and contribute to the Western art scene while maintaining their Eastern roots [16][54].